Black Tape For A Blue Girl, March update
Hi. If you’re a fan of Black Tape For A Blue Girl and want to support me in the creation of my art, please become a patron at my Patreon page. 90 fans – just like you – are contributing; I really appreciate that! Their support helps me create; contact with people who want me to make more music is inspiring me to get up from my desk at Projekt, and work on new material.
For the last month, I’ve been keeping track of how much Projekt-work I do; I’m color coding it on a schedule. I keep Projekt separate from music. By seeing where I spend my time, my goal is that I will spend more time in the places I chose (art!)
It’s a mixture of Quantified Self and Wayne Dyer’s “What you think about expands” concept. I’m thinking more about art. And look, I have more art! I’m thinking about people caring for what I create. And look, I meet more people who care for what I create.
Last week I met UK-based patron Antony for coffee. Antony is a graphic artist / videogame maker who visited Portland for a few days. We had a great conversation about music, art, creation, sponsorship, staying true to your inspiration and more. It is nice to put a face to the name of one of the very cool people supporting me!
Making BlackTape’s music is a lengthy process: the initial creation of my instrumental tracks, adding other musicians, thinking up melodies and lyrics, working with my vocalists. It’s not a one-day process! Making darkAmbient and electronic instrumentals is a good way to warm up. Unexpectedly, I recorded an entire new album from As Lonely As Dave Bowman! 73 minutes of music, with a 37 minute companion release. I will be talking more about this soon – I have some creative ideas for how to make the album available to you.
I’m also planning to make old-school-fan Randy LeMasters’ Ashes in the brittle air dream a reality; I’m going to have my guy in Canada bake/transfer the 1989 2-track master of the alternate version of the album. This was the shelved first version, which contains a number of different tracks from what was eventually released on CD. Getting that master transferred at High Res Archival Quality will cost $340 plus shipping. It is thanks to the support of my Patreon fans that I’m inspired to do this.
If you can fund a little something per month, that would be great:
In the next day, Shea will email Bandcamp download codes to the $5+ a month supporters. Check your email for that.