While Supplies Last! This is a box of 10 random CDs available at our Bandcamp store.

• For USA orders, Media Mail postage is $3.50 • Export customers please note that shipping is expensive! This item weighs over a pound: Canada = $16, rest of world = $23.50 • 10 CDs in the box. 7 of the CDs are darkwave/goth/ethereal, 2 of the cds are ambient-electronic, 1 of the CDs is from a darkwave late we used to distribute in the webstore. • I pre-made these boxes from overstock CDs. I cannot put specific titles in for you. • Barcodes are struck with a black pen. • 8 of of the CDs are in digipaks or ecoWallets. 2 CDs were removed from jewel boxes (this saves on postage). • If you purchase two boxes, you will receive the same titles twice. • No refunds or replacements except if you receive a defective title. Then you will be issued a $2 refund.

And also, for a limited time…

Exclusively available at the Projekt Bandcamp Store. CD = $9 / download = name-your-price! This is the original 1998 jewel-box release, with the metallic logo ink on the black and white cover. These are newly replicated CDs, assembled by hand by Sam. They are *not* shrinkwrapped, to save a little garbage from going into the landfill.

2012’s Ice Iris Holiday EP 2014’s Sugar Wingshiver | CD on sale for $5 2018’s Drawing Up a Storm

Sale ends Thursday July 19 at Noon East Coast Time

Peek A Boo writes: Canadian musician and illustrator Paulina Cassidy has just released her second solo album on the beloved US label Projekt Records. Drawing Up A Storm is twelve beautiful tracks that go from instrumental soundscapes to more song-oriented compositions but always very atmospheric and dream-like.

It’s easy to pigeonhole Cassidy’s music as fairy-like and there’s definitely a certain otherworldly quality to it, especially thanks to its connection with her work as a visual artist and illustrator, which always conveys a certain late-XIX century fairytale atmosphere. And yet her music is much more than that. Her use of electronic beats, synths and samples is fantastic (for example in tracks like ‘Ocean Nymph’ or ‘Seahorses’) and shows that she’s paying attention to contemporary electronic music and possibly also to impossible-to-classify artists like the Finnish producer Lau Nau (whose latest album I also reviewed here) and especially fellow Canadian band Tasseomancy, with whom she definitely shares a similar approach. All this reminds us that Projekt was always a very forward-looking and experimental label, especially in the nineties (what other Darkwave label could have released a band like lovesliescrushing, for example?). So this album sits well with both contemporary Dream Pop, and with the rest of the Projekt legacy.