Archive for the ‘Uncategorized’ Category
This is the same box we listed in April. If you purchased one back then, you will get the exact same CDs if you buy this one.
This is a 20-pack of Projekt CDs — $45 in the USA (includes Media Mail postage). Outside the USA, postage is additional. The barcodes are struck, some are without jewel boxes. The majority of the releases are Goth/Darkwave, though there are a few electronic/ambient titles, too.
What is in the 20-4-45 pack ? It’s a surprise!! Well, except for that copy of Tenderotics you can see in the photo!
The contents of each box is the same (give or take a CD). If you order more than one, you will have two copies of nearly every album. It is statistically possible you already own a few of these albums. Give those duplicates to a friend and they will love you even more!
If you want a 20-4-45 box, email firstname.lastname@example.org with “20-4-45 please” as your subject. Include your snail mail address. I will reply with payment instructions. As the weekend is coming up, you might not hear from me until Monday…
Enjoy! Sam Rosenthal
I’ve been extremely busy the last few days with musical-related work, both with BLACK TAPE FOR A BLUE GIRL and AS LONELY AS DAVE BOWMAN. In the past two days, the DAVE BOWMAN MONOLITH Kickstarter has received new CD pledges from Australia, Germany, Italy, (another) Australia, the United States, and the Netherlands. Plus a Tshirt-only backer right around the corner in Eugene, Oregon. 35 hours to go!
On Facebook, Adam wrote, “Hopin’ for a standard-edition CD, which I will cop ASAP!”
Come to think of it, I haven’t made clear that there will not be a standard-edition CD on MONOLITH. The $20 CD-in-DVD-sized digipak is as “standard” as it will get; the entire run is limited to 300 copies. Yes, there will be leftovers after the Kickstarter ends, and they will be available from Projekt’s website. But it is not an unlimited supply.
Here’s a round-up:Sam Rosenthal’s odyssey through space L’odissea nello spazio di Sam Rosenthal
Italy’s OndaRock website posted an interview in both Italian and English. I’m really happy with the way it turned out, I discuss MONOLITH, creating music, how things have changed for artists in the last decade, and being motivated by your support. I think it’s a very honest interview that’s a great read.
(Hmmm? I don’t actually reference the year 2001 as when things started changing for artists, but that’s something I need to think about some more.)Almost to the Star Gate
The Kickstarter campaign ends Tuesday at 9pm Portland Time. We’ve almost done it! It’s going to be exciting to see how things end up; we’re at 131% of the goal as I write this (on the verge of breaking $4000!)
If you’ve backed MONOLITH and want to add on a shirt, Kickstarter makes it easy to change your pledge. I’m not suggesting you need to change anything, I just want to be sure you know you can. On the Remnants Viinyl Kickstarter, some people learned about upgrades after the campaign ended, and I don’t want anyone to miss out.
If you don’t want to add the shirt, or get the PlexiBox, don’t do anything. You’re really wonderful for backing in the first place!Why is Dave so lonely?
Somebody posted on Facebook that they thought AS LONELY AS DAVE BOWMAN wasn’t the best name for a musical project. Ok, well, I’m the guy with BLACK TAPE FOR A BLUE GIRL. I guess I’m accustomed to long names! 🙂
There’s a good reason why Dave is lonely.
I recently reread the novel 2001: A Space Odyssey (the last time I read it was in the mid-90s, when I lived in Chicago). Arthur C. Clarke uses “lonely” multiple times to describe Dave’s situation. And you can imagine why!
In the book, Dave’s trip is to Saturn (not Jupiter); Saturn lies between 746 million and just over a billion miles from Earth. That’s between 8 and 11 AU (AU = the approximate distance from the Earth to the Sun). And Dave is the only one left after HAL is shut off (and I’d speculate it was never completely clear whether Discovery 2 was going to be built and sent to bring him home. Seems to me the mission was to get information about the Monolith, and the crew was expendable.)
From that many million miles away, the political and personal squabbles on Earth must seem rather inconsequential. Just a bunch of bickering on a distant ball obscured by the glare of the Sun.
I’m glad I’m here on the earth with my family and friends and cat. Hey? Why didn’t they get to take a cat on Discovery 1? That would have been comforting. (The best I could find on YouTube is a cat named Misha checking out the Moon-Watcher scene).
100% Failure of the H3000-D/SX unit. ‘It does seem strange, Dave. But I can assure you there is a fault in the unit. ‘ My Eventide HS3000-D/SX was used throughout the recording of MONOLITH, now it’s dead. Very strange.
Fortunately I have a great gear repair guy here in Portland.
I stopped by a few coffee shops and record stores to drop off cards for my June 12th showing of Edward Sissorhands at Portland’s Hollywood Theatre. Facebook Events Page
Hand-written lyrics for Marcos in Brazil. One of the benefits of being a patron at my PatreonYes, there’s really a new album in the works!
One of the questions in Matteo’s OndaRock interview involved a bit of disbelief on whether I was working on a new album. Here’s that exchange for you:
And… what about Black Tape? I read about new stuff coming soon, but I finally missed it. And 6 years have already passed from 10 Neurotics! Are you really working on something new to be published soon? Sam: Ha yes, of course! I just sent out a download of 14 songs to the patrons on Patreon. Every month they get music, and they got demos of new songs; none have vocals, three have viola. I don’t expect all of them will make it to the album, they’re work in progress. I have an idea for the new album, part of the concept is a double-lp (as well as a CD). It will be conceived around the idea of 4-sides (two darkAmbient and two more song-oriented). Ideally it will be out in the fall of 2015, but I don’t know if I will have the lyrics written and recorded in time for that. We’ll see what happens. But yes, I’m really working on new music.Next Livestream Q&A Video Chat is Sun May 24
The next BLACK TAPE FOR A BLUE GIRL Patreon video chat will be open to my $10+ Patrons as well as everyone else. Why not! The more people interacting and asking questions on the Livestream, the more fun for everyone. Mark your calendar: Sunday May 24, 5pm in Portland / 8pm east coast. *I* will be on the video, you won’t appear in the video. You submit questions in the text-chat window. The video chat will be one hour long, you can drop in whenever you like.
Lucas asked, “This might be a silly question, but is the stream mobile friendly? I’m working that night, and won’t be able to get to a computer.”
Yes, I think it looks really sharp on the iPhone, actually. It’s impossible to read the text-chat in the unchangeable font size, but if you’re just listening and watching then it should be fine!”Harley Q & the tomato plants
Watch this completely pointless video on my Instagram.Join me on TSU
I’ve begun a profile on TSU. TSU is a new social networking site, that I’d love to see replace Facebook. The main advantage is your feed shows every post from people you’ve friended; they are not limited what you see, based on algorithms, like Facebook.
Some say, “Not a lot of people are on TSU, so what good is it?” Well, what good is having 6000+ followers on the Blacktape Facebook page, and less than 300 of you see what I post?
You can join by clicking on my page.My god, it’s full of words!
The five amazing people who backed the top two tiers of my AS LONELY AS DAVE BOWMAN campaign get”The 2001: A Space Odyssey novel bought at the local Goodwill, signed on the cover by Sam.” I found the first one: a 1968 fourth printing in really great shape (looks unread, just some edgewear, and yellowed pages)! I love reading paper books, what about you?
There are just 35 hours left in the campaign; you can get yourself a limited edition CD, or one of the March of Progress T-shirts!
Zero-five-one-eight, transmission concluded.
Saturday April 18th 2015, working on a new track in the studio with violist Nick Shadow.
Today is Record Store Day. And did you know that Projekt’s webstore is fulfilled out of Digital Underground, a record store based in Philadelphia? To mash-up these two ideas, we’re cutting the clutter by putting 126 (mostly import) titles on overstock sale in time for Record Store Day at the sale page; there are hundreds of additional titles listed. We have 1s and 2s available on these; grab what you want today!
Forrest Fang’s new album, Letters to the Farthest Star is out now on Projekt.
In the recent brave new world of “all you can stream” and on-the-fly playlists, it can be easy to forget that at one time the album as concept ruled supreme. At least that was my experience growing up during the heyday of progressive rock in the 70s and even during the DIY-indie days of the 80s. It wouldn’t occur to me not to play Yes’ Close To The Edge or Pink Floyd’s Dark Side of the Moon from beginning to end, with a break in between to change side one to side two. At the same time I was listening to the music and admiring the cover art, I could read the liner notes to tell me not only who played what, but also when and where the album was recorded, with occasional shout-out to influences, family and friends. Listening was a very personal experience you could share with your friends. You might buy the latest King Crimson while your friend bought the latest Gentle Giant and have an album listening party with like-minded music fans at your school or your dorm.
In the 80s, I would continue this practice of listening to albums like REM’s Murmur, Husker Du’s Zen Arcade or Lou Reed’s New York all the way through. Today, listeners are not only split between the physical and digital format for music, but also are lured by the option of not paying anything at all or a nominal amount per album to stream it. I think that divorcing the music from its visual form has already had the unfortunate effect of fragmenting the overall experience to the point of lessening the listener’s personal connection to the artist. Turning the album into an a la carte streamable playlist of individual tracks takes this fragmentation one step further.
I’ve always to tried to create each of my albums as a whole, so that each piece becomes a part of a continuous story or dialogue. With diminishing sales of physical CDs (let’s face it, ambient just doesn’t cut it on LP, because the music is too long and too quiet), the album format in our genre appears to be in danger of disappearing into the 21st-Century equivalent of radio. It will make it increasingly difficult for artists like me to continue offering music in a physical form, which would be a shame. If you value the album format, please do what you can help keep it afloat. Thanks, Forrest
Sam commented: The one thing that I can say in reference to our fans is that Projekt albums are regularly downloaded in total. The Projekt bandcamp page is only full-album, and sales at iTunes is around 60% full-album (vs ala carte tracks). So there’s that to keep in mind.
Forrest replied: Hi Sam, That’s good to hear. But I’m also thinking of services like Amazon Prime that allow you both stream whole albums and make make playlists of individual tracks for very little per album. I could see how it would be tempting to a casual listener to stop buying albums altogether in favor of streaming. But, of course, labels and artists would get almost nothing for this, and it turns music into a loss leader for something else — much like the way Best Buy used to sell its CDs ultra cheap as a way to entice customers into its stores. We simply become fish bait for something else which actually makes the retailer money. At its heart I think it becomes an ethical issue.
Sam commented: Yes, you know have faced the same realization I have. All these services make it way to easy to NOT buy music…. because they want to sell their subscription. They don’t care what it does to us, as the “fish bait.” It’s nice to see we still have some loyal fans who support the full album. The creative piece of art.
One of the premiums for $10+ patrons at Black Tape For A Blue Girl Patreon Campaign* is a once-a-month one-hour Q&A live video chat. It will be exclusive for the small group of participants who have contributed $10 or more to support me and my music.
I’ve been comparing the different sites that offer this service and (I think I) settled on Livestream as the most economical ($49 a month!) and easiest to use.< Last night, I invited people on Facebook to check out a test stream. There were a few folks dropping in and out giving it a look, and three or four who stayed on for the whole hour. It was fun to interact directly with people who enjoy the music of Projekt... I think this could be a cool new way to stay in touch. Attendees post questions in the chat and I answer them live. Is this something you'd be interested in participating in? Leave a message below. Last night on the test, Jesse asked about new Projekt releases... Today is the street date for Forrest Fang's latest album, Letters to the Farthest Star. It is extremely limited to 300 copies; when these sell out there will not be a second physical edition. If you want a copy, order today from Projekt. Here are the links:
* Patreon is a crowdfunding site built for “empowering a new generation of creators to make a living from their passion and hard work.” patreon.com/blacktapeforabluegirl
Digital freelease: Fifty Shades of Grey (music for a sensual evening)
The bombardment of “news stories” about the Fifty Shades of Grey movie is well underway; it gave me a fun idea: What if the film studio had contacted Projekt to put together the soundtrack? What would that sound like?
I went through the Projekt catalog and pulled tracks both cinematic and soundtracky for this compilation. It’s up for name-your-price at Bandcamp.
The Truth About Fifty Shades (a short editorial by Sam)
We can laugh and snark about how horrible the Fifty Shades books are. But the bigger problem here is the writer’s lack of knowledge about supportive, sex-positive relationships. She uses BDSM to mask two poorly-conceived characters who do not engage in proper consent or respect. (The writer is a boring bored* English housewife, who I can imagine watched a few porn videos for “research,” rather than getting involved in the scene, or talking to experts, or even reading some informational websites to learn the proper protocols for respecting a partner’s boundaries).
This is an even bigger issue than the 8th-grade-level writing.
What two people do together should be their own business; though I would hope they keep it safe, sane and consensual. When a book series sells 100 million copies, and has it’s attractive lead character force a woman to repeatedly do things she doesn’t want to do, that’s not BDSM…. That’s abuse! It is shocking that soccer moms who love this book for the (mostly generic missionary) sex, aren’t repulsed by the characters’ actions. This says a lot about American’s inexperience with sex, and inability to critically think about healthy relationships.
Consent Isn’t Enough: The Troubling Sex of Fifty Shades. in The Atlantic.
The Real Abuse at the Heart of Fifty Shades of Grey. in Relevant Magazine.
50 Shades of Grey: a film about male power, idealising emotional abuse as sexy when it isn’t. in New Statesman. (You can Google, for many more articles on this topic)
Bare in mind that I am not criticizing people’s involvement in BDSM; there are many relationships with it at their core. These relationships involve respect and consent, good communication, knowledge of boundaries, and love. This is necessary to give a partner a safe version of the ‘the pleasure in the pain’ they desire. Of course, it is also necessary in any strong relationship.
America accepted a really warped version of BDSM when it grew enthralled with these crappy books. The piece in the New Statesman says the film got the consent right in the BDSM scenes, but not in the overarching story. It’s unfortunate the filmmakers didn’t update the plot to address the serious problems in the novels.
On the positive side, publications are using the movie’s release as a catalyst to educated on these very important topics.
I have been criticized for calling E.L. James “boring.” So I will fix that and say she was “bored” (which is the word used in press descriptions. Does this make things better?)
You can leave a comment below.
With all the yap-yap-yap about 50 Shades of Rubbish, I should probably remind you about my book Rye — interesting characters, in original situations, humor, plus conversations and negotiations around consent, relationships and family of choice.
“Underneath all the androgyny and fluctuation, the book’s about human connection. Rosenthal’s use of sex and gender identities to illustrate how we reach toward and away from relationships is merely a new approach to an old idea: we all need intimacy with others to deepen our understanding of ourselves.” — Time Out, Chicago
Support Black Tape For A Blue Girl at Patreon and get all access!
Black Tape For A Blue Girl’s Patreon campaign is building steam. It’s exciting! Patreon is a crowdfunding site built for “empowering a new generation of creators to make a living from their passion and hard work.” It’s a chance for listeners to directly support my art, while getting access to exclusive music. Thanks to my patrons, Sam
From Sam Rosenthal:A huge unimportant detail
At the time of this writing, fifty people have joined Black Tape For A Blue Girl’s Patreon campaign. What a great first week! Get involved to make week #2 even more successful.
Patreon is a crowdfunding site for “empowering a new generation of creators to make a living from their passion and hard work.” It’s an opportunity to directly support the creation of my art, and in return you get access to exclusive music.
Last week I added these tracks to the patron-area: * “Please don’t go (mix 10),” the new track from the Patreon video (with Grace Young on viola) * Two early mixes from 1992’s DAT #5: “passion drained” & “on broken shells 3”
Even a $2-a-month pledge helps. It goes towards expenses such as paying Grace a salary for dropping by my studio to record. For less per month than what you pay for a cup of coffee, your contribution joins with other backers’ contributions to help me reach my goal of freedom to work on music.
Getting back to art.
Most of my time is occupied running Projekt Records. I was about to add, “It’s my day job,” but the fact is that I’m often at it all day and still here working on Projekt at 9pm. I’m sure you’d much rather I was writing and recording new music? Yeah? So would I. The problem is it’s not like the old days when I could take time off work and invest hundreds of hours in a Black Tape For A Blue Girl album with reasonable expectations of thousands of copies selling and income coming in to cover my expenses. Nope, these days people really love their free music; but the miniscule income from Spotify and youTube is not a viable way to try to earn a living.
With four succesful Kickstarters completed, I’m quite excited by crowdfunding; it’s a brilliant method for financing creativity. Late last year, I studied various sites, searching for one that conceived crowdfunding as I imagined it. I didn’t want another one-month-campaign to make a physical object. That leaves too many people out and feels like it rushes through the fun part!
I have two main goals: ongoing funding for my music and immersing you in the process of developing new work. Patreon does this. It’s designed to facilitate your direct support of the music. With your pledges, I will spend less time at the job and more time creating new and exclusive tracks I share directly with you.
“Now hold on a second, Sam,” I imagine some of you saying. “Why all this talk about money? Shouldn’t it just be about the art?”
As Iggy Pop recently said, “To tell you the truth, when it comes to art, money is an unimportant detail. It just happens to be a huge unimportant detail.”
Those hours and days in the studio take away from time I could be working at Projekt. You understand what I’m saying here! The phone company and the gas company don’t take payment in the form of high fives and a Mp3 of new songs! : )
I’m thrilled that some of you have already backed me on Patreon.
And understand that it’s not just about the income; crowdfunding is also rewarding on a personal level. I love that I get to know people who are deeply into my music. Last week, I met graphic artist Antony Johnston. I’d love to share something he wrote:
The music you made with BlackTape, especially in the ‘classic’ Chaos / Garden / Remnants era, has been part of the soundtrack to my life for the past 20 years. As a creator myself, I know how hard the current climate can be, so it’s my pleasure to support the Patreon campaign. The new music excerpt ‘Please Don’t Go’ is lovely — more of that, please! Reminds me of dark nights, driving home from those early Whitby goth weekends in the late ’90s…” – Antony Johnston (writer of Umbral, Spooked, and Dead Space)
I want to make more of that sort of music: music that can be the soundtrack to the next 20 years of your life!
Your recurring monthly contribution of $2, $5, $10 or more will make it possible.
Antony joined my Patreon campaign; so did Tristan, Marcos, Draven, Julia, Rob, Tori, Bill and a bunch of other amazing people. In fact, we reached the first Milestone Goal of $300 and now we’re headed towards the $500 Milestone Goal: a two-hour livestream mixing session, where you can watch me in the studio, with a view of my monitor, as I mix and process the music.
I’m thinking about the creation, the connection, and the challenge of seeing this through and succeeding. It’s incredibly sweet to know people are stepping up with pledges to support my work. You can make a difference in tackling this huge unimportant detail: the manner in which artists earn money.
Please pledge here. Thanks for that.
PS: Back to the topic of free music, here are two name-your-price albums for you to enjoy. The Collection is a ‘best-of’ from Blacktape, while Fifty Shades of Grey is an imaginary Projekt-themed soundtrack for the upcoming film.
PSS: At last! I’m famous!!! (file under: “The new phone books are here! The new phone books are here!”): https://email@example.com,-122.422213,3a,75y,124.32h,83.6t/data=!3m4!1e1!3m2!1siAPMvFgx0jhuqBacQxFnjA!2e0
From Projekt Records’ Sam Rosenthal.Digital freelease: What if Projekt had put together the soundtrack to Fifty Shades of Grey?
In the next couple of weeks you’re going to be bombarded with ads and news articles about the Fifty Shades of Grey movie. While I’m not expecting much from Hollywood’s mainstream idea of what is erotic, this did give me a fun idea: What if the film studio had contacted Projekt to put together the soundtrack? What would that sound like?
I went through the Projekt catalog and pulled tracks both cinematic and soundtracky for this compilation that’s available for name-your-price at Bandcamp. You could also go buy it at iTunes, but you certainly don’t have to; that’s for people not-in-the-know.
I had a lot of fun putting this imaginary soundtrack together. I think I’ll do more in the future. What would Projekt’s version of the new Star Wars soundtrack sound like? Blade Runner 2? The rumored new X-files? I think we’re going to find out!
Enjoy Projekt’s freelease of Fifty Shades of Grey (music for a sensual evening) at Bandcamp.
To celebrate the release of Alio Die/Lorenzo Montanà’s CD of ritualistic soundscapes and technogenic landscapes, Holographic Codex, we’ve added all of Alio’s back-catalog releases to Bandcamp.
Through Monday, they’re on sale for $5 !!!