2 island of the rose apple tree | MP3 excerpt
3 AAPAHA | MP3 excerpt
4 water memories | MP3 excerpt
5 churning of the ocean | MP3 excerpt
6 APSARAS | MP3 excerpt
Amelia Cuni – dhrupad singing
Stefano Musso – drones and samples, sounds and treatments, album images
In Hindu mythology, the Apsaras are female spirits of nature, usually water nymphs. Flowing in the waters, these celestial nymphs come out of the waves like the first seed of the mind: desire. Talented artistically, the Apsaras are very beautiful; charming musicians and dancers for the pleasure of the Gods.
Ink 19 wrote: ” Like its namesakes, Apsaras is also breathtakingly beautiful, combining soothing electronic textures, drones, and organic sound samples from Alio Die (Stefano Musso) with the amazing North Indian dhrupad singing of Amelia Cuni… A truly outstanding album for fans of dark ambient textures or hypnotic, sensuous South Asian singing.”
“Italian singer Amelia Cuni has a voice like a drink of mountain stream water, a voice that you might expect to find operating in popular song. But her area of expertise is that most ancient and rigorous of Indian styles, dhrupad singing. Cuni’s vocal clarity and dusky sweetness sit oddly but perfectly in this austere context. Recent enthusiastic collaborators have included Paul Schütze, Terry Riley, Werner Durand and David Toop. This is not music that borrows a few Indian flavours, but a serious attempt to make something new and expressive from within Indian art music. It’s both extraordinarily beautiful and very easy to listen to.” – Clibe Bell, The Wire Magazine April 2001
With 15 different collaborations and 7 solo albums to his name, Italian ambient soundscape constructor Alio Die presents his most stunning release to date. His work with Robert Rich and Vidna Obmana have set the stage for the unusual beauty of this dramatic work, celebrating nature and the magic of the human voice.
Reviews Editor –
A review by Dave Aftandilian from ink19
Apsaras is named after the female spirits of nature in Hindu myth, who are most often portrayed as water nymphs. Very beautiful, they are also highly skilled artists, serving as dancers and musicians to the gods. Like its namesakes, Apsaras is also breathtakingly beautiful, combining soothing electronic textures, drones, and organic sound samples from Alio Die (Stefano Musso) with the amazing North Indian dhrupad singing of Amelia Cuni. Each of the six tracks on this hour-long CD takes its time to unfold, slowly growing and changing, drawing you in until you become completely immersed in the music, your mind and spirit opening to cleansing visions and dreams.
The opening track, “Ambhas,” like much of the album, explores the idea of water as uniting our spirits with the soul of the world. Gentle drones and samples of flowing water open the track, together with Cuni’s lovely voice. Over the course of “Ambhas,” we hear water falling from the sky, flowing to the sea, and surging in our blood, as Cuni’s voice waxes and wanes with the tides, floating where the sky and waters meet. Often Cuni hits a perfect note and holds it seemingly endlessly, like a moment of perfect beauty in your life you wish you could remember forever — and do. On “Aapaha,” flowing water laps at the shore while bird calls and insect sounds echo from the forest. The track showcases Alio Die’s outstanding ability to integrate natural sound samples into the music; here the repeated lapping of the water is used to create a soothing rhythm with an almost hypnotic quality, while the occasional bird and other sounds keep the water sounds from becoming stale. Cuni’s voice begins very quietly on “Aapaha,” borne on a breeze with tinkling chimes. Her singing has a bit of a nasal, droning quality to it here, like a chanted morning meditation; sometimes her voice is so very gentle and quiet it takes on almost subliminal quality, calming nerves you didn’t even know were frayed.
Not every track on Apsaras is sweetness and light. “Water Memories” is a good example. Repeated, rhythmic cricket calls set a night scene, with dark synthscapes humming and glowing eerily behind them. Cuni’s voice is also low and dark, stretching out to hold some notes for what seems like an eternity, like long memories extending deep into the past. An instrumental drone and heavy synth atmospheres build the tension, then suddenly clear up, like clouds occasionally occluding the moon, then dissolving as you float on ancient currents through the endless chasms of your subconscious mind. Slowly the drones, synthscapes, and voice fade, bringing you back to the present and leaving you with the chirping crickets that began the track.
A truly outstanding album for fans of dark ambient textures or hypnotic, sensuous South Asian singing.