Archive for the ‘Artists’ Category

Oct 30

Upcoming concerts from Steve Roach

Steve Roach Live @ Ambient.Church in New York City, Saturday, March 28 2020 St. George’s Episcopal Church, 209 East 16th Street at Rutherford Place | Purchase Tickets Steve Roach’s first ever New York City show will be a spectacular immersive live “Ambient Church” concert at St. George’s Episcopal Church. Purchase Tickets

Past Steve Roach Concerts | 2019 All Souls Weekend in Tucson AZ Saturday November 2 – Tucson, AZ – Night of the Living – full concert at MSA Annex outdoor festival venue Sunday November 3 – Tucson, AZ – All Souls Procession performing the ceremony finale Details at: allsoulsprocession.org/

Not able to make it to Tucson? Fear not! We have a busy weekend of streaming for you!

Saturday November 2

8—> 10pm PT (starts at 11p ET / Sun 0300 GMT) • Steve Roach live concert from All Souls’ Night of the Living Fest (Tucson) on SomaFM Deep Space One or “SomaFM Deep Space One” in your radio app.

Sunday November 3

5—> 6:30pm PT • SomaFM Deep Space One Trance Archeology album premiere

8pm—>? MST • Steve Roach’s All Souls finale livestreamed on Vimeo (streaming begins at 7pm, Steve’s set time approximate based on progress of procession)

9—> 11pm MST • Sam Rosenthal (of Black Tape For A Blue Girl & Projekt) interviewed on Amelia Poe Love Show on Tucson's 99.1 FM Downtown Radio.

Saturday Nov 2 – Night of the Living – full concert at MSA Annex outdoor festival venue Gates open at 5pm, two opening acts, Steve 8-10pm. Purchase tickets. Not in Tucson? SomaFM broadcasts this concert at 8pm PT / 11pm ET (Sun 0300 GMT) on Deep Space One.

Sunday Nov 3 – All Souls Procession performing the ceremony finale Procession begins 6pm. Steve’s set time based on progress of procession, approximately 8pm Mountain Standard Time

Watch a 40-minute multi-camera video of Steve calling in the spirits during Sunday’s finale (cue in 31 minutes to the beginning of Steve’s set) restream on Vimeo.

Steve Roach presents a 2-hour concert the night before at MSA Annex outdoor festival venue in downtown Tucson. And performs the ceremony finale at Tucson’s All Souls Procession on Sunday November 3.

The All Souls Procession Weekend enters it’s 30th year as one of North America’s most inclusive and authentic public ceremony. The entire All Souls Weekend is a celebration and mourning of the lives of our loved ones and ancestors on the other side. Today well over 150,000 participants gather on the streets of downtown Tucson for a two-mile long human-powered procession that ends in the ceremonial burning of a large Urn filled with the hopes, offerings and wishes for those who have passed.

Myriad altars, performers, installation art, and creatives of all kinds collaborate for almost half the year to prepare their offerings for this amazing event. The All Souls Procession, and now the entire All Souls Weekend, is a celebration and mourning of the lives of our loved ones and ancestors.

On Saturday the 2nd, Steve will be featured as a headlining artist at Night of the Living Fest at the MSA Annex, with a special two-hour set and album release party. On Sunday the 3rd, Steve performs an amazing soundscape for the finale of this 30th Annual Ceremony, which is free for all to attend.

September 21 & 22 : Steve Roach in Santa Fe, NM Paradiso 903 Early St.; Santa Fe NM 87508 Doors at 7, show at 8

September 21 & 22 – Santa Fe, NM – Two nights at Paradiso. Order tickets | Facebook Event Page

Experience the full spectrum of Steve’s work including material from his new releases. At Saturday’s concert, Steve is joined by fellow electronic innovator and collaborator Michael Stearns (Kiva, Desert Solitaire) and didgeridoo master Rob Thomas (Inlakesh and Monuments of Ecstasy). Steve’s Sunday concert moves into the deep end of pure sonic immersion and sacred spaces.

(Photo credit: Brian Sweeny)

Friday August 30 : Steve Roach Live @ Ambient.Church in Pasadena August 30 – Los Angeles, CA – Ambient Church show at First United Methodist Church of Pasadena  Order tickets | Facebook Event Page

Steve Roach returns to Los Angeles for a spectacular immersive live “Ambient Church” concert at First United Methodist Church of Pasadena.  Order tickets

Venue address: 498 E Colorado Blvd; Pasadena, CA 91101 7pm Doors; 8pm Show

Ambient Church is a nomadic experiential event series dedicated to working with artists to bring new ecologies to architecturally unique spaces through transcendent audio and visual performance.

On this long-awaited evening, we are thrilled to present Grammy-nominated, pioneering American synthesist and undisputed master of electronic music, Steve Roach. Steve takes us on a 2-hour journey, featuring work spanning his 40-year career including Dreamtime Return (1988), performed in a 132-year-old church in Pasadena.

Steve reflects, “I am currently in the deep end of prepping my set for the Pasadena concert — my live return to Los Angeles. The energy is building as the memories of coming back to where it all started — Los Angeles in the 80s — adds to the excitement. For this performance, the wide dynamic range of my work will be experienced, including portions of 1988’s Dreamtime Return. The church’s large concert hall environment significantly adds to the anticipation of performing in Los Angeles; that’s combined with knowing friends-of-the-music from as far way as France are coming in for the set. It all adds up to a special moment in time.”

Throughout the performance, the space will come alive with immersive, architecturally-mapped projections.

 

Saturday August 31 : Steve Roach meet-n-greet in Pomona

1pm-5pm. Meet & Greet at Noisebug, including a collective exploration of the legendary Moog IIIP Syntheseizer. Steve says, “I’m looking forward to meeting old and new friends at a fun afternoon gathering at my favorite gotta-have-it-now synth shop.”

Noisebug is an independent online electronic music store, synthesizer showroom and event space located in the Downtown Pomona Arts District. 252a South Main Street; Pomona, CA 91766.

Links: Steve Roach bio | Steve Roach press image download gallery

Oct 24

Black Tape For A Blue Girl, Ashes in the brittle air video (from 1989)

Hi, This is Sam from Black Tape For A Blue Girl — With 5 days to go on the Ashes in the brittle air crowdfunding campaign, we're 68% funded. 145 people have joined together to pledge $6172 towards the $9000 goal of creating an expanded 2CD & clear-vinyl LP edition! The remastered 11-track album sounds fabulous. Pledge at Kickstarter.

In 1989 I made a video for "is it love that dare not be? / ashes in the brittle air." It never was shown anywhere, and nobody has seen it in the last 28 years. I digitized it and posted on youTube.

Is it love that dare not be? / ashes video history

Another piece of history from the archives! I had such a warm sweet feeling watching this video the other day, the first time in 28+ years. My college friends Kathryn (dancing) and Dimitri (her mostly immobile partner) swept across my monitor recreating the rolls they’ve played in my mind for the last three decades — for all of eternity. And me the viewer, knowing every frame by heart yet watching like it was the first time, excited for what would come next.

My patrons provided the funds to cover the cost to transfer some of my old 3/4-inch (U-matic) videos. This was the first clip the guy at the lab sent me; perfect timing.

From what I recall, I shot & edited this two-song video after the release of Ashes in the brittle air. The video had technical issues I wanted to fix back in the day, but couldn't because I didn't have good enough equipment. I never was sure about showing this piece. I've fixed those problems, at last!

Back in those days it would have been difficult for most fans to see this video, anyway, as we didn’t have the internet. Fortunately we do now! Everyone can enjoy the “is it love that dare not be? / ashes in the brittle air” video at youTube

Support the expanded edition of Ashes in the brittle air at Kickstarter . A download is a $5 donation, clear vinyl LP is $30, CD is $20. Everyone gets the 21 bonus tracks.

Oct 22

Video: “Synesthete” Steve Roach studio montage

a resplendent expression of elegant futurism; spiraling analog synth/sequencer-driven sounds

Projekt’s Sam Rosenthal edited a montage of Steve Roach creating in the studio set to the track “Synesthete” from BLOOM ASCENSION — watch at youTube.

From a review at All Music: “The entire LP sounds impeccable, with every minute detail sounding clear and distinct, constantly massaging the soul and inspiring the imagination.” Purchase CD or LP from the Projekt website.

Oct 15

jarguna and Friends: Trapped Vol. 3 #FreeMusic 🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️ Changes in the music industry (good ones!)

jarguna and Friends: Trapped Vol. 3

name-your-price download at Projekt's Bandcamp . Get it for free or donate anything if you fancy. Your funds are split between Projekt Records and Jarguna. Your contributions assist us in releasing more great music.

Sam writes: I had an interesting conversation last Saturday with some record label friends. I was riffing on the present, the future, and how easy it is to find oneself living in a past that is rapidly vanishing. I’m talking about the feelings & experiences around buying & playing a physical object; as well as creating art for this specific format.

Much of what we understood as fact has morphed into a new NOW — because of digital.

There was once a limitation on the output of our art because of the physical object it was conveyed upon. CDs & LPs restricted in a number of ways — the production schedule at our pressing plants, the lead time required by our physical distributors, the minutes-of-playing-time available, and the gotta-have-the-money-to-make-them concern.

There’s another old-paradigm issue that needs rethinking. As you know, Projekt’s Steve Roach is a very prolific artist. Why should his ever-creating mind be limited — as we all were — by the recording industry strategies of fifty years ago? These strategies rationed art; the paradigm of one-album-every-18-months was designed to allow the marketing department time to ring every penny out of a falsely finite quantity of music. Fans love the art and we want more it it! When an artist makes intriguing & amazing work, why constrict their creativity? The shift to streaming shows that once the price cap is removed, you listen to music. Lots of it!

Yes, of course I still love physical objects; and Projekt is not abandoning the CD format. When I look at the trends, though, I see the majority of our audience listens to music digitally. The royalty Projekt pays artists is now 80+% from digital, and 50+% of the total is from streaming; those numbers grow every month. I’m excited to release more music via the digital format, removing the constrictions of the old physical model.

Ultimately, the music is what we crave, not the medium that it lives on. 

This all leads me to today’s new Projekt release from another prolific ambient/electronic artist — Italy’s Jarguna. Just three months ago I was writing to you about his lovely album, ;Prospettive Animiche. Today he’s back with a new digital-only collaboration, Trapped Vol. 3; 92 minutes of ambient / electronic / drone with intriguing collaborative input.

Projekt has the Bandcamp download available for FREE / name-your-price for a limited time. Go ahead and enjoy this new album!

🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️

jarguna and Friends: Trapped Vol. 3

Border Music: 11 poems with 14 poets webbed together via vibrations generated by instruments, objects, field recordings; each using his pen to give life to his emotions. > “In just two years,” Jarguna explains, “I have produced three volumes of Trapped alongside all my other parallel musical projects. I have to thank the artists who dedicated time and trust in me. With the Trapped series I want to represent the metaphorical allusion of me as the spider and the friends, artists and groups as ‘prey’ which I trap into my ‘music web.’”

With this volume, the challenge of intertwining artists from different genres — from darkAmbient to jazz, chillout, folk — grows more complex, creating a release with diverse stylistic changes over the course of 92(!) minutes. It’s an intersection of electronic sounds (synthesizers, samples, loops, many effects) with clean acoustics (classical guitar, ethnic wind instruments, sax, and violoncello.) Together, Jarguna and his prey have created an articulated structure that is difficult to classify in any one style.

“In fact,” Jarguna continues, “I would like to use the term that Nicola Serena thought and proposed as ‘order music’ or ‘fringe music,’ as it is not pure electronic, not pure acoustics. Though I know many people would classify this style as new age, in truth I’ve never been interested in classifying; I don’t want to spend too much time to identify the genre, it’s all a bit unidentifiable — but yes, let’s say border music I really like it.”

🕷️ And what of those spiders that grace the covers of all three releases in the Trapped series? Jarguna has thoughts! “There are very few people who know how to appreciate some animals like a spider, which like others such as snakes and reptiles create a sense of disgust, horror, we can say an atavistic terror. Primordial! I love them and am literally amazed. Without these beings the food chain would break; there would not even be the decomposition of the organic material of the plants which thanks to spiders split and transform into fertile ground. The spider, despite being of small stature, is a formidable predator, patient and capable of organizing amazing architectures with his silk thread that is one of his main weapons: the canvas (web). I decided, metaphorically, to take the form of a spider because one of my life’s abilities is to weave canvases to trap people and situations. Bold, often brash, I capture the attention by pushing artists to meet even though they have very different lifestyles. This is how the idea of ​​these volumes was born. I invite friends to my house and the prey does its job: it creates the canvas. My desire is to try to trap their ideas, eagerly learn their style, learn their experience. I have grown a lot thanks to all the artists who have dedicated their time for me and for these volumes. So I just have to thank my wonderful prey!”

From a David Gilmour-style guitar by Riccardo Dellocchio, to effects-packed synthesizers by Chris Russell, to jazz player Franchesco Schina allowing me to link my syntheses with his sax, Greg Moorcrof with percussion, rattles and guitar, John Tocher and Simone Santarsiero to build drones full of emphasis and mystery, Massimo Di Nocera with his splendid and romantic acoustic guitar (he produces music for yoga practices and I have the honor of coloring his live performances with keyboards and environmental recordings. The energetic “Nightlife” piece by Nicola Serena and Alessandro Manno, Reese William with a drone generated by his voice, Giuseppe Dal Bianco taught ethnic music for 30 years in schools, enchants the senses with wind instruments of various ethnic origins, some also created by him, Ronny (aka Seetyca) we imagined wild and pristine northern forests, and not least the spectacular cello by Henrik Meierkord.

name-your-price download at Projekt's Bandcamp . Get it for free or donate anything if you fancy. Your funds are split between Projekt Records and Jarguna. Your contributions assist us in releasing more great music.

Sep 18

Sam’s reflections: Steve Roach live. Santa Fe, Tucson & New York City

Steve Roach LIVE

info on all upcoming concerts on this page of the Projekt website

Sam writes:

Steve Roach is headed out to Santa Fe for his two concerts at Paradiso this weekend. On Saturday Steve is joined by fellow electronic innovator and collaborator Michael Stearns (Kiva, Desert Solitaire) and didgeridoo master Rob Thomas (Inlakesh and Monuments of Ecstasy.)

Steve's recent concerts are intense, intimate, immersive and stunning. From ethereal segments off "Structures from Silence," to not-yet-released driving analog sequencer pieces, to tracks from his latest releases and from the classic Dreamtime Return, Steve's set is a 2-hour career-spanning immersion in the realms of electronic music. As I type this, I am listening to this youTube video with excerpts from Steve's recent Pasadena Ambient Church concert. It's incredible — the intensity and focus Steve brings as he crafts a stellar flow of music, taking us on a journey of sound all in real time with real instruments!

A not-to-be-overlooked aspect of Steve's concerts is the community of fans who gather for the event. People fly from Europe — as well as from around the country — to be there. It cool hanging out with people I met at previous concerts, as well as making new friends. I try to get to town a day early, settle in, hang out, find the local brewery or taco truck. Mercy and I had a nice berry pie for breakfast the day of the Pasadena show, walked by the space where the '92-'95 Projekt office was located (the building is gone now), and celebrated their birthday with cupcakes! It's so worth it! Taking some time out of our busy life to do something different, fun, new! Experience some of what life has to offer!

It's also interesting spending time with friends who've gotten involved as facilitators with Plant Medicine and Technologies of the Sacred. Last time we met, they were in rock n roll bands, now they're helping people journey and heal from past trauma. Great to see people doing this work — our society needs more understanding, pain relief, and consciousness enhancements.

I'm flying with Mercy to Tucson for the November concerts, which are part of the All Souls Procession — a weekend-long celebration that incorporated many diverse cultural traditions with the common goal of honoring and remembering the deceased. The weekend culminates on Sunday November 3 with Steve's performance at the finale ceremony, with as many as 100,000 people coming off the parade route and crowding the streets for the event. The day before — Saturday the 2nd — Steve performs a full concert at MSA Annex outdoor festival venue.

Tucson, here we come! I've got our room booked at the 100-year-old Hotel Congress, the designated hotel. It can get loud at the Congress, it's an old building right in the middle of a hopping dance-club-filled downtown. It's a great space though, nice restaurant and five bars — worth the noise. I stay there every time I visit Tucson. I hope some of you make it out to this once in a lifetime weekend. Drop me a line if you're going, so we can say Hi in person! 

New York City 2020 Exciting news! Steve confirmed his first ever New York City show; tickets now on sale. It's an Ambient Church concert on March 28, 2020, in the beautiful St. George’s Episcopal Church off Stuyvesant Squark Park, between the Gramercy Park and East Village parts of town. I expect I'll be there too. It will be nice to visit the city after being away for a few years. video for “Synesthete” from BLOOM ASCENSION

Projekt’s Sam Rosenthal edited a montage of Steve Roach creating in the studio set to the track “Synesthete” from BLOOM ASCENSION — watch at youTube.

Sep 10

Steve Roach #5 on Billboard New Age Chart

Steve Roach has the #5 New Age album on this week’s Billboard Chart!

Spread the word! Please share this tweet and this facebook post. Details, downloadable graphics, etc, on this page.

Sep 09

free download – Sam Rosenthal’s TANZMUSIK (1984)

Sam's 1984 album of minimal-synth / synthwave is #free on Bandcamp for a limited time.

Originally released on vinyl in March 1984, Tanzmusik is one of minimal synth’s top Holy Grails. Recorded in the electronic style now known as synthwave, it was the first LP from Sam Rosenthal, founder of the iconic Projekt Records label and mind behind one of the most influential darkwave acts out of the US, Black Tape For A Blue Girl.

A historic work that deserves to be torn from oblivion, Tanzmusik was completely recorded at home on a four-track TEAC-2340 with a super minimal setup (Korg Poly-61, Moog Realistic Concertmate MG-1, Boss Dr-110 and some effects). The ’84 vinyl release was limited to 250 copies with a tannish card glued to a white LP jacket; the re-release in 2012 was an edition of 500 on Italy’s Mannequin label. All physical formats are once again sold out, but the album lives on in the digital world, with a name-your-price-download at Bandcamp.

In 2012, The Big Takeover wrote: “Released at a time shortly before the forming of his band, Black Tape for a Blue Girl, the listener might well be stunned by what they hear. Instead of the dark — some may call it ‘goth’ — sounds that he would soon become famous for, Tanzmusik is a record that is oddly upbeat, somewhat poppy in nature, yet with a prog-rock heart that’s equally undeniable. It’s not quite New Wave, it’s not quite progressive, it’s not quite darkwave — but it is an interesting compilation of the ideas of a talented young man with numerous ideas in his head about directions he could go. “

Recorded when Sam was 19, the album continued in the “electronic mood-music” tradition established on three earlier cassette-only releases. With the added intrigues of the drum-computer, Tanzmusik explored the realms of electronic music that critics at the time compared to Tangerine Dream, O.M.D., Brian Eno and these days also compare to Cluster and the first Human League.

Sam writes, “When contacted about a re-issue in 2010 by Alessandro Adriani at Mannequin, I decided to remaster the album for them. After getting the digitized recordings back from my mastering guy in Canada, I discovered it wasn’t the stereo 2-track mix at all but the actual 4-track recording. Wow! I thought the multis were long gone, but here they were in pristine digital form! I remixed the album in my studio, staying true to the original – while bringing back a few instruments that were buried in the '84 mix. Sonically, the current version sounds even more incredible than it did back in 1984!”

"Before I remixed the album, I had not listened to it in probably 15 years. In my memories of the album, I thought the ambient songs were the good ones, and the synth-pop ones were the weak link. But now I think I like the synth-pop ones — like “Alone” and “We Return” — more. On the other hand, I really like that sequencer at the beginning of “The Coming Fall.” If my Korg Poly-61 wasn’t dead, I would set up that patch again and write something new around it; I still have all the notes for my synth settings for the songs. Scary. Overall, I am a lot happier with the album than I expected to be. When Alessandro got in touch with me about releasing it, I was sort of skeptical, and procrastinated a whole bunch. But when I started actually working on it, I liked it. It’s quite a nice album. Schizophrenic, but that’s OK."

Sam Rosenthal is an American artist. He is the founder and leader of the band Black Tape For a Blue Girl and the record label Projekt Records (35th anniversary in 2018). He lives in Portland Oregon with his son and cat. Black Tape For a Blue Girl — begun in 1986 after his move from Florida to California — serves as a vehicle for Rosenthal’s musical vision. Its signature combination of gothic, ethereal, ambient and neo-classical elements explores existential themes of loves lost and passions yet to come. After releasing 9 cassettes and the LP of his early electronic work prior to 1986, he developed a full-fledged band whose members revolve around Rosenthal’s subtle electronic foundation. In the last few years he has also been releasing electronic solo work under the names As Lonely As Dave Bowman and Sam Rosenthal, as well as collaborations with other artists.

Click Here for the history of Projekt's out-of-print releases, and Sam’s early electronic releases.

Aug 26

Two unreleased tracks from Forrest Fang (Free!)

Over the course of seventeen solo albums and three-plus decades, San Francisco Bay-area ambient/electronic musician Forrest Fang has cultivated his surrealist blend of electronically-transformed ethnic instruments and minimalist aural environments. Today we bring you two previously unreleased tracks available for streaming and download at Forrest's Soundcloud page. The first one was recorded just 10 days ago!

For John Dunn (081819) Listen here

Forrest writes: I recorded this piece after hearing recently of the passing of John Dunn, one of the early developers of generative music software for the PC in the age of DOS and Windows 3.1. I learned recently that Dunn had passed away in 2018. This piece uses only output from his generative programs, SoftStep and Bankstep. The sounds come from an old EMU UltraProteus module, which I used extensively during the 90s. (The screenshot comes from another early Dunn program for DOS called Melodia. I used Melodia on my 1997 album, "The Blind Messenger," on Cuneiform.)

Happy Belated BD, Mr. B.E. (051819) Listen Here

I missed Eno's 70th birthday by 3 days, but I belatedly recorded this piece to honor it.

2 free downloads from jarguna, here

 

Jarguna is Italian ethno-organic-ambient sound-artist Marco Billi. Prospettive Animiche is intimate and minimalist with deep ambient characteristics. “I made this music,” Jarguna reflects, “by playing the instruments as if I were creating a mantra; what arose is a sound spiral for electronic meditation, drones for an emotional exploration, deep, low, slow, sometimes repetitive with refrains imbued with sacredness." Full album description here

Free downloads of 2019's Prospettive Animiche and 2016's Fusion of Soul.

Enjoy the music!

Aug 22

Jarguna: Prospettive Animiche (NEW and FREE!). Italian ethno-organic-ambient soundscapes

2 free downloads from jarguna, here

From Sam: You might wonder why I regularly give away downloads from this amazing Italian electro-ambient-drone artist. Why isn’t Projekt trying to get every possible penny from the albums we release. The answer is pretty simple: I want people to hear Jarguna’s work. I love the music he creates, I listen to it for hours and hours over here; it’s a perfect fit for fans of Projekt’s ambient side. Ok, but that doesn’t explain why it’s free. I find that any price point is an obstacle to people checking out new music from artists they aren’t familiar with. There’s so much available these days, it’s hard to get people to listen. Giving the music away allows Projekt and Jarguna to add something nice to your listening space where you can give the music time to work it’s magic on you.

That’s why I do it!

Jarguna is Italian ethno-organic-ambient sound-artist Marco Billi. Prospettive Animiche is intimate and minimalist with deep ambient characteristics. “I made this music,” Jarguna reflects, “by playing the instruments as if I were creating a mantra; what arose is a sound spiral for electronic meditation, drones for an emotional exploration, deep, low, slow, sometimes repetitive with refrains imbued with sacredness.”

Ok, there’s another reason I give albums away. Many of you are fans of the art of music, you understand it costs money (in time & energy) to create this work, and you’re generous and you want to support people who’ve dedicated their lives to creation. Thus, w hen getting a free download, many of you put in a donation. It doesn’t have to be a lot. A dollar. Five dollars? It adds up. That’s money Jarguna and Projekt split, so we can keep releasing great music.< Here's something you might not know. Prospettive Animiche is Jarguna’s 26th release! That’s a lot of wonderful music in 13 years.

CD-rs still available: Archetypes, Sogni di Sutra nei Venti, Trapped Vol 2, & Trapped Vol 1.

 

2019’s Prospettive Animiche and 2016’s Fusion of Soul. These digital-only releases are name-your-price for a week at Projekt’s Bandcamp store.

Aug 07

Free download: Mira’s debut (2000) #shoegaze #dream-pop #ethereal

mira: mira name-your-price download (and CD for $10) at Projekt’s Bandcamp

“A guitar-heavy shoegaze backdrop over a beautiful female voice, hovering like a red angel and instilling both fear and devotion.” – BIG TAKEOVER #44

Sam says, "Digging through the back catalog, I noticed Mira's debut wasn't on our Bandcamp page; so I fixed that. Back in 2000, this album introduced Projekt fans to an amazing new shoegaze band with Regina's striking vocals. At the time, fans were aching for more music to follow in the footsteps of our successful early-90s act Love Spirals Downwards; with Mira they got a full rock sound and aching, heartfelt vocals. Mira followed up their debut with two additional incredible albums. For today, give their debut a fresh listen, with a crisp new download for your collection. It's brilliant!

From POST-PUNK, 2018: Definitive Dreaminess: 100 Essential Dream Pop Releases: Hailing from the bowels of Florida, Mira found a perfect home on Projekt Records, a label well aligned with dream pop, shoegaze, and ethereal music. Their (2000) debut, a transitional record, perfectly dabbled in all three styles over the course of nine original tracks and a beautifully understated cover of a My Bloody Valentine classic that sleepily traded in the noise and focused on the song’s true essence. The song “Cayman,” while written about a cat, tugs at the heartstrings in a way that few songs can, building upon itself with sweeping layers of guitar and Regina Sosinska’s sweetly detached vocals. – FD

Mira drift on a wave of dreamy, engaging female vocals. Ripples of guitars swell against shores of post-punk structures, undulating in a surging, shoegazer undercurrent.

name-your-price download at Projekt's Bandcamp