2 Unseen Hands 6:06
3 Finger on the Pulse 9:43
4 A Righteous Thing 6:33
5 Primary Phase 9:42
6 Spiral Revelation 19:50
Total Time 63:03
11-28-2017 Spiral Revelation receives a Grammy Nomination for “Best New Age Album.”
John Diliberto (of Echoes Radio) writes: “Spiral Revelation stands out as a true, mind-tripping, trance inducing album. (It’s) a quintessential example of Roach’s sequencer driven oeuvre”
The sound of life, interconnected and unfurling
The spiral – a visual symbol of eternity – is a recurring metaphoric theme in Steve Roach’s pioneering electronic work. Interpreted into musical form, these six spiraling sonic experiences offer a living activation that connects with a sense of the infinite. Roach’s long history and love of analog sequencer-based styles reveal a continuing, evolving awakening within Spiral Revelation’s 63 minutes. Using only analog and hardware instruments to focus the mind’s ear upon a filigree of intricate patterns woven with a direct hands-on approach, the artist sculpts and caresses sound into being in real time. An emotional through-line brings life to these pieces as the unfurling of time’s windings connects to the vivid present, life-affirming and illuminated. A masterful expression of an artist who has infused his soul into the art form of electronic music.
Steve Roach : Spiral options
| Spiral Revelation 3-pack | Spiral Revelation | Spiral Meditations ($10) | Painting in the Dark | Fade To Gray | Painting & Fade 2-Pack |
An excerpt from a review at Prog Archives
Spiral Revelation is constantly lively, and, like its colourful cover art, full of a pulsing energy, often in the form of heavy rhythmic-driven compositions. This collection provides endless movement and momentum but crucially doesn’t skimp on the most minute of ambient intelligence constantly coating the background to give it a delicate richness, and it proves instantly that ambient albums can still be full of life and vitality.
Download a free 11×17 poster at http://www.projekt.com/Posters/PRO336-Poster.jpg . Print it on your color printer, or at a local printshop. And please email a photo of the poster at work, at home, etc, and we’ll post your photos on Steve’s Facebook Page.
Release date: January 30 2017
Reviews Editor –
Here we are in a soundworld that lies somewhere between Roach’s floating ambient style and his more sequenced work, one breathing life into the other, shifting as it goes across the album’s six tracks, most of which crossfade at their transition points to make for a long smooth continuum for the listener. The sequenced parts are for the most part gentle and bathed in warmth, not unlike classic Tangerine Dream circa the Phaedra LP, moving slowly and purposefully, rife with repetition but avoiding any hard edges. Concurrent through most of the album is a textural component that floats effortlessly throughout the background, and in fact opens the proceedings alone on the first cut “We Continue” and later gives way to share the moment with other ideas working together. The sequenced elements often take a slower approach as in “A Righteous Thing,” revealing the internal structure in more detail than one would normally hear on the rapid fire pace of the title track. As the pieces morph together and gently shift from one phase to the next, the immersed listener finds themselves as a passenger on the continuing journey. Like all of Roach’s epic length pieces, this one delivers the most when the listener lets go and becomes completely immersed in the endeavor, essentially becoming a part of its inner workings. -Peter Thelen
Reviews Editor –
Top 25 Albums of 2017!
Tuscan, Arizona-based musician Steve Roach is a renowned grandmaster of ambient-electronic music with a discography going back decades. Easily sitting among Steve’s best works to emerge in recent years, his Projekt Records release entitled Spiral Revelation boasts a continuous set of entrancingly dynamic, sequencer-driven passages that were composed entirely on analog hardware.
Reviews Editor –
From Ambient Music Guide Best of 2017 list.
Emusic pioneer Steve Roach started out analog, and to analog he returns on this masterful excursion through spacey landscapes and spiraling Berlin school sequencer patterns. As with Skeleton Keys (2015), he’s using only analog synths and hardware. That’s of interest to more than just tech heads, because there are moments on Spiral Revelation when you can sense the player’s physical connection to the instrument that Roach has long striven for, minor imperfections and all.
Reviews Editor –
Listening to Spiral Revelation is like watching electronic mandalas get spun out in the air in front of your mind’s eye. It’s another outing of hands-on analog synth craftsmanship from the master himself where intricate skeins of sequencer trace their paths across a floor of quieter pads. There is constant energy at play, not always in hyperspeed sequencing, but often just in a vibrancy of tone and the emphatic, angular ping and rebound of the synths. Roach harnesses the consciousness-quelling powers of repetition in every track so that by the end of this hour-long voyage you’re both chilled and invigorated–which is a pretty good trick. While everything is rooted in the titular spirals of sound, each track has its own distinct face. “We Continue” carries a feeling like a slightly sped-up version of a Structures from Silence track–the soft, welcoming chime tones across a flowing bed of pads, all of it accented with quick electronic gurgles for extra texture. Roach melts it flawlessly into the fluttering atmosphere of “Unseen Hand” and increases the velocity a bit. The energy ramps up and all of the analog pleasure centers are firmly struck with the space-cruising “Finger on the Pulse.” This is core EM style with its rigorous sequencing and rapid-fire pacing, the play of low tones against high. I will always be a sucker for that Schulze-style bouncy metallic bass tone that resonates through your body, absolutely defining the Berlin School sound. The title track is a deep 20-minute voyage and has quickly become one of my favorite Roach pieces. (And in a discography this deep, that’s saying something.) It builds from a central phrase that never fades, but instead has a constantly shifting atmosphere built around it. There’s something pleasingly melodramatic in its tone, and Roach slips it back and forth in the mix, sometimes letting a light percussive line take the front briefly. He shifts tones, bringing new sounds and feels into the mix organically. They just appear, then fade. Maybe we hear them again, maybe we don’t. It breathes in this way as it goes about its hypnotic business. Once again, even though it’s head-soothing, it’s got a steady energy and great velocity.
One thing I noticed and appreciate about Spiral Revelation is that Roach never turns it to a dark, moody zone. Often in his energetic work he feels the need to shift gears, go grimmer and slower, if only to pull the listeners back out again. That doesn’t happen here; it’s a consistent assault of sequencer-driven spaces, a future-looking piece of the past that reinforces the power of classic EM. After many plays, Spiral Revelation continues to pull me in, and down, and away, and is likely to get many more listens going forward. This is masterful.
Reviews Editor –
From Musique Machine
Synth ambient pioneer Steve Roach has continued with a relentlessly prolific stream of releases since the early 80’s.
Spiral Meditations came in 2013, a blissful arpeggiated soundscape with many of the timbres and chord structures found in 70’s Berlin School music like Klaus Schulze and Tangerine Dream, but with a looser improvisatory flow that contrasts the dramatic/cinematic progressions of classic Berlin School. 2015’s Skeleton Keys also explored this idiom. He has created music in this vein throughout his career (beginning with Empetus in 1983), but seems to have placed a greater focus on it in the last few years.
The results of these forays into sequencing have produced some of the most memorable Roach releases. The melodic stairstepping adds a clarity to Roach’s melodies which I have come to prefer, as many of his acqueous drift albums are difficult to actively pay attention to. He has proven that arpeggiation itself is a deep and valuable art form. Some degree of randomization is present in the way the melodies unfold, as well as some degree of keyboard performance, and some degree of sequenced composition. How much of each he is doing is not clear, as the approaches are skillfully interwoven.
2016’s Spiral Relevation is the successor to the 2013 release, and draws significantly from Skeleton Keys too. It takes a more serene tone than the at times mysterious and haunting Skeleton Keys, and emanates the same brilliant bright love as the first Spiral release. These two albums express a deep contentment and soothing peace, a rare permutation of calm completely absent of lethargy. It is the feeling of excitement at being fully engaged with life and the surrounding world.
The texture could not be more lush and majestic. Roach’s characteristic Oberheim string pads intertwine with the bubbling scalar grid-work of subtley arpeggiating chords. Where many Roach albums are sparse, with long contrails into silence, this music is enveloping and layering, a warm womb of physically pleasurable resonance and tonal complexity.
Like many Roach albums, it initially appeared indistinguishable from previous releases, and gradually revealed its unique melodic fragments, understated emotions, and narrative intelligence. The masterstroke here is the final track, in particular, titular piece “Spiral Revelation”, 18 minutes in length. Not as emotionally settled as the rest of the album, this song expresses an existential vertigo which I would compare to staring directly upward into the sky.
All in all, an absolutely top shelf Roach album, highly recommend to anyone open to ambient synthscapes. Rating: 5/5 -Roger Batty
Reviews Editor –
A review from Italy’s Rockerilla Magazine
<---- Click the small image over there to read the review.
Reviews Editor –
From Onda Rock
Occorre il classico pallottoliere dalle biglie colorate per catalogare numericamente il lavoro del compositore statunitense in venticinque anni di carriera; eppure la musica di Steve Roach ha il potere di non inflazionarsi, e anche stavolta la mente genuina e non corrotta di questo splendido manipolatore della materia acustica riesce a stupirci. Perché è sempre oltre la cortina del prevedibile, un passo al di là dello scontato. Vivendo la composizione come perpetua ricerca, non solo artistica ma anche armonica, eufonica, non cede mai alla tentazione di clonarsi e autocelebrarsi.
Così il nuovo lavoro, ancora una volta alla corte di mr. Rosenthal, Spiral Revelation, è una sfida che si compie nell’esplorare una nicchia in controtendenza, in declino eppure ancora piena di potenzialità: l’Intelligence Dance Music, l’Idm, come se il maestro dell’Arizona si ponesse la causa/effetto di rilanciare una sfida nata anni or sono e cresciuta in nicchie di pregio come Timpanik.
Cicli e loop, glitch e spirali vorticiste di suono sono tutte le sicurezze che Roach immette nelle sei tracce del nuovo full-length, con ardore, donando una vita cellulare e molecolare a un sound tendenzialmente algido e artificioso: il tocco dell’artista, la pennellata fine di un pittore espressionista del suono.
In ogni traccia regna un’armonia contemplativa, piccole estasi tipiche di Roach; già con “We Continue”, in apertura d’album, nulla è corrotto, nulla può corrompere un suono cristallino, progressivo nelle mille evoluzioni dei rapporti tra synth ed elaborazione concettuale. Ogni suono è un movimento, la frazione ripartita sul complesso di una suite contemporanea, assai affinata con le concettualità di Philip Glass. Un’opera evoluta, nella quale riscoprire ad ogni ascolto nuove ispirazioni, con passiva estasi.
Tanti i riferimenti al kraut elettronico, frutto anche dell’esperienza trascorsa, una vita dietro a macchine analogiche e digitali: “Primary Phase” risente dei percorsi “ossigenati” di Jean-Michel Jarre, mentre nel finale la title track riserva quasi venti minuti di assoluta bellezza: la corsa, il flusso di elettroni, di globuli bianchi e rossi, il volo migratorio di oche disperse oltre le nubi, banchi di pesce immersi nel blu assoluto del suono, della vita.
In Spiral Revelation c’è vita nella musica, musica nella vita, bellezza infinita e passione senza ragione, solo cuore, tanto cuore. Rating: 9/10 -Nicola Tenani
Reviews Editor –
From The Grim Tower
The first time I listened to this album, I was having horrible sinus pains. These happen quite often (especially with all the frequent weather changes) and of course I needed some music that wasn’t quite as brackish in which to calm my mind and hopefully soothe the pain. Spiral Revelation did just that for me, and I actually played the disc twice in a row just because I literally couldn’t risk listening to anything else at the time.
The disc is largely electronic, as most of his work has been as of late and it feels more active than the meditative atmospheres we are used to. “We Continue” begins the record almost with a crystalline cavern sort of feel, and I can almost hear the water rushing. Slight electronic clicks come into play later, which sees more movement in the waves courtesy of a number entitled “Unseen Hand.” As for “Finger On The Pulse”, it takes us directly into space. I’m often reminded of games, possibly something that might suit the setting inside of a spaceship. It feels very cybernetic, quite vibrant and truly active. “A Righteous Thing” sort of reminds me of Metroid, but many similar soundfonts do. That’s not a bad thing, as anything that feels like it belongs in the atmosphere of an alien world is certainy worth a listen in my book.
This one truly feels otherworldly, almost like an obtuse experiment that sounds strangely beautiful. “Primary Phase” brings us right into what I feel befits an office building, yet in the year 3047. It sounds as if busy robots are hurriedly filing reports and sending out parcels throughout the galaxy. Without a doubt, it will have your synpases firing on all levels, which this album manages to do very well.
The record itself feels vastly futuristic, making me feel as if I’ve walked into what I’d consider a very productive and utopian future, where the population has now become more machine than man. Though this is not a bad thing either, it just feels like a sort of transhumanist evolution into what might be a more versatile form of life. The record concludes with it’s title track, which is by far the most active of them all. It is nearly twenty minutes long and considered a perfect piece by which to obtain focus and accomplish a task. There’s something hugely unique about this album, and that might be the patterns it speaks to in my brain. One’s head can feel a bit odd while listening to it, which might have been the real reason I sought to listen to it more than once in a sitting, despite it’s length.
In any case, I definitely feel that this is one of Steve Roach’s very best albums and it’s probably the most active and vibrant electronic atmosphere that I’ve heard in my life. It is the complete opposite of meditative, and seems primed to get you going. Definitely give it a listen during those times when you feel that you will be at your most productive, as it will certainly work in your favor. It certainly got me writing. Rating: 10/10 -Eric May
Reviews Editor –
From Synth & Sequences
Splendid bridge between ambient beats and pure Berlin School
Ah that the music of Steve Roach is unique! The Master of introspective music ends the year in strength with 3 albums which will caress the senses of his legion of fans, besides attracting to it numerous new followers. If Fade to Grey and Painting in the Dark are purely works of drones and of dark ambiences, this Spiral Revelation overwhelms our emotions with a work which makes the just partition between mesmerizing structures of rhythms and of ambient textures which draw their charms in Steve Roach’s old tones.
And the charm operates from these first loops of rhythm which emerge from the slow winged caresses of a synth in mode Structures from Silence. The rhythm is delicate with sequences which scamper towards heavens. Roach adds percussive tones which breathe like an old rattler which has difficulty in making its tinkles shinning. This mixture of electronic and organic tones is more than seducing and diverts us from this ascent of a structure as delicious as Reflections in Suspension with sequences which skip now between the fascinating embraces of the dying rattler. The decoration and the rather ill-assorted tones, both at the level of the color as at the level of the entanglement of the loops of rhythm, are simply hallucinating. Our friend Steve uses brightly the Synthesizers.com analog modular system by weaving many lines of rhythms which criss-cross in some delicious and magnetizing chassé-croisé. “Unseen Hand” infiltrates the finale of “We Continue” with a brook of shinning arpeggios which spreads a fascinating structure in suspension. The motionless movement of the multiple ticklings of sequences is invaded by the numerous bites of metallic elytron and by the caresses of a synth in mode Quiet Music. “Finger on the Pulses” proposes a figure of spasmodic rhythm. Lines of panting and nervous sequences skip and embrace themselves in a surprising movement of trance spiritual of which the liveliness is restrained by another line of a more nuanced and in a harmonic mode rhythm.
“A Righteous Thing” walks us in the Now and Traveller era with a crawling structure of rhythm which is shaped in the shade of “We Continue”. It’s a semi quiet phase which precedes the very good “Primary Phase” and its hypnotic loops which glitter on a rather lively structure of rhythm. We roll of the neck, we tap our thighs and we swing our feet on a rhythmic a little bit Groovy. A structure very near of an ethereal electronic rock (is it possible?) which is livened up by repetitive loops in tones full of contrasts and of others with an organic tint. And always these winged and seraphic momentums of a synth full of perfumes of sleep which wrap up the whole music of Spiral Revelation. The title-track is simply phenomenal! In a long minimalist structure where floats no hole, the rhythm of “Spiral Revelation” goes up and down in an envelope of tones which reminds the good moments of Robert Schroeder in the years 80-85. The slow and hypnotic progression of the 20 minutes of “Spiral Revelation” accentuates intensity and passion as the minutes pass, making of this title one of the best movements of retro Berlin School to have fired my ears since moons. This is a wonderful title which concludes another masterpiece of the illusionist of sounds and ambiences that is Steve Roach. Spiral Revelation is a must have without faults and without wait! -Sylvain Lupari
Reviews Editor –
From Music TAP
It’s sometimes hard to find the words that accurately bring justice to an ambient work. With a band like Tangerine Dream, you almost only have to mention their name for fans to understand the potential for a good to great album of music. Ambient artist Steve Roach should be at that level for many fans of the genre. With more than 60 creations within his catalogue, not to mention his many collaborations, Steve Roach is (or should be) an instantly recognizable name within the ambient world of sound. His latest album, Spiral Revelation, is a classic album in the making. And I do not say this lightly.
Spiral Revelation is a newly released set with six lengthy tracks (yes, you want these tracks lengthy). Beginning with the eleven minute first track, “We Continue”, there is a beautiful and repetitive piece that is bathed in a wash of sound. Occasionally filled in with other sounds, this opening track easily sets the quality of music tone for the rest of Spiral Revelation. As the first track glides into the second, you barely notice a transition has occurred, it’s that well orchestrated. Your mind is completely in tune it simply does not recognize a change.
There are two tracks over the ten minute mark and deservedly so. The rest ease between six and ten minutes with two of them quite near ten minutes in length. All in all, this ambient work is an otherworldly masterpiece beautifully composed by one of our ambient masters. With just over a full hour of transitional tunes, Spiral Revelation should be heard by all fans of ambient music.
The album itself is noted as being “The Sound of Life, Interconnected and Unfurling”. Under the disc, within the plastic well that holds the CD, the four (North, East, South West) corners have -appropriately – the words ‘Feeling’, Sensation’, ‘Thought’, ‘Intuition’.
I’m infatuated with Spiral Revelation. And I wanted you to know about it. As a note for hi-resolution fans, Spotted Peccary Music will be releasing Spiral Revelation in 96kHz/24-bit downloadable files (here). Projekt Records handles the CD and standard digital downloads via Bandcamp. You can hear streams at both locations. -MARowe
Michael Hodgson –
From Prog Archives
In addition to the sublime Shadow of Time, a pair of very different collaborations with up-and-coming electronic musician Robert Logan and a stunning archival live release Pinnacle Moments, progressive electronic/ambient icon Steve Roach closes out 2016 with no less than three complete brand-new studio works, all offering glimpses of very different aspects of the artist’s personality, genre bending and constantly exploring musical mind. Of the three, Fade to Gray is a long-form moody drone, and Painting in the Dark a lightly psychedelic pure ambient work, but this one, Spiral Revelation is constantly lively, and, like its colourful cover art, full of a pulsing energy, making it another very welcome and exciting change of direction.
`We Continue’ starts the most gently and prettily, an opener that will become an instant Roach classic, holding traces of his early years with the honed intelligence and subtlety he’s mastered over the decades. Whimsical chiming notes ring amongst glistening pools shimmering to the surface with the same joyful and comforting love that flitted through `Reflections in Suspension’ off Roach’s seminal 1984 classic Structures from Silence, a nurturing innocence and comforting embrace at its very core. The fizzy beats of the ringing `Unseen Hand’ skitter out of rising/falling caresses, the relentless `Finger on the Pulse’ unravels with danger, mysterious electronics bleed and seep through `A Righteous Thing’, and `Primary Phase’ is a restrained head-nodding chill-out, growing strident beats and cinematic slivers weaving tastefully together.
But the closing twenty-minute title track `Spiral Revelation’ is a masterclass of deeply atmospheric and enigmatic prog- electronica, and is likely a piece that vintage electronic/Berlin school fans will greatly appreciate. Endlessly hypnotic with just a hint of early Klaus Schulze alien danger and the grace of Robert Schroeder’s `Harmonic Ascendant’ but given a modern and vital interpretation, undulating beats grow in presence and rippling unease with subtle surges forwards and retreating waves back, locked forever in an unceasing spiralling loop. A stark pure-ambient coda is exceptionally haunting, and it wraps the disc in a surprisingly emotional and subdued manner.
It’s very welcome to see the artist delving back into another more melodic, energetic rhythmic-based work so soon after 2015’s Skeleton Keys. This collection provides endless movement and momentum but crucially doesn’t skimp on the most minute of ambient intelligence constantly coating the background to give it a delicate richness, and it proves instantly that ambient albums can still be full of life and vitality. Spiral Revelation, along with the other two wildly different above-mentioned simultaneous releases here, ensures Steve Roach wraps a wildly successful and artistically stimulating series of intelligent releases throughout 2016, and sets up the new year as surely another inspired, creative, divisive and absolutely vital period for the prog-electronic/ambient icon. Rating: 4.5/5 -Michael Hodgson