Black Tape For A Blue Girl: Tenderotics (CD) #CDSale


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Product Description

01 the perfect pervert ERIK WØLLO MIX | MP3 Clip
02 marmalade cat MILLY MIX BY STEVE JONES | MP3 Clip
03 rotten zurich cafe VALERIE GENTILE MIX
04 tell me you’ve taken another MARTYR MIX BY ANDROID LUST
05 in dystopia UNWOMAN MIX | MP3 Clip
06 caught by a stranger MILLY MIX BY STEVE JONES
07 feel your pulse quicken STEVE ROACH MIX
08 love song STEVE ROACH MIX
10 perfectpurity SAM ROSENTHAL MIX
11 inch worm ATTRITION MIX
12 caughtstranger SAM ROSENTHAL MIX | MP3 Clip
13 zurichstrings SAM ROSENTHAL MIX
14 halo star (2013) BLACK TAPE FOR A BLUE GIRL

This releases is limited to 1000 copies. 10 are still available in an über-limited edition hand-sewn furry slipcase edition (not REAL fur, it’s man-made).

27 years into their career, Black Tape For A Blue Girl keeps it interesting with Tenderotics, 14 remixed and reimagined versions of tracks off their recent 10 Neurotics album. Remixers Steve Roach, Erik Wøllo, Android Lust, Unwoman, Steve Jones, Attrition, Valerie Gentile, and Sam Rosenthal approach the pieces with fresh ears, creating reinterpretations more electronic and edgy than the originals.

The Milly Mix of “Marmalde Cat” is trip-hop meets fur and lust… strip-hop! Comparisons with Groove Armada and Ben Watt, but darker and more sensual. This mix dives into the multi-track and pulls out elements and pushes them to the front such as the slinky, feline bass line. In fact, the cover image is Blacktape songwriter Sam Rosenthal with model Narcissa, taken from the in-progress video for “Marmalade Cat (milly mix)”

All the tracks luxuriate in the vocals, letting Laurie’s passionate purr, Nicki’s cynical growl, and Athan’s croon shine.

Ambient artist Erik Wøllo helps reinvent two tracks, but instead of taking the music into space, he brings it to a pop/electronica place. Adding rhythm, groove, and deep analog electronic sounds, it’s a catchy and sensual version of Black Tape For A Blue Girl on display here. Imagine, touching, comfort, adrenaline, whispers and intimacy, an ebb and flow of sensations.

Tenderotics evolved in two parallel directions. Some tracks are instrumental, ambient reprocessing but those are surrounded by an electronic/modern pop approach. It keeps you on your toes.

Sam writes: For the last few years, I’ve thought about creating a remix/reprocessing project based on my 10 Neurotics album. Every now and then, I would bring a song up on the computer, listen to the tracks, and discover I was quite excited by reimagining these songs. When I’m in the process of recording & mixing, my brain has ONE GOAL for a song, and it has to be that way. Giving the songs time and space, I began hearing other elements – seeing other possibilities.

In 2009, when Steve Roach and I were processing the vocals in The Timeroom, he’d comment about an interesting texture or vocal in the mix, so it was very natural to ask Steve to try out a few tracks. I was excited by the subtle and luscious mixes he came back with. The people at Industry9 asked for an exclusive track for the More Than Nine Lives compilation; I created the belly-dance-friendly “CaughtStranger.” Next I asked Erik Wollo to give the album a listen and see if there was something he’d like to try. I expected his mix to be sort of soundtracky; instead he revamped “The Perfect Pervert” by adding more of a beat and a electro-pop sound. Wow, this is getting interesting! I made some more mixes myself and asked Android Lust to give an edgier sheen to the rockin’ track “Tell Me You’ve Taken Another.”

Then my friend Steve Jones (of Area & The Arms of Someone New) sent me his “Milly Mix” of “Marmalade Cat.” On first listen, I was a bit surprised, it was definitely more erotic than tender, with a beat and a certain sensual quality. After a few listens, it really grew on me. It wasn’t the kind of song I would imagine creating in Blacktape, but it had all the elements I like in my music. Melody, personality, aural excitement. This mix dives into the multi-track, and pulls out elements and pushes them to the front, such as the slinky, feline bass line. And it luxuriates in the vocals, letting Laurie’s beautiful purr shine.

I asked Steve to describe the song, and he wrote: “It’s trip-hop meets fur and lust… strip-hop… comparisons with Groove Armada and Ben Watt, but darker and more sensual … I imagine purring, touching, comfort, adrenaline, whispers and intimacy, an ebb and flow of sensations.”

“Marmalade Cat” is about a woman who enjoys her second skin of Marmalade fur, she wishes society would let her be. The original is about the desire to be left alone, permitted to enjoy life as she imagine it, rather than as we’re all so often told we should be. The “Milly Mix” puts a focus on the hotness of the song, not the drama. It dwells in her sensual kitty alter-ego. It’s definitely furry fandom, adorable, sexy, cuddly, sneaky…. Listening to the song, I was inspired to begin work on a video. You can get involved here at Kickstarter.

Over the course of time, Tenderotics evolved in two separate directions. The initial instrumental/reprocessing idea and a more electronic / modern pop approach to things. It’s kind of interesting and dichotic that way. Keepin’ me on my toes. I like that.

There will be a Deluxe edition of Tenderotics in a limited edition hand-sewn furry slipcase (not REAL fur, it’s man-made).

Click to Join, hit send, and I’ll add you to the list. – Sam

Additional information

Weight .3 lbs


Release Year



CD in 4-panel Digpak

Marmalade Cat VIDEO


  1. Reviews Editor

    A review from Wicked Channel

    Say what you want about Sam Rosenthal and Black Tape for a Blue Girl, but one thing is for sure, they have yet to release a cd that has disappointed. Now, you would expect that statement about a band that has a few cds under their belt and maybe around less than a decade, not a band that has been around close to 30 years and have influenced so many different genres of music with their unique sound and passionate musicians that have made this band legendary. Their latest is more of a remixing of their brilliant last album 10 Neurotics. If you never heard of Black Tape for a Blue Girl, you are truly missing out on some of the most beautiful gothic poetic lyrics ever put to music. This is trip hop in its most darkest and most sensual. This is a cd, you light candles around the bed get the person you love and just make serious love to.

    This is the first remix cd that I think the remixes are better than the originals. Now that is taking nothing away from 10 Neurotics, that was a brilliant record but this remix album is revolutionary in its feeling and sound, this is a band that has nothing to prove to anyone, but seems to always want to prove to people they are capable of making groundbreaking cds and really still showing people that they are just as important now as they were then. The women on this cd are the stars of the vocals, no offense to the guys. The women shine very good on this cd, and Laurie Reade and Nicki Jaine, really give you guys some very intense and deeply sensual stuff that will get you talking and thinking long after you leave this cd. I wish Nicki would come back to this band, she is such an amazing talent, and sad that she is giving up music, she has so much to offer.

    Erik Wollo does something interesting with two tracks; he makes them ambient almost space and time shifting stuff. This cd sounds like the equivalent of a split personality; you have half the tracks that sound like sensual female vocals on display trip hop and the other part that sounds inspired by Syd Barrett. This is one of those records that I just feel there is some deeper meaning to it than what the sound is letting on, like either a goodbye or maybe a new direction next time out. This is a cd that will not redefine music, but it may get people interested in buying cds again and supporting bands. This is a cd to buy your lover for valentines with some roses and take them somewhere romantic. From a band that has been around almost 30 years, I would never have expected that they would keep making music this incredible, maybe the Hall of Fame of Rock and Roll would throw them a bone and get them inducted, just for the sheer fact that when this band is gone, all you will have is a million crappy imitations out of the ashes of their greatness with the million already there. Recommended, and highly recommended if you never heard this band before and have no clue what this band is about. Cds like this are not made, they are created and they are created to be forever hailed as where music was at the time you listened to it for the first time, and where music was at afterwards. 9 out of 10 -James DePaolo

  2. Reviews Editor

    A review from Orkus Germany

    Stunning remix work!

  3. Reviews Editor

    A review from Ondarock

    Quattro anni sono passati da quando Sam Rosenthal, con l’uscita di 10 Neurotics, aveva sostanzialmente sconvolto tutti i canoni stratificatisi negli anni attorno al marchio Black Tape For A Blue Girl. Anni in cui il boss della Projekt non è certo rimasto fermo, continuando piuttosto a promuovere – attraverso l’arruolamento in scuderia di nomi come Brian Viglione (Dresden Dolls, da tempo divenuto braccio destro del Nostro), Audra, KatzKab, Adrian H & The Wounds e Jill Tracy – la sua frontiera più recente: il dark-cabaret. Nel mezzo, un omaggio ambientale a proprio nome (“The Passage”) e un impegno sempre crescente in favore della retribuzione dei musicisti.

    Ma dei Black Tape For A Blue Girl, durante questi anni, non abbiamo avuto traccia. Non è certo bastata la cover inedita di “Forbidden Colours” nella natalizia Ornamental, unita a qualche brano sparso altrove per saziare la fame di un pubblico sempre più curioso di vedere dove Rosenthal sarebbe andato a parare, dopo una svolta tanto estrema e impopolare. Oggi, Tenderotics non da risposta alcuna a questo interrogativo, ma segna il già importante ritorno del marchio, cercando di rimettere ordine laddove 10 Neurotics aveva sconvolto ogni equilibrio. Quattordici remix affidati ad alcuni fra i nomi di punta di casa Projekt, che se da un lato confermano l’assetto bipolare che risponde oggi al progetto Black Tape (traducibile come Rosenthal + Viglione), dall’altra cercano di ricucire delicatamente gli strappi con i fans “storici”, senza per questo abbandonare le frontiere più recenti.

    Le performance imperfette si contano sulle dita di una mano e hanno come difetto unico un’evidente mancanza di coraggio: prima fra tutte è la versione di “Inch Worm” a cura degli Attrition, sostanzialmente una riproposizione integrale dell’originale senza la benché minima integrazione. Problema analogo affligge la “Rotten Zurich Café” a firma Valerie Gentile e, in parte minore, l’iniziale “The Perfect Pervert”, dove Erik Wøllo si distingue a fatica in un pezzo già di per sé ottimo. Per il resto, i risultati sono lusinghieri quando non stupefacenti: Sam Rosenthal in persona firma un trittico di interessantissime divagazioni strumentali sui temi dei brani già citati, guardando ad un esoterismo oscuro in “Perfectpurity”, alla frontiera tribale in “Caughtstranger” (da “Caught By A Stranger”) e alla melancolia in “Zurichstrings”, mentre ancor più riuscito è il mix dronico di “Istrike”, dove rispolvera il moniker As Lonely As Dave Bowmann. Il primo a sorprendere è invece Steve Roach, intento a destrutturare e riassemblare samples vocali provenienti da varie tracce in “Feel Your Pulse Quicken” e a ambientare in un deserto chitarristico “Love Song”. Chi osa più di tutti è Steve Jones nei suoi “Milly Mix”, specialmente in quello già edito di “Marmalade Cat”, rivoluzionata rispetto all’assetto ermetico dell’originale. A chiudere il cerchio sono un’Android Lust in forma splendida sul capolavoro “Tell Me You’ve Taken Another” – che surclassa di gran lunga l’auto-cover di 10 Neurotics – e i Black Tape stessi che rivedono in chiave minimale, assieme di nuovo a Wøllo, la title track di Halo Star.

    Impossibile chiedere di più ad un disco nato come variazione su un tema ostico e complesso, che riesce pure nell’impresa (non facile in tema di remix) di suonare compatto e omogeneo, riducendo al minimo la discontinuità dell’effetto-raccolta. Tenderotics è dunque un lavoro che rappresenta al tempo stesso l’odierno status dei Black Tape For A Blue Girl e lo spettro di interessi su cui Rosenthal ha deciso di soffermarsi, quello stesso su cui ha costruito la politica artistica della Projekt in questi ultimi anni. Un regalo che piacerà a chi ha seguito e continua a seguire la label americana, e che ha l’indubbio merito di far salutare un ritorno importante. In attesa di capire la strada che si accinge ad intraprendere, il marchio Black Tape è vivo più che mai. Rating: 7 (very good) -Matteo Meda

  4. Reviews Editor

    A review from Music TAP

    Sam Rosenthal began his label, Projekt Records, as a vehicle to distribute the music from his band, Black Tape For A Blue Girl. To date, Black Tape For a Blue Girl has released ten studio albums over a period of 23 years. Their last, 10 Neurotics (2009), expressed Rosenthal’s growing interest in dark cabaret. However, since 10 Neurotics, Black Tape For A Blue Girl has been quiet.

    The music of BTFaBG (Black Tape For A Blue Girl) deeply reflects the evolutionary musical mind of Rosenthal, who assembles a new band when his need to express becomes necessary. On this occasion, Sam Rosenthal farms out most of the unique songs from 10 Neurotics, with remixing in mind, to recreate the nuances of some of those tunes.

    Tenderotics begins with an Erik Wollo remixed treatment of “The Perfect Pervert”, providing it with an electronica dance vibe. But that doesn’t carry over to the others. With remixes and recreations by eclectic talents like Steve Roach, Android Lust, Attrition, Steve Jones, and even Sam Rosenthal himself, Tenderotics cosmetically nips and tuck with experimental surgery surprising every time with a uniquely expressive rework. Erik Wollo is chosen to end the album with his dark ethereal mix of “Halo Star (2013)”.

    The hallmark of Black Tape For a Blue Girl album releases have always been the poetic expression of dark human emotion encased in the music interests of Sam Rosenthal at the time of composition. Tenderotics is an album that has the creator of 10 Neurotics entrusting his personal songs to others. And it is safe to say that the others have not defiled the songs, but have instead given them new blood with which to exist within a different sphere of life.

    Yes, there are many pages in Tenderotics. And within those pages you’ll find new stories. The words are the same, but the pulse has quickened, and the varied sounds somehow change the mood. -Matt Rowe

  5. Reviews Editor

    A review from Darkview

    Sam Rosenthal is al enkele decennia de bezielende kracht achter het cultproject ‘Black Tape for a Blue Girl’ dat eveneens het uithangbord is van z’n eigen label Projekt Records.

    Zoals bij de meeste releases op dit kleine Amerikaanse label gaat het hier om heel etherische, zweverige muziek met een onwerelds klinkend instrumentarium en dromerige zang. Tenderotics is een verzameling herwerkingen van oude nummers in een samenwerking met verschillende artiesten. Het spectrum rangeert van ambient over spaarse folk naar iets dat niet zou misstaan hebben op een plaat van Hooverphonic. Stuk voor stuk zijn het kleine luisterpareltjes. Zoals de titel het ook al aangeeft, zit er een onderhuidse erotische spanninglaag in de nummers die al dan niet meer meer naar de bovengrond komt of niet. Een plaat om op te zetten terwijl je ‘Vijftig Tinten Grijs’ aan het lezen bent? Rating: 8/5 out of 10 -Tom

  6. Reviews Editor

    A review from Blurt

    The remix companion to its previous LP 10 Neurotics, Tenderotics recasts black tape for blue girl’s masterpiece in new shapes in the hands of a variety of sculptors. Erik Wollo and Android Lust give “The Perfect Pervert” and “Tell Me You’ve Taken Another” throbbing, sensual mixes that bring the original albums’ underlying themes of alternative sexuality to the fore; the “milly” mixes by Steve Jones (not the dude from the Sex Pistols) do the same for “Marmalade Cat” and “Caught By a Stranger,” only more so. Attrition turns “Inch Worm” into a cross between cabaret and European art song, while Unwoman follows a similar tack for “In Dystopia,” adding a trip-hop rhythm track.

    The second half dives into deeply ambient waters, with Steve Roach giving “Love Song” a richly haunted feel, and btfabg bandleader Sam Rosenthal, under both his own name and his As Lonely As Dave Bowman guise, transforming several tunes into synth and string-driven ghosts. The record ends with a new take on “Halo Star,” the title track to btfabg’s 2004 album as reimagined by the band and Wollo as a Peter Gabriel outtake.

    As with most remix albums, results vary, and the success of the ambient tracks depends on one’s tolerance for that style in the first place. But Rosenthal’s direct involvement in the project assures that, no matter what the imagination of the remixer, the tracks stay faithful to the spirit of the original recordings. Not essential, perhaps, but Tenderotics is still a worthy companion to the original work of art. -Michael Toland

  7. Reviews Editor

    A review from Auxiliary Magazine

    In a world where the word “darkwave” might be a little passé in lieu of the rising grave wave movement, Black Tape for a Blue Girl serves up a lush new remix album that fits in nicely without the need for a drum machine. BTFBG has always been tossed into a sort of goth/cabaret archetype but it has served them well over their near thirty years. Aprpropriately dubbed Tenderotics, the album is a reimagined play on the sexually charged 2009 album 10 Neurotics. In my opinion it’s brilliant, perhaps better than 10 Neurotics, with each track holding its own but keeping to theme. There is amazing diversity here, as diverse as the album’s participating guest list, but it never strays far from that mysterious sensual BTFBG sound. Sometimes this album sways into trip hop territory, other times their traditional use of strings and other acoustics creates a neofold sound, but they never quite go over these edges. What’s constant is the ambiance and overall slow paced emotionally charged sense of feeling this band is known for, a sort of David Lynchesque romanticism. If 10 Neurotics was an intelligent nod to the underworld of sexual fetishism, Tenderotics continues this theme elegantly conjuring up an arousing narrative through deliciously listenable soundscapes. BTFBG never has been witch house nor are they attempting that, but there is an appeal here for witch house fans. BTFBG is doing what it’s always done and lovers of the modern gothic will dig BTFBG, as the hiero-phants of classic darkwave. – Hangedman 9/10

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