Archive for January 2023 | Monthly archive page
From Projekt’s Sam Rosenthal. Welcome to the ProjektList, my somewhat regular round-up of Projekt-related press, streaming, releases, and concerts.
🚀 Projekt Records turns 40 years old in 2023!
🚀 Projekt Records’ tracks had over 67.5 million streams in 2022!
🚀 Over the past 20 years, Projekt has manufactured 315,920 CDs at Disc Makers. Wow, you all still love physical things!
🚀 Erik Wollo’s The Shape of Time is Projekt’s best selling CD and download this month. Can you do me a favor? Would a few purchasers pop over to Amazon and write a review of the album? It doesn’t need to be journalism, just some positive comments that encourage shoppers to add it to their cart. Write about your reflections on what you like about the album, the mood, how you feel listening to it. That word-of-mouth helps us out. Thanks.
🚀 Erik Wøllo has a video for “The Shape of Time 2” at YouTube.
🚀 Marco of Jarguna opened a label to release music from around the world. His first bandcamp album is Burkina Faso collection Vol.1, with singers he recorded in 2008.
🚀 Peter Phippen has two upcoming shows. Peter and Rahbi Crawford: Heart of Winter Concert, January 27 in Viroqua, WI. Peter and Victoria Shoemaker: Horizon Flute School Summit, April 14 – 16 in Hiawatha, Iowa. More details at Peter’s website.
🚀 Schallwende nominations! The soundwave is the German prize for musicians and active people in the field of electronic music. Erik Wøllo nominated in 3 categories and Steve Roach in 1.
I asked Lorenzo Montanà about “Sentiero,” the closing track on his name-your-price album Decorar Silenzio
He replied: ‘Sentiero’ is Italian for ‘Path.’ It’s a mysterious track, a way of inner research, a dreamlike journey inspired by the surrealist atmospheres of David Lynch. In my mind, the song begins walking along an overgrown path in the woods, making one’s way through the branches of trees. At a certain point everything stops, you hear what seems to be footsteps and an indistinct voice speaks but we do not understand. The sense of disorientation increases, until, as in an awakening, a subtle music arrives from far away which takes us back; we awaken far away on a terrace where I imagine two figures dancing on the rooftops to the tune of a melancholy waltz. We are left like this, no longer knowing how to distinguish a vision or a memory from reality.