Archive for the ‘Uncategorized’ Category
Pledge your support to Black Tape For A Blue Girl on Patreon; get all access to our new music
SHORT VERSION: If you enjoy Blacktape’s music, want exclusive access to unreleased new work, and can pledge $2 or more a month, please become a patron of my art.
Watch the video & pledge at: https://www.patreon.com/blacktapeforabluegirl
Hello, I’ve discussed here on the Projekt eList — and my Facebook page — the dramatic changes that have swept through the music business in the last 15 years. Only a few artists I know survive off their art. Most of us have day jobs, music is something we do when we can find the time. My day job is running Projekt Records (working with the artists, doing graphic design for the covers, product management as the CDs are manufactured, communicating with my distributors and press contacts). Hey, I’m not complaining, it’s a pretty fun job. I work for myself, and I’m involved with music every day.
The label began as a vehicle for my music, Black Tape For A Blue Girl. For twenty-nine years, I’ve been releasing ethereal, gothic, & darkAmbient albums. But we’ve only released two CDs in the last decade; the problem really is that the day job takes up all my time and I don’t get into the studio to create. I want to get back to the way it was in the 90s when I was a musician who ran a record label, instead of being a guy who runs a record label who occasionally has time to make music.
I’m asking for your support to make this possible.
Albums sell a fraction of what they did at the peak of the music industry, back when Remnants of a deeper purity was released. Even with the dramatic decline in sales, I realize people still listen to a lot of music; there’s so much available at our fingertips. For most people, their preferred price point is FREE.
There’s not much financial support for creators within “free.”
That’s a big problem in the system. Legally and ‘illegally,’ it’s easy to find music that you don’t have to pay for. But all of us artists deserve to be fairly compensated for our work. It takes time, energy, and passion to create music. And there needs to be return on that time spent, in orders for creators to keep creating. We live in a world of real things… like rent. Our landlords don’t take high-fives and MP3s of our latest song as payment. : )
And honestly, I don’t want musicians to be hobbyists. I want it to be their full-time job. As I wrote here on the list, last October, “I don’t want my favorite artists to be amateurs. I really want to live in a world where artists can focus on their art… Think about it! It’s a very weird world where the-average-joe expects to be paid for their labor, and yet people are generally OK with the artists they love working some other job so music can be their hobby.”
Yet I realize I’m a hobbyist. In 2015, a band like Black Tape For A Blue Girl, with years of history, doesn’t sell enough CDs and downloads to pay my living expenses, let alone support five of us. My “real job” keeps a roof over my head, and pays for my son’s ice hockey & my cat’s medicine.
I’d rather spend my time making music; it’s fun and challenging and interesting.
I’m beginning to see a solution that makes it possible.
Crowdfunding seems viable to me. It’s a direct connection to those who love my work. Plus crowdfunding has been so rewarding to me; not just monetarily, but on a personal level. When I did the Remnantsvinyl Kickstarter back in 2013, I loved posting updates, and private messaging, to keep you up-to-date on the status of the manufacturing. In the process, I learned more about you: the people who love what I create. It feels good to talk with people who are excited about music. Invigorating. In my line of work as Projekt’s label manager, I spend a lot of time looking at what has been lost over the years, and too little time thinking about what draws you to music, and excites you about we create.
Wayne Dyer says, “What you think about expands.” I reflect on this often, try to stay positive, and focus on the good things. Thinking about what’s possible is much better than dwelling on what can’t be done. Either strategy solidifies the reality of that particular perception of the situation.
Oh, got a bit off topic. Let me reel it back in…
I’m recreating the sort of exchange that happened during the crowdfunding of Remnants, and evolving it into an ongoing experience. I’ve started a page on Patreon to immerse you in my work: get access to my music as it’s evolving in the studio. Patreon allows YOU, the patron, to support ME, the artist, so I can dedicate more time to writing and recording songs for you. This really makes sense!
“Patreon is empowering a new generation of creators to make a living from their passion and hard work… Over 125,000 people have become patrons of creators on Patreon, paying them over a million dollars every month. Their patronage takes the form of a recurring pledge – a promise to pay creators per work or per month. The sum of these ongoing pledges constitutes sustainable, reliable salaries for professional creators around the world.” (from a blog on Patreon)
This is a return to the patronage system. But rather than one King, there are many Kings who support my music.
You are the new Kings.
In the last 24 hours, 20 patrons have signed on to support me! $189 expands my thoughts about my goal of setting aside more time to work on music. As more pledges come in, I have more impetus to take off from work to make music.
Your recurring monthly pledge of $2, $5, $10 or more gives me the freedom to follow my muse.
Patreon is different from Kickstarter. Rather than providing one-time support to fund an object such as a CD, you’re giving ongoing support. The money goes towards a sustainable, reliable salary (which I’ll use to cover my living expenses, plus wages for my bandmates when they join me in the studio, gear repair, plane tickets, out-of-town studio sessions, etc).
You’ll get exclusive access to Black Tape For A Blue Girl in the studio: * private posts featuring work-in-progress * behind-the-scenes videos * revised versions of new songs as additional instruments are added * tracks that otherwise would never be released * early mixes of songs from older albums * live recordings * and my updates in the activity feed (where we chat and you meet a community of other Blacktape fans)
Thanks for your interest in supporting me. This is how to make a difference in 2015!< Watch the video and make your pledge to help keep the music flowing. Thanks!
PS: Even if you cannot afford to pledge today, it would be incredibly kind and helpful if you share the link on your Facebook, Twitter, etc. Thanks. https://www.patreon.com/blacktapeforabluegirl
From Projekt Records’ Sam Rosenthal.
A customer recently asked if any of Projekt’s albums were available in higher resolution Digital Downloads. Indeed, some of them are. Here’s a list of those titles, available from our friends at Spotted Peccary:
Steve Roach & Jorge Reyes (24/96k): The Ancestor Circle
Available midnight Monday Jan 5: Byron Metcalf / Steve Roach / Rob Thomas (24/96k) Monuments of Ecstasy
Ataraxia: Wind At Mount Elo CD $18 Brighter Death Now: With Promises of Death CD $14 Chandeen: Forever And Ever Vinyl LP $23 Chandeen: Forever And Ever CD $18 Eldar: Nous CD $18 Lydia Lunch & Spiritual Front: Twin Horses Vinyl LP $17 Othila: Brònagh Limited Box CD $35
From Projekt Records’ Sam Rosenthal.
2014 was another productive year for Projekt: the label released 18 CDs, repressed 4 older out-of-stock CDs, and added 10 digital-only titles to the roster. The physical releases were a mix of standard editions and limited editions, choices that made sense with the ongoing devolution of the music industry. Stores hardly stock music anymore, so we’ve lost the “random discovery” that retails stores once provided. Instead, most sales are at Amazon or directly from our webstore; which means it’s only the dedicated and hardcore who are discovering Projekt releases. This leads to limited edition releases, to satisfy those specialized needs. These releases have a finite issue, and will not be repressed when they sell out; you should buy your copy while you can. Bare in mind that some titles are nearly sold out (see red text below). With that in mind, here’s a list of the 18 physical CDs from 2014.Limited Editions
PRO291 Mercury’s Antennae: A Waking Ghost Inside 85 COPIES LEFT – Buy the Projekt CD PRO294 Stratosphere With Dirk Serries: In A Place Of Mutual Understanding 13 COPIES LEFT – Buy the Projekt CD PRO300 All my faith lost…: Redefine my pure faith — Sold Out! PRO301 black tape for a blue girl: Remnants of a deeper purity 2-LP Vinyl 100? COPIES LEFT – Buy the Projekt LP PRO306 Erik Wøllo: Tundra (ep) – Sold Out! PRO307 Mirabilis: »Here and the Hereafter« 59 COPIES LEFT – Buy the Projekt CD PRO308 Unto Ashes: Ghosts Captured 26 COPIES LEFT – Buy the Projekt CD PRO309 Dirk Serries: The Origin Reversal 16 COPIES LEFT – Buy the Projekt CDStandard Editions
PRO292 Alio Die + Sylvi Alli: Amidst the Circling Spires – Buy the Projekt CD PRO296 Paulina Cassidy: Sugar Wingshiver – Buy the Projekt CD PRO297 Steve Roach / Kelly David: The Long Night – Buy the Projekt CD PRO298 Erik Wollo: Timelines – Buy the Projekt CD PRO299 Loren Nerell and Mark Seelig: Tree of Life – Buy the Projekt CD PRO302 Steve Roach: Structures from Silence (3-CD remastered) – Buy the Projekt CD PRO303 Byron Metcalf and Mark Seelig: Intention – Buy the Projekt CD PRO304 Byron Metcalf & Dashmesh Khalsa & Steve Roach: Dream Tracker – Buy the Projekt CD PRO305 Steve Roach: The Delicate Forever – Buy the Projekt CD PRO310 Steve Roach & Jorge Reyes: The Ancestor Circle – Buy the Projekt CDWhat were your fellow Projekt aficionados purchasing? 2014 Top-10 sellers in the Projekt webstore
#1 PRO305 Steve Roach: The Delicate Forever – Buy the Projekt CD #2 PRO307 Mirabilis: »Here and the Hereafter« – Buy the Projekt CD #3 PRO291 Mercury’s Antennae: A Waking Ghost Inside – Buy the Projekt CD #4 PRO309 Dirk Serries: The Origin Reversal Buy the Projekt CD #5 PRO306 Erik Wøllo: Tundra (ep) – Sold Out! #6 PRO302 Steve Roach: Structures from Silence (3-CD remastered) – Buy the Projekt CD #7 PRO308 Unto Ashes: Ghosts Captured – Buy the Projekt CD #8 PRO300 All my faith lost…: Redefine my pure faith — Sold Out! #9 PRO297 Steve Roach / Kelly David: The Long Night – Buy the Projekt CD #10 TIM30 Steve Roach: The Desert Collection (Volume One) – Buy the Timeroom CD2014 Top-10 sellers in the Projekt Bandcamp Store
#1 PRO302 Steve Roach: Structures from Silence (Deluxe edition) – Buy the download #2 PRO297 Steve Roach / Kelly David: The Long Night – Buy the download #3 PRO303 Byron Metcalf and Mark Seelig: Intention – Buy the download #4 PRO298 Erik Wollo: Timelines – Buy the download #5 PRO306 Erik Wøllo: Tundra (ep) – Buy the download #6 PRO310 Steve Roach & Jorge Reyes: The Ancestor Circle – Buy the download #7 PRO305 Steve Roach: The Delicate Forever – Buy the download #8 PRO144 Steve Roach: Mystic Chords & Sacred Spaces (complete edition) – Buy the download #9 PRO300 All my faith lost…: Redefine my pure faith – Buy the download #10 PRO291 Mercury’s Antennae: A Waking Ghost Inside (300) – Buy the download
As somebody who loves data, I look at this and see a number of interesting points: 1) On both charts, 9 of the 10 titles are 2014 releases. 2) The top-6 at the webstore are completely different from the top-6 at Bandcamp. Not a single title on both! 3) Everything on the physical CD chart (except #10) was a Projekt-label release. The big sellers are Projekt’s own titles, as opposed to about 10 years ago, when we had non-Projekt CDs in the charts. 4) However, it’s not just the top-sellers that keep the webstore in business, it’s the overall totals; and that tells a different story. 2014 Income from the Projekt webstore: Projekt CDs = 42% Non-Projekt CDs= 40% Projekt sale CDs = 18% You guys still like the variety of music we stock in the store, and enjoy the deals you can get on Projekt sale CDs. 5) That’s a lot of ambient/electronic on these charts. It’s a chicken-and-the-egg question. Does Projekt release more electronic, because that’s what you buy? Or do you buy more electronic, because that’s what Projekt releases? My impression is it’s harder and harder to sell a Darkwave title these days, so I focus on the electronic releases. 6) 4 of the top-10 physical sellers are in the Darkwave genre, including 2nd & 3rd slot; while only 2 of the top-10 Bandcamp are Darkwave, and they are in the 9th & 10th slot. It’s interesting how electronic-focused these download sales are. Not what I expected, when I started using Bandcamp. I thought it would be more for the darkwave side of the label. 7) Look at #2 + #3 on the physical list. Both feature Dru on vocals. (Hi Dru!) 8) I think All My Faith Lost… would have been higher on the chart, if the release hadn’t been limited to 200. That was the first in the limited edition series, and I underestimated your interest in this band. 9) A lot of the electronic focus is the work of Steve Roach, an amazing & prolific artist. I counted recently. 60 of Projekt’s 310 releases are from Steve. If you consider that at least 50 of those 310 are out of print, that means just about 25% of Projekt’s CDs have Steve’s name on the cover! And even more, many of the titles consistant sellers at retail are Steve’s. I love his music, and it’s very rewarding to see that so many of you love it, as well. 10) Buy those limited edition releases before they are all gone!
I could stare at these numbers all day and come up with new observations. But actually, I’ve been not working the last five days, and will continue not working for the next three days. I’ve been in the studio creating new songs. I’ve never taken a staycation to work on music. It’s a lot of fun, though the days all seem to blur into each other, and day and night flashes by, kind of like that scene in The Time Machine. Harley yowls at me from the living room, and storms into the studio demanding pets… and new music comes from non-existence into existence!
Well… That’s a statistical wrap-up for 2014. Thanks for your ongoing support.
I hope your holidays have been wonderful, and that you enjoy a great New Years Eve with people you love.
From Projekt Records’ Sam Rosenthal.Digital Downloads
Although much of the music industry is about digital downloads of single tracks, Projekt is fortunate that our fans still love listening to full albums; listening to the entire vision of Projekt’s artists. For that reason, our Bandcamp store is set-up for full album downloads.
I’m often asked, “Which site is most popular for Projekt?” iTunes is the #1 source for Projekt digital sales. You might be surprised to learn that our Bandcamp store is #2. This is good news for us because (a) Bandcamp takes a smaller fee than other sites (10%!) and (b) Projekt’s Bandcamp store has FLAC files available for those of you who prefer higher resolution music. There’s a nice win-win!
A lot of Projekt’s catalog still needs to be added to Bandcamp. Since this is a manual project – and I do all the work – it’s time consuming, but I’ll eventually get to everything.
I’ve recently added some catalog titles, all of which are on sale for $5 until Midnight on Monday the 15th! Also available is a new retrospective from ethereal/darkwave act This Ascension (this is the Dru’s band from the 90s, before Mercury’s Antennae and Mirabilis). Click the cover below to go to the page on Bandcamp:This Ascension presents the digital-only release Deeper and Further Away: An Introduction to This Ascension. This five-dollar digital-retrospective includes songs hand-picked by the band (including a couple available digitally for the first time) that represent their dark, alternative, ethereal beauty. From the band’s first song, 1998’s “Isabella,” to the majestic anthem “Mysterium,” Deeper and Further Away is a great chance to become acquainted with this darkwave pioneer or say hello again to an old friend.
Music for your Holiday enjoyment!
Various Artists: Holiday Twin Pack: Ornamental 2-CD compilation and Jill Tracy’s Silver Smoke, Star of Night | $20
Ornamental contains 20 previously-unreleased tracks recorded exclusively for this compilation as well as three tracks only available on obscure compilations. Jill Tracy’s Silver Smoke, Star of Night will take you to a dark, elegant netherworld full of hidden passageways, wonder cabinets, and opium dens. Of monsters, marvels and mayhem. You know it’s not safe here; but with Jill Tracy as your guide, you’ll be in no hurry to leave.
From Projekt Records’ Sam Rosenthal.Movies in the Dark
On Friday, I hosted the Tony Scott-directed David Bowie film “The Hunger” at Portland’s Hollywood Theatre. It was the first installment in a series I’ve started, called Movies in the Dark. It’s an opportunity to hang out with goth friends in a non-club environment, watching gothically-tinged films. There’s beer, and food, and movies! Nearly 200 people attended! This was a fantastic start to the series. Thanks to all the Goths who came out to watch q rare 35mm showing of this cult 1983 film!
I was chatting with people in the lobby before the movie started. One woman told me about herself, and it reminded me of this verse from the Velvet Underground’s “Rock ‘n’ roll”: One fine mornin’, she puts on a New York station And she couldn’t believe what she heard at all She started dancin’ to that fine-fine-fine-fine music Ooohhh, her life was saved by rock ‘n’ roll Hey baby, rock ‘n’ roll
She told me about growing up in Alabama in the 90s, discovering Projekt Records and Black Tape For A Blue Girl, and how that bond created something deep and meaningful for her. I paraphrase here, but she said it saved her life. Hell yes! That’s what art is about: that deeper connection that tells you there’s more out there in the world than what you are stuck with where you’re at. It’s great to know that (like so many of us) she found community and acceptance within the music, and it resulted in an escape to a better life! Conversations like this make being “the guy behind Projekt” especially worthwhile. I’m proud of the impact that Projekt has had over the years.
If you have a story about being saved by rock ‘n’ roll, please post it below or send it to me in a message.
You can join the Movies in the Dark email list. I will update you about the second film soon.Saved by Rock ‘n’ Roll
What would I be doing, if it wasn’t for making music and running a record label? It’s really hard to imagine. One thing I mentioned in my introduction to “The Hunger,” was that the film came out in 1983: the same year the first Projekt cassette was released. Thirty-one years ago, can you believe it? Projekt’s been my full-time for the last twenty-three of those years. Running a record label is what I do. That means riding the waves of the changes in the music industry; keeping informed on the evolution — or perhaps ‘devolution’ is more appropriate. The Music Business isn’t what it was five years ago, or ten years ago, and certainly not thirty-one years ago!
Thirty-one years. Think about everything that has transpired in the world in those thirty-one years! All the changes, advances, problems, dreams. There were a few people at the movie who weren’t even born when the film came out. That was interesting, too. “Remember this, remember that?” And they were thinking, “Nope, I don’t remember any of that, oh elder goth!” : )
But the idea I’m having here is about being saved by the music. Whether the goth or the electronic side of the label, music is really the pulse that matters to me. The thread that runs through my life.
That, and movies, I suppose. I was a TV/film major in college. These are the stories that take you out of your world and into a different climate, so you can reflect back. That’s pretty exciting stuff.Alex Cox’s new film
This is incredible. I didn’t know that Alex Cox (the director of Repo Man, Walker, Sid & Nancy and others) teaches film at the University of Boulder, nor did I know that he crowdfunded his most recent movie as a student project. Bill The Galactic Hero is having it’s West Coast Premiere in Portland. It’s a SciFi move made for $114,000, which is one thousandth of the budget of Gravity; one two hundred and fiftieth the budget of Ender’s Game. I think it’s sort of sad that Cox isn’t a Hollywood Hero, but ends up teaching at an out-of-the-way college; then again, maybe this is the way he wanted it? I am not sure.
I know many people are bugged by his movies for not being all that accurate, but they certainly have a unique voice. And that’s something important. He’s not another generic Hollywood director. But then you probably already know I’m weird! My two favorite directors are Gilliam and Herzog.Link a-doodle-doo
I was Dennis Hopper’s henchman | Article at The Guardian. For a time in California, Alex Cox was Dennis Hopper’s No 4 henchman. He recalls the director’s brilliance and breakdowns – and how John Wayne once tried to kill him.
Side-Line Poll 2014 – participate now! | They write: “The end of 2014 is drawing nearer each day, so it’s time to have our yearly poll at Side-Line magazine. This year we added some different questions too such as your media use. The results will be communicated in the first week of January 2015! You can cast your vote here.
Anne Rice: David Bowie and the end of Gender 1983, Vogue Magazine | Read
Hello … Did you know that today is Giving Tuesday ? It’s a day to celebrate generosity and to give. I’d like to incentivise your giving with a free CD from Projekt.
1 Make a donation (of $25 or more) to an organization that does great work 2 After you donate, email a receipt or confirmation message to email@example.com. Include your mailing address, and your choice of CD (from the list below). 3 I will pay for postage in the USA. For overseas contributors, I will respond with a paypal postage total, to cover shipping costs. 4 Please send me your email by midnight, Thursday December 4, 2014Here are the free CDs you can chose from:
The Deadfly Ensemble: Aspiring Arsonist (Eclectic, darkwave, post-punk) Every silver lining has a cloud: debut (ShoeGaze) Forrest Fang: Animism (ambient, electronic) Sam Rosenthal: The Passage (DarkAmbient) Various Artists: A cat-shaped hole in my heart (darkwave, dream-pop, etc) Weep: Alate (postpunk, 80s, pop)Here are some of my favorite charities:
Blind Cat Rescue & Shelter :: donate button is a red heart on the right side of this page Center for Sex & Culture :: red donate button on the right side of this page ;(this might be considered NSFW) The Hollywood Theatre :: web page to donate Planned Parenthood :: web page to donate Thich Nhat Hahn Foundation:: web page to donate The Treehouse Humane Society :: web page to donate (I’ve been supporting them since 1999)
All of these are located within the United States and are Tax Deductible. You can also donate to an organization of your choice; let me know why it rocks!Suggested by You:
luciesplace.org | a group that helps LGBT homeless kids in Arkansas.
Thanks for Giving, Sam
Physical CDs: 20% off
20% Off purchases at Projekt’s webstore. Use discount code 20%holiday during checkout (sale excludes items in the PRE-ORDERS and NEW categories). Sale ends 11:59pm EST tonight, Monday Dec 1, 2014.A free CD with your $20 purchase
While supplies last, get A Dark Noel free with your $20 (before postage) order. Add the CD to your cart to get your copy. Because of the way our webstore is coded, the CD counts as one item towards your postage total.Top-10 November webstore titles:
1 Unto Ashes: Ghosts Captured (with bonus CD) 2 Mirabilis: Here and the Hereafter (with 2 bonus CDs) 3 Steve Roach & Jorge Reyes: The Ancestor Circle 4 Various Artists: 10 Projekt CDs for $30 (Ambient/Electronic Clearance Box) 5 Weep: Weep (2014) 6 Dirk Serries: The Origin Reversal 7 Chandeen: Forever And Ever CD (pre-order, due in December) 8 Mercury’s Antennae: A Waking Ghost Inside 9 Klaus Schulze & Lisa Gerrard: Big in Europe Vol.2: Amsterdam (2 CD + 2 DVD) 10 The Birthday Massacre: Violet Vinyl LPDigital Downloads: 50% off
Take 50% Off your purchase at Projekt’s Bandcamp store. Use discount code november at http://www.projektrecords.bandcamp.com and http://www.blacktapeforabluegirl.bandcamp.com This sale ends tonight, 11:59pm UTC, Friday Nov 28, 2014.
Share on your Facebook & Twitter: https://www.projekt.com/store/20and50/
From Projekt Records’ Sam Rosenthal.People love the old days.
Ok, I get it. There was that certain point in time when that certain song just hit you. Or the first time you discovered an artist. Or maybe it’s a special somebody, and the music they always use to listen to, which still brings back great memories. There’s all sorts of good reasons.
And sometimes it’s because, “Music was just better back then,” or, “All new bands suck.”
Yes, there are many reasons why the 90s were a high point in music.
I get Facebook messages from people along the lines of, “I just discovered your page. I didn’t know Projekt was still around.” I ask a few questions and discover the last album they purchased from Projekt was something like PRO51, Love Spirals Downwards’ 2nd album Ardor. And, oh boy! Projekt has released 259 albums since then! (They’re reminiscing about a very thin sliver of a pretty lengthy Projekt history.)
And hey, I appreciate those memories! I appreciate that Projekt was there for you at a certain point in your high school or college years. But artists keep making art; and times change. Love Spirals Downwards and Lycia aren’t even on the label anymore, they haven’t been for years. Time keeps on slippin’ slippin’ slippin’…
Swag, merchandise, stuff! I was wondering a few days ago: What do people our age want? I know that the majority of my readers are not millennials. My estimate is the average age is 45, with most of you falling into the 35 – 55 range. What do we want? I recently received a care package from the Treehouse, a no-kill shelter in Chicago that I’ve donated to since the late 90s when I released A cat-shaped hole in my heart (a benefit CD, where all royalties went to the Treehouse). The care package contained a metal water bottle, a t-shirt (Ewww, white!!! Who’s gonna wear that?), a reuseable supermarket bag, and a set of writing cards. I guess this is the sort of stuff that people like me want? Actually, the water bottle and supermarket bag were immediately useful to me. And a black American Apparel Medium shirt would have made it 3 out of 4!
Cards? Do you write a lot of cards these days? Would you like a set of 5 cards with images from Projekt albums from the 90s? That’s something I could put together!
Maybe we need something new? A new thingie with the Projekt logo on it. Do you have suggestions? Post them in the comment area below.
Back on topic… People love the old days. I admit it: I listen to a lot of old music as well. I guess I don’t hear that many new bands that excite me. Is it because I’ve listened to a thousand bands, I am too picky, or what? I try. I try to listen to new things, but I do keep finding myself drifting back to music I already know I love.
Robert S wrote: “By the way, your music (Black Tape…) and the music that you recommend has been a part of my life going back to the late 80’s when I first started working for Parks and Recreation. I loved the manual stuffing of the packages when you mailed out everything by hand, especially the post cards. Would you believe it, I am now officially retired and I still follow your music endeavors although on a pretty fixed income; I cannot buy as much as I used to. I hope you keep up the interest in creating music and ensuring that the younger generation has the opportunity to listen to, enjoy and even learn from quality music. I may be old fashioned to a point but the current “pulp music” really has nothing to offer and makes no significant statement that has any kind of meaning. Thanks for what you do.”
My reply: Well, the orders are still stuffed by hand; just that it is Joe doing the stuffing these days. And it’s interesting what you said about a fixed income. More than one person replied that they don’t buy as much music as they used to, because of the economy. That sort of gets to the heart of last week’s rant. But ok, wait. Not ranting today….What about Black tape for a blue girl?
With my own music, I’ve tried new things. In the 2000s, I released three albums, the latter two approach a “pop” territory, perhaps fully realized on 10 Neurotics. I’ve heard from people who love it, and also people who don’t love it so much. Ha! Taste is such a fickle mistress. I think artists have to follow their muse. I love when bands release another album that I love; but I also respect them for trying something different. Doing what strikes their fancy at that moment.
For me, I’ve been thinking about the stylistic elements that make up the sound of Black Tape For A Blue Girl. What are the elements and genres that are primary to my music? I find that I’m making Ambient tracks at the moment. Lots of Ambient! I guess that’s part of the process to get to the ethereal / song-like tracks that I know are coming…
I planned to tell you about my idea for Black Tape For A Blue Girl… but I was introduced to a website that seems to provide the service I thought I’d have to code and build myself! I need to do some more investigating to see if it fits the bill. I might be able to realize my idea more fluidly than I previously imagined.Polyphasic sleep
I posted this blog about the polyphasic sleep I have been doing for the past 300 days.What’s new at Projekt?
We have November releases from Unto Ashes and Roach/Reyes (read about them below). Both are amazing & wonderful albums! There are two January 20th releases going in to the pressing plant, and an early February release I am about to guide into production. I am out of town again most of this week, and THEN I will start nailing down the plan for my new Blacktape thingie-doodle.
This is very exciting: I wrote a short scene in the style of Rye. I went to a coffee shop and wrote, without distractions. That is a preview of my personal plan for 2015: focus on priorities. More time to work on my art. More great scenes to write. More lyrics and music to create.
Thanks for your support in that.Projekt’s two November releases
Unto Ashes: Ghosts Captured
For fifteen years, acclaimed darkwave ensemble Unto Ashes have been unrepentant and uncompromising purveyors of apocalyptic folk, neo-Medieval, gothic, neoclassical, and ethereal music. Their newest release, Ghosts Captured contains a total of 25 cover songs (18 on the physical CD and an additional 7 available for free download at Bandcamp), breathing “blood-lit” life into an incredibly broad array of songs from some of the most improbable bands on record.
Facebook-fan William K writes, “I purchased this the day it was released. I’ve been looking forward to it for so long. A very diverse mix of covers. Amazing album. It is truly like hearing these songs for the first time.”
Read the full the description at Projekt.com
Steve Roach & Jorge Reyes: The Ancestor Circle
Conjuring images of a primal futurism, this alchemical blending-of-sound is a ceremonial offering to the forgotten gods. The Ancestor Circle is a new tribal-ambient-electronic collaboration, steeped in a frothy mind-altering blend, waiting for years as the potency increased. Like the audio artifacts of a lost tribe, the studio source recordings that form this album’s foundation were uncovered in 2013 on a cryptically-marked set of tapes. Created the week before Roach & Reyes’ May 2000 concert at Tucson’s Temple of Music and Art, this is their last joint studio project as Reyes passed on to The Ancestor Circle in 2009.
Joe T wrote on Steve’s Facebook page: “Just received my copy today! Totally excellent and evocative of all that is Jorge Reyes (of which I have all his music) and the perfect ambiance of Steve Roach who I’ve followed since Structures from Silence premiered.”
Paul O: “This is a important part of musical history. A gathering of great musicians, such as Steve, who are taking us on a spiritual journey via music of the spheres. This is some of the best music happening now and hopefully for some time to come.”
Chris R: “This album is spellbinding, that calls from that deep well of magic and mystery. The circle will never be unbroken, Jorge lives and breaths in this release his presence is felt throughout the whole album. A fitting bookend to the Roach / Reyes collaboration. Farewell Jorge…”
Read the full description at Projekt.comLink-a-doodle-doo
Not One Artist’s Album Has Gone Platinum In 2014 Ouch!!! Read at Forbes Magazine.
Steve Roach is included in this Oberheim DMX feature Read at TheVinylFactory.com.
Voltaire: The Legend of Candy Claws Pre-order yours at Voltaire’s website.
Mapanare.Us Miami Art Show Thanatos’s Patrick Ogl is crowd-funding an art show at Kickstarter.
NYC pastor: Starbucks is flavoured with the semen of sodomites Oh shit, I just thought the problem was that Starbucks was burning their roast…. : ) Read more at pinknews. This guy is kookoobirds! Funny comments from my facebook friends.
My son likes to remind me that you’re more likely to die from a soda machine falling on you, than a shark bite. This is another good statistic: In the average year, you’re around 10x more likely to be bitten by an inhabitant of New York City than you are to be bitten by a shark. Read more at Shark.ch. And then all this, from my friends on Facebook: Julie B: With the Ebola fears, I’ve cut way down on biting strangers. Susan R: And during the zombie apocalypse, this number will go up significantly. Steve M: “New Yorker injured by falling soda machine after being bitten by a shark.” Susan R: Shark, attempting to bite face off man exiting subway, crushed by mysterious soda machine falling from 11th floor of near-by building. Susan R: OR, band of zombies throws soda machine onto shark. Steve M: OR, sharks attack zombie with soda machine during New York “Hug a shark for Christmas” Susan R: ^win Sam Rosenthal: I assume the soda machines are falling onto people who are shaking them, trying to steal soda. The machines take revenge! Susan R: Clearly then, the sharks need to be shrewd and seize this opportunity, by hiding IN the soda machines and biting the hands of people as they reach in to retrieve their sodas.
A fan alerted us to another wonderful review of Steve Roach’s Structures from Silence, which was reissued earlier this year on Projekt (Records). Read the review at hypnagogue.net. Purchase the 3-CD set or download at Bandcamp.Here’s how you can hear more Projekt music before you buy
In an email message, David B wrote: “The musician-artist has a power that one can’t put a price on. I will gladly pay the money if the artist touched a nerve with me, and gosh, I would hope there are many others out there like me. The problem for me is justifying the cost if after listening the music doesn’t connect with me. A physical artist’s offering is viewed and you either connect or not, then purchase based upon that. With the musical artist, I struggle with music reviews and the 30 second sound-bite to make a decision – do I buy it or do I not.”
About 18 months ago, I heard that fans wanted to preview more than 30 seconds, and I think Projekt’s Bandcamp page provides a great solution for this request. Stream full tracks from Projekt albums; sometimes, you can stream the whole album!