lowsunday: low sunday ghost machine black ep (12″ Vinyl + Digital)

Reviews

1. 

   Reviews Editor – September 16, 2026

   From The Big Takeover

   Some bands return by proving they can still sound like themselves. Lowsunday return with something harder to fake: the sense that their songs have grown more readable with time. Low Sunday Ghost Machine – Black EP, the Pittsburgh duo’s five song release via Projekt Records, arrives as the darker companion to Low Sunday Ghost Machine – White EP, though the pairing never feels like a simple colour split. White EP brought shimmer, air, and texture. Black EP follows what happens when that light is pulled closer to confession.

   That is what gives the record its force. Lowsunday’s history matters, especially for a band that first emerged in the 1990s as Low Sunday Ghost Machine, disappeared after leaving behind a cult reputation, and resurfaced decades later with original members Shane Sahene and Bobby Spell at the centre. Still, the songs are strongest when the comeback story falls away. Darkwave, shoegaze, post-punk, and dream pop are not credentials here. They are tools for making blurred states feel precise: attraction, misjudgment, dependence, fatigue, and the private logic that keeps people returning to what hurts them.

   Sahene has described Black EP through the idea of the Jungian shadow, and the phrase suits the record because these songs rarely treat darkness as atmosphere alone. They bring forward the material that usually stays half-admitted: the attachment that humiliates you, the loneliness that makes bad trust feel reasonable, the dream that stops feeling like refuge because it keeps sending you back to the same room. The EP is polished, but never emptied out. Its beauty comes from how much pressure remains inside the melody.

   “You’re So Wired” opens with brightness under strain. The guitars shimmer, the rhythm presses forward, and the song catches quickly, but its lift feels closer to voltage than relief. It follows the pull of someone magnetic and erratic, the kind of presence that makes everything feel heightened until the same charge starts distorting the room. Sahene has connected the song to the uncertainty of dreaming and waking, and the track makes that uncertainty physical. Attraction becomes altered perception. Excitement starts moving faster than judgment.

   “Shattered” changes the record’s temperature without stopping its momentum. After the opener’s charged surface, the song pulls the EP inward, where damage is already present but still being held together by melody. Lowsunday are careful with that kind of breakage. They do not turn it into spectacle. They let the song keep contour, pace, and lift, which makes the fracture feel lived in rather than performed for effect.

   “Someone To Talk To” is the EP’s exposed centre. The title is plain enough to hurt, and the song earns that plainness by tracing how loneliness can make attention look like care. Its world is intimate, but not small. Betrayal, dependence, trust, and self-deception all pass through the same need to be met by another person. Lowsunday keep the realization calm on the surface, which only sharpens it. The track understands a brutal thing softly, catching the moment when someone sees the wound clearly and still cannot fully detach from what caused it.

   “This Is Not Heaven” gives the EP its hardest correction. Built around heavy synths, asymmetrical guitar leads, and a driving bassline, it gathers the band’s shoegaze atmosphere and electronic weight into something more declarative. The title lands with the force of refusal. It will not let escape be mistaken for peace. The chorus opens enough to let brightness through, but never enough to lie about where the song has been. Lowsunday are strongest in that balance, when beauty appears without pretending to solve anything.

   By the time “Don’t Want To Dream Again” closes the EP, the dream state has curdled into recognition. What begins on “You’re So Wired” as unstable brightness arrives somewhere more tired and exact, where imagination no longer promises escape because it keeps circling the same unresolved place. That movement gives Black EP its arc. The record starts with attraction as electricity, passes through fracture and need, refuses false comfort, then ends with the exhaustion of wanting out of a pattern you can finally name.

   The videos by Jer Herring work because they understand the band’s restraint. “You’re So Wired” leans into motion, dream logic, and erratic attraction. “This Is Not Heaven” gives the heavier textures a haunted surface. “Someone To Talk To” finds distance in faces, space, and miscommunication. Herring gives the songs visual life without translating them too neatly, which suits music that often feels caught between clarity and concealment.

   The production is crucial to that closeness. Sahene and Spell recorded, mixed, mastered, and produced the EP themselves, and the control is audible without becoming sterile. The songs are polished enough for the hooks and textures to cut through, but they keep their grain. Too much haze would blur the writing. Too much shine would weaken the intimacy. Black EP sits between those instincts, letting guitars flare, synths harden, drums drive forward, and vocals stay close enough to feel almost private.

   Spell has described the songs as carrying isolation and sadness in a way that feels familiar rather than depressing, leaving a sense of hope. That line gets close to the EP’s quiet achievement. Lowsunday do not offer hope as a clean exit. They find it in persistence: in the melody that keeps moving, the chorus that still opens, the voice that can name the feeling without being consumed by it. Certain sadnesses do not disappear with time. They become easier to understand.

   As the shadow half of Lowsunday’s two EP cycle, Low Sunday Ghost Machine – Black EP gives the band’s return consequence. White EP gave the comeback light and texture. Black EP lets the harder material speak without smothering the shimmer that made the first half so affecting. Together, the two releases make a strong case for Lowsunday as a band whose old language still has present work to do. A sound built from restraint, distortion, longing, and melody can still hold the parts of us that time does not simplify.

   Low Sunday Ghost Machine – Black EP is out now via Projekt Records. -Nika Kretov

2. 

   Reviews Editor – May 6, 2026

   From Post-Punk.com

   Lowsunday Blasts Into the Bleak Beyond With Video for “This Is Not Heaven”

   Hot on the heels of their unexpected, yet triumphant return to recording in 2025, Pittsburgh-based post-punk/shoegaze duo Lowsunday are back with a brand new track and video. Serving as the lead single from their upcoming black EP (the natural shadowy follow up to last-year’s white EP), “This Is Not Heaven” is a scintillatingly dark and dreamy rave-up, featuring pummeling drum machine rhythms, buzzsaw synths, blistering guitar textures, and evocative vocals, with a chorus that lifts the track into oblivion, like an trans-dimensional jet engine. The track careens through those empty spaces where dreams and reality mix a little too closely for comfort, and the results are as alluring as they are haunting.

   For the uninitiated, Lowsunday first began their tenure in the mid-1990s and were among the first bands to blend the current shoegaze movement with ’80s darkwave sounds. After self-releasing their eponymous debut LP in 1996, the band was quickly signed to Projekt Records, which released the band’s sophomore record, 2001’s wonderful Elesgiem. As trailblazers in their time, they left a huge mark on the scene, influencing countless modern bands to follow, all of which owe a great deal of debt to Lowsunday’s compositions. Remixes and remastered reissues of the band’s discography appeared in 2024 and 2025, respectively, bringing these records back into focus for a new generation. As such, the band, stripped down to core members Shane Sahene and Bobby Spell, came back in full force to reclaim their rightful throne. Last year’s interview with the duo captures the story so far and touches heavily on the band’s current output, which truly sounds as if they haven’t skipped a beat.

   Meanwhile, both Sahene and Spell have shared a few words with us about the creation of “This Is Not Heaven.”

   Sahene:
   “This song captured a feeling that we’ve been trying to express but never as clearly as it became in this song. It’s a song that touches on loneliness and the view love from the outside – but also clearing your head enough to be expressive and cutting. It’s a song meant to be loud, at times dreamy and chaotic, but then finds its power in the heavy synth chorus- it almost reminds me of the racing engine of the Mammoth Car in old Speed Racer episodes, where it has scary power, but in this case, running from the hell of loneliness.”

   Spell:
   “For me. “This Is Not Heaven” is very melancholy musically and lyrically, but the choruses add enough light musically that the song leaves you with a feeling of hope. Writing and recording this song seemed to have a lot of mystery until a few key parts came along that completely changed the tone and clarified what the song would be. So far, it’s one of my favorite tracks we’ve written.”

   The video for “This Is Not Heaven” is a perfect shadowy compliment to the single’s alluring cacophony. Directed by frequent collaborator Jer Herring, the video takes the duo through a monochromatic, gritty journey through city streets, dense forests, and dark basements; those places where otherworldly beauty and sheer terror can exist in harmony.

   The black EP will be released on vinyl and digital formats on May 15th via Projekt Records. -Frank Deserto