Archive for the ‘Blog from Sam’ Category

Dec 13

Roach/Obmana Ascension of Shadows 20th anniversary free download

Nov 30

What do I have to be thankful for? (A blog with reflections + 20% off sale + my new video)

from Sam Rosenthal:

Thoughts at the end of the tens.

Today is that "holiday" launched by AmEx in 2010, Small Business Saturday, where we go out and support a small business or two. Well let me tell you, Projekt is small. Very small!

Projekt is almost as small as it gets. The staff is:

Sam (me) — (not quite full time) — I communicate with the artists, design the album covers and other graphics, keep on top of the physical production schedule, email the distributors (Hi Sebastian, Mike, Scott, Tracy, Rob, Sue, others), communicate with many of our press contacts, update Projekt’s Bandcamp store, post a portion of our social networking, update the website, write album bio copy, and look out over the bow a year into the future for an idea of where the industry is headed.

Joe — (a few hours a week) — fulfills your orders at the Projekt webstore.

Shea — (a few hours a week) — posts the rest of the social networking, updates the reviews on the website, proofs the copy I write (but not my email lists, which is why there are always those damn typos), and is my trusted sounding board (She’s worked at Projekt since 2001!)

We’re a small business, and that leads me to what I’m thankful for.

I’m thankful for you, and your love of music… hold on… I have to do some business before I continue with what I’m thankful for…

Enter BF19 in the coupon code field during checkout at projekt.com. The sale excludes pre-order & new category items. Sale ends Friday December 6 at Noon EST.

Right. As I was saying…

I’m thankful for you, and your love of music! I’ve run Projekt as my full time job since 1991. For 28+ years your love of music has put a roof over my head, food in my belly, and helped me pay the costs of raising my son. It’s pretty great that we’ve been doing this for each other all these years!

Projekt began as a hobby when I entered college in 1983; the label grew out of my fanzine, Alternative Rhythms. Do you watch Stranger Things? I’m the same age as the older kids like Jonathan, the non-conformist photographer. That show does a good job of showing what it was like to live in non-big-city-America in the mid-80s (except we didn’t have to deal with The Upside Down where I was from.) I popped over to youTube to find a video of Jonathan and synchronicity brought me the perfect clip for this blog. In it he’s giving his younger brother a mix tape. They’re listening to The Clash and Jonathan says, "All the best stuff’s on there — Joy Division, Bowie, Television, The Smiths. It will totally change your life!"

Honestly, that’s exactly the reason I made the fanzine and started Projekt — I really loved music and wanted to expose other people to it.

Back in the 80s and well into the 90s, we didn’t have the internet to expose us to interesting music from around the world. It took dedication to find underground sounds. We read magazines, listened to a cool local college DJ if our town had one, went to dance clubs, and if we were lucky there was a cool record store where the owner got to know our tastes ("Yes, Leslie, of course I want to special order a copy of that Mick Karn/Peter Murphy 12-inch!")

Exposing people to great music is what I did and continue to do.

I know it’s easy to stream music these days; people are buying less and less. I’ll fess up, I’m one of those streamers. Streaming brings in around 50% of Projekt’s income and it grows every month. Streaming does pay!

If you’re a digital fan, it helps that you go to the Projekt Bandcamp page to purchase a download, and/or chip in when there’s a new name-your-price release. That money ads up to royalties for the artists you love. In fact, right now there’s a new release, Christmas Nocturne by Sue Hutton and Athan Maroulis. It’s a name-your-price holiday download!

As many of you know, I’m the songwriter/bandleader of Black Tape For A Blue Girl. Since 2013 (when I moved from Brooklyn NY to the more-reasonably-priced Portland Oregon) I’ve put more time into my own art. It was hard in NYC — working as much as I could at Projekt to bring in income, raising my son, AND trying to find time for music? It was too hard to do it all. I know everyone has different economic realities, for me Oregon is a less-expensive place to live; this has lowered my financial stress and I take more time to make art. It also helps that I have 67 very cool patrons who contribute towards my music-making expenses.

It takes time and money to create music.

Back in the beginning of this decade, I used to argue with people on Facebook (and in email) about how piracy & illegal downloads hurt artists because it deprived them of income they needed to cover the costs of creating (let alone paying the rent.) I’ve long since given up on arguing with people on social networking (that was a pretty annoying way to spend time, wasn’t it?)

In a sense the battle was won by Spotify, Pandora and YouTube. Streaming took over, and much to my surprise it seems Daniel Ek was right — streaming reduced the piracy problem, while sending money to artists. Count me corrected!

Now we’re in the last weeks of this decade (!!!) and I understand that the problem of fans buying less physical releases is going to be solved when artists (1) catch up with the modern age and accept what is changing (and has already changed) and (2) embrace new ways to bring in income.

Projekt has a couple of artists with the success necessary to work full time on their music. However, most of the musicians I know create on a very part-time basis. That’s sad when you think about it. There could be a lot more great art if musicians were able to work less at their income-producing job, and more on their art.

It turns out I am a (Democratic) socialist. I think society would be much better if the billionaires didn’t have quite so many billions, and their hoarded money wasn’t sitting in their 3rd mansion and stocks. It would be better if that money was equitably shared in the system. This isn’t just to benefit people I know, it’s to benefit you. I doubt you’ve got a billion, or even a million, or probably even fifty-thousand, socked away that you’re not using. You could probably use a little more of a fair share, and some security, right? I hope one day we have Health Care For All and a Basic Income for everyone, so if you want to get out of the grind of that day job and start the business you’ve been dreaming about — well, you can take the leap and try. I was fortunate that I didn’t have crushing college debt, and I was healthy. I could chuck the job in 1991 to focus on Projekt. The label was growing and it needed me to take the risk to be there full time. Nowadays, how many of us can follow our dreams?

Economically, that’s not easy at all!

I hope that things change in 11 months and we get new leaders with a desire to help the people rather than the rich. Oh, yes… another thing I’ve learned is talking politics here on the list pisses people off. I’ll just say: let’s all get along and be good to each other. I’ll be thankful for a time when there’s more love and compassion, and less divisions and us-against-them.

And that’s my Thanksgiving message of hope (and despair — yes, I’m GenX. I have a healthy dose of skepticism and cynicism.)

– Sam

Somebody will inevitably email me and tell me off — that’s not going to wreck my day. After I realized life wasn’t a tragedy, but a farce, it got a bit easier.

Speaking of governing the right way — Ryan Lum (formerly of Love Spirals Downwards and of LoveSpirals) is running for Long Beach City Counsel. If you’ve loved their music and you’re a progressive that wants to see positive change, pass a donation his way: https://ryanlum.net/

So….. new topic…. I’ve made a video! My first new video in 6 years! It’s really nice. Please watch it…

black tape for a blue girl "In my memories" video at YouTube

I conceived, shot & edited this rumination on the passing of time, nostalgia, regret and loss with the help of my three great actors. Shot over the course of two year, it stars Dan Von Hoyel (vocalist/songwriter from the bands Harmjoy and Titans) and fellow adult industry performer Mercy West.

Watch “In my memories” off To touch the milky way.

Sam explains, "The piece began with a half-minute phone-video of Mercy splashing & diving underwater at a rubber fetish pool party. A few months later, a piano part I played in the studio felt to me like it was about ‘memories’ — those seconds of Mercy in the pool inspired the direction of the music and then the lyrics I wrote. It’s a character’s first person narrative thinking back to the summer when he was 23 and enjoying a nothing-special — and yet everything-so-special — afternoon with his lover. It moves me seeing the raw emotions Dan brought to his performance. How often do you see men cry in tv or film? In our culture, men are considered weak when they show feelings other than anger. It’s still not common for them to tear up and display their loss or sorrow. I like that we captured that; it gets to the core of the song.”

After you watch the video if you’d like more details and backstory, read my blog.

Next week I’m reprinting BlackTape’s The Rope T-shirt. If you’d like one, preOrder at the BlackTape Bandcamp page. Projekt 20% Off Sale. Enter BF19 in the coupon code field during checkout at projekt.com. Sale excludes pre-order & new category items. Sale ends Friday December 6 at Noon EST.

Oct 24

Black Tape For A Blue Girl, Ashes in the brittle air video (from 1989)

Hi, This is Sam from Black Tape For A Blue Girl — With 5 days to go on the Ashes in the brittle air crowdfunding campaign, we're 68% funded. 145 people have joined together to pledge $6172 towards the $9000 goal of creating an expanded 2CD & clear-vinyl LP edition! The remastered 11-track album sounds fabulous. Pledge at Kickstarter.

In 1989 I made a video for "is it love that dare not be? / ashes in the brittle air." It never was shown anywhere, and nobody has seen it in the last 28 years. I digitized it and posted on youTube.

Is it love that dare not be? / ashes video history

Another piece of history from the archives! I had such a warm sweet feeling watching this video the other day, the first time in 28+ years. My college friends Kathryn (dancing) and Dimitri (her mostly immobile partner) swept across my monitor recreating the rolls they’ve played in my mind for the last three decades — for all of eternity. And me the viewer, knowing every frame by heart yet watching like it was the first time, excited for what would come next.

My patrons provided the funds to cover the cost to transfer some of my old 3/4-inch (U-matic) videos. This was the first clip the guy at the lab sent me; perfect timing.

From what I recall, I shot & edited this two-song video after the release of Ashes in the brittle air. The video had technical issues I wanted to fix back in the day, but couldn't because I didn't have good enough equipment. I never was sure about showing this piece. I've fixed those problems, at last!

Back in those days it would have been difficult for most fans to see this video, anyway, as we didn’t have the internet. Fortunately we do now! Everyone can enjoy the “is it love that dare not be? / ashes in the brittle air” video at youTube

Support the expanded edition of Ashes in the brittle air at Kickstarter . A download is a $5 donation, clear vinyl LP is $30, CD is $20. Everyone gets the 21 bonus tracks.

Oct 22

Video: “Synesthete” Steve Roach studio montage

a resplendent expression of elegant futurism; spiraling analog synth/sequencer-driven sounds

Projekt’s Sam Rosenthal edited a montage of Steve Roach creating in the studio set to the track “Synesthete” from BLOOM ASCENSION — watch at youTube.

From a review at All Music: “The entire LP sounds impeccable, with every minute detail sounding clear and distinct, constantly massaging the soul and inspiring the imagination.” Purchase CD or LP from the Projekt website.

Oct 15

jarguna and Friends: Trapped Vol. 3 #FreeMusic 🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️ Changes in the music industry (good ones!)

jarguna and Friends: Trapped Vol. 3

name-your-price download at Projekt's Bandcamp . Get it for free or donate anything if you fancy. Your funds are split between Projekt Records and Jarguna. Your contributions assist us in releasing more great music.

Sam writes: I had an interesting conversation last Saturday with some record label friends. I was riffing on the present, the future, and how easy it is to find oneself living in a past that is rapidly vanishing. I’m talking about the feelings & experiences around buying & playing a physical object; as well as creating art for this specific format.

Much of what we understood as fact has morphed into a new NOW — because of digital.

There was once a limitation on the output of our art because of the physical object it was conveyed upon. CDs & LPs restricted in a number of ways — the production schedule at our pressing plants, the lead time required by our physical distributors, the minutes-of-playing-time available, and the gotta-have-the-money-to-make-them concern.

There’s another old-paradigm issue that needs rethinking. As you know, Projekt’s Steve Roach is a very prolific artist. Why should his ever-creating mind be limited — as we all were — by the recording industry strategies of fifty years ago? These strategies rationed art; the paradigm of one-album-every-18-months was designed to allow the marketing department time to ring every penny out of a falsely finite quantity of music. Fans love the art and we want more it it! When an artist makes intriguing & amazing work, why constrict their creativity? The shift to streaming shows that once the price cap is removed, you listen to music. Lots of it!

Yes, of course I still love physical objects; and Projekt is not abandoning the CD format. When I look at the trends, though, I see the majority of our audience listens to music digitally. The royalty Projekt pays artists is now 80+% from digital, and 50+% of the total is from streaming; those numbers grow every month. I’m excited to release more music via the digital format, removing the constrictions of the old physical model.

Ultimately, the music is what we crave, not the medium that it lives on. 

This all leads me to today’s new Projekt release from another prolific ambient/electronic artist — Italy’s Jarguna. Just three months ago I was writing to you about his lovely album, ;Prospettive Animiche. Today he’s back with a new digital-only collaboration, Trapped Vol. 3; 92 minutes of ambient / electronic / drone with intriguing collaborative input.

Projekt has the Bandcamp download available for FREE / name-your-price for a limited time. Go ahead and enjoy this new album!

🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️🕷️ 🕷️ 🕷️ 🕷️ 🕷️ 🕷️

jarguna and Friends: Trapped Vol. 3

Border Music: 11 poems with 14 poets webbed together via vibrations generated by instruments, objects, field recordings; each using his pen to give life to his emotions. > “In just two years,” Jarguna explains, “I have produced three volumes of Trapped alongside all my other parallel musical projects. I have to thank the artists who dedicated time and trust in me. With the Trapped series I want to represent the metaphorical allusion of me as the spider and the friends, artists and groups as ‘prey’ which I trap into my ‘music web.’”

With this volume, the challenge of intertwining artists from different genres — from darkAmbient to jazz, chillout, folk — grows more complex, creating a release with diverse stylistic changes over the course of 92(!) minutes. It’s an intersection of electronic sounds (synthesizers, samples, loops, many effects) with clean acoustics (classical guitar, ethnic wind instruments, sax, and violoncello.) Together, Jarguna and his prey have created an articulated structure that is difficult to classify in any one style.

“In fact,” Jarguna continues, “I would like to use the term that Nicola Serena thought and proposed as ‘order music’ or ‘fringe music,’ as it is not pure electronic, not pure acoustics. Though I know many people would classify this style as new age, in truth I’ve never been interested in classifying; I don’t want to spend too much time to identify the genre, it’s all a bit unidentifiable — but yes, let’s say border music I really like it.”

🕷️ And what of those spiders that grace the covers of all three releases in the Trapped series? Jarguna has thoughts! “There are very few people who know how to appreciate some animals like a spider, which like others such as snakes and reptiles create a sense of disgust, horror, we can say an atavistic terror. Primordial! I love them and am literally amazed. Without these beings the food chain would break; there would not even be the decomposition of the organic material of the plants which thanks to spiders split and transform into fertile ground. The spider, despite being of small stature, is a formidable predator, patient and capable of organizing amazing architectures with his silk thread that is one of his main weapons: the canvas (web). I decided, metaphorically, to take the form of a spider because one of my life’s abilities is to weave canvases to trap people and situations. Bold, often brash, I capture the attention by pushing artists to meet even though they have very different lifestyles. This is how the idea of ​​these volumes was born. I invite friends to my house and the prey does its job: it creates the canvas. My desire is to try to trap their ideas, eagerly learn their style, learn their experience. I have grown a lot thanks to all the artists who have dedicated their time for me and for these volumes. So I just have to thank my wonderful prey!”

From a David Gilmour-style guitar by Riccardo Dellocchio, to effects-packed synthesizers by Chris Russell, to jazz player Franchesco Schina allowing me to link my syntheses with his sax, Greg Moorcrof with percussion, rattles and guitar, John Tocher and Simone Santarsiero to build drones full of emphasis and mystery, Massimo Di Nocera with his splendid and romantic acoustic guitar (he produces music for yoga practices and I have the honor of coloring his live performances with keyboards and environmental recordings. The energetic “Nightlife” piece by Nicola Serena and Alessandro Manno, Reese William with a drone generated by his voice, Giuseppe Dal Bianco taught ethnic music for 30 years in schools, enchants the senses with wind instruments of various ethnic origins, some also created by him, Ronny (aka Seetyca) we imagined wild and pristine northern forests, and not least the spectacular cello by Henrik Meierkord.

name-your-price download at Projekt's Bandcamp . Get it for free or donate anything if you fancy. Your funds are split between Projekt Records and Jarguna. Your contributions assist us in releasing more great music.

Sep 28

Steve Roach $5 CD Sale ••••• 💿 = $5 💵 !

$5 STEVE ROACH SPECIAL

A wide selection of Steve Roach’s passionate & powerful electronic ambient CDs are on sale — just $5 for single discs & $10 for doubles or triples! Special pricing limited to one week. (Bonus good news: Projekt pays Steve and his collaborators full royalties on these items.) We’ve got so much great music in the warehouse; we’d much rather it lived in your CD player where it can be enjoyed!! Pick through the bins and take home some great music today

Sep 18

Sam’s reflections: Steve Roach live. Santa Fe, Tucson & New York City

Steve Roach LIVE

info on all upcoming concerts on this page of the Projekt website

Sam writes:

Steve Roach is headed out to Santa Fe for his two concerts at Paradiso this weekend. On Saturday Steve is joined by fellow electronic innovator and collaborator Michael Stearns (Kiva, Desert Solitaire) and didgeridoo master Rob Thomas (Inlakesh and Monuments of Ecstasy.)

Steve's recent concerts are intense, intimate, immersive and stunning. From ethereal segments off "Structures from Silence," to not-yet-released driving analog sequencer pieces, to tracks from his latest releases and from the classic Dreamtime Return, Steve's set is a 2-hour career-spanning immersion in the realms of electronic music. As I type this, I am listening to this youTube video with excerpts from Steve's recent Pasadena Ambient Church concert. It's incredible — the intensity and focus Steve brings as he crafts a stellar flow of music, taking us on a journey of sound all in real time with real instruments!

A not-to-be-overlooked aspect of Steve's concerts is the community of fans who gather for the event. People fly from Europe — as well as from around the country — to be there. It cool hanging out with people I met at previous concerts, as well as making new friends. I try to get to town a day early, settle in, hang out, find the local brewery or taco truck. Mercy and I had a nice berry pie for breakfast the day of the Pasadena show, walked by the space where the '92-'95 Projekt office was located (the building is gone now), and celebrated their birthday with cupcakes! It's so worth it! Taking some time out of our busy life to do something different, fun, new! Experience some of what life has to offer!

It's also interesting spending time with friends who've gotten involved as facilitators with Plant Medicine and Technologies of the Sacred. Last time we met, they were in rock n roll bands, now they're helping people journey and heal from past trauma. Great to see people doing this work — our society needs more understanding, pain relief, and consciousness enhancements.

I'm flying with Mercy to Tucson for the November concerts, which are part of the All Souls Procession — a weekend-long celebration that incorporated many diverse cultural traditions with the common goal of honoring and remembering the deceased. The weekend culminates on Sunday November 3 with Steve's performance at the finale ceremony, with as many as 100,000 people coming off the parade route and crowding the streets for the event. The day before — Saturday the 2nd — Steve performs a full concert at MSA Annex outdoor festival venue.

Tucson, here we come! I've got our room booked at the 100-year-old Hotel Congress, the designated hotel. It can get loud at the Congress, it's an old building right in the middle of a hopping dance-club-filled downtown. It's a great space though, nice restaurant and five bars — worth the noise. I stay there every time I visit Tucson. I hope some of you make it out to this once in a lifetime weekend. Drop me a line if you're going, so we can say Hi in person! 

New York City 2020 Exciting news! Steve confirmed his first ever New York City show; tickets now on sale. It's an Ambient Church concert on March 28, 2020, in the beautiful St. George’s Episcopal Church off Stuyvesant Squark Park, between the Gramercy Park and East Village parts of town. I expect I'll be there too. It will be nice to visit the city after being away for a few years. video for “Synesthete” from BLOOM ASCENSION

Projekt’s Sam Rosenthal edited a montage of Steve Roach creating in the studio set to the track “Synesthete” from BLOOM ASCENSION — watch at youTube.

Sep 10

Steve Roach #5 on Billboard New Age Chart

Steve Roach has the #5 New Age album on this week’s Billboard Chart!

Spread the word! Please share this tweet and this facebook post. Details, downloadable graphics, etc, on this page.

Sep 09

free download – Sam Rosenthal’s TANZMUSIK (1984)

Sam's 1984 album of minimal-synth / synthwave is #free on Bandcamp for a limited time.

Originally released on vinyl in March 1984, Tanzmusik is one of minimal synth’s top Holy Grails. Recorded in the electronic style now known as synthwave, it was the first LP from Sam Rosenthal, founder of the iconic Projekt Records label and mind behind one of the most influential darkwave acts out of the US, Black Tape For A Blue Girl.

A historic work that deserves to be torn from oblivion, Tanzmusik was completely recorded at home on a four-track TEAC-2340 with a super minimal setup (Korg Poly-61, Moog Realistic Concertmate MG-1, Boss Dr-110 and some effects). The ’84 vinyl release was limited to 250 copies with a tannish card glued to a white LP jacket; the re-release in 2012 was an edition of 500 on Italy’s Mannequin label. All physical formats are once again sold out, but the album lives on in the digital world, with a name-your-price-download at Bandcamp.

In 2012, The Big Takeover wrote: “Released at a time shortly before the forming of his band, Black Tape for a Blue Girl, the listener might well be stunned by what they hear. Instead of the dark — some may call it ‘goth’ — sounds that he would soon become famous for, Tanzmusik is a record that is oddly upbeat, somewhat poppy in nature, yet with a prog-rock heart that’s equally undeniable. It’s not quite New Wave, it’s not quite progressive, it’s not quite darkwave — but it is an interesting compilation of the ideas of a talented young man with numerous ideas in his head about directions he could go. “

Recorded when Sam was 19, the album continued in the “electronic mood-music” tradition established on three earlier cassette-only releases. With the added intrigues of the drum-computer, Tanzmusik explored the realms of electronic music that critics at the time compared to Tangerine Dream, O.M.D., Brian Eno and these days also compare to Cluster and the first Human League.

Sam writes, “When contacted about a re-issue in 2010 by Alessandro Adriani at Mannequin, I decided to remaster the album for them. After getting the digitized recordings back from my mastering guy in Canada, I discovered it wasn’t the stereo 2-track mix at all but the actual 4-track recording. Wow! I thought the multis were long gone, but here they were in pristine digital form! I remixed the album in my studio, staying true to the original – while bringing back a few instruments that were buried in the '84 mix. Sonically, the current version sounds even more incredible than it did back in 1984!”

"Before I remixed the album, I had not listened to it in probably 15 years. In my memories of the album, I thought the ambient songs were the good ones, and the synth-pop ones were the weak link. But now I think I like the synth-pop ones — like “Alone” and “We Return” — more. On the other hand, I really like that sequencer at the beginning of “The Coming Fall.” If my Korg Poly-61 wasn’t dead, I would set up that patch again and write something new around it; I still have all the notes for my synth settings for the songs. Scary. Overall, I am a lot happier with the album than I expected to be. When Alessandro got in touch with me about releasing it, I was sort of skeptical, and procrastinated a whole bunch. But when I started actually working on it, I liked it. It’s quite a nice album. Schizophrenic, but that’s OK."

Sam Rosenthal is an American artist. He is the founder and leader of the band Black Tape For a Blue Girl and the record label Projekt Records (35th anniversary in 2018). He lives in Portland Oregon with his son and cat. Black Tape For a Blue Girl — begun in 1986 after his move from Florida to California — serves as a vehicle for Rosenthal’s musical vision. Its signature combination of gothic, ethereal, ambient and neo-classical elements explores existential themes of loves lost and passions yet to come. After releasing 9 cassettes and the LP of his early electronic work prior to 1986, he developed a full-fledged band whose members revolve around Rosenthal’s subtle electronic foundation. In the last few years he has also been releasing electronic solo work under the names As Lonely As Dave Bowman and Sam Rosenthal, as well as collaborations with other artists.

Click Here for the history of Projekt's out-of-print releases, and Sam’s early electronic releases.

Aug 26

Two unreleased tracks from Forrest Fang (Free!)

Over the course of seventeen solo albums and three-plus decades, San Francisco Bay-area ambient/electronic musician Forrest Fang has cultivated his surrealist blend of electronically-transformed ethnic instruments and minimalist aural environments. Today we bring you two previously unreleased tracks available for streaming and download at Forrest's Soundcloud page. The first one was recorded just 10 days ago!

For John Dunn (081819) Listen here

Forrest writes: I recorded this piece after hearing recently of the passing of John Dunn, one of the early developers of generative music software for the PC in the age of DOS and Windows 3.1. I learned recently that Dunn had passed away in 2018. This piece uses only output from his generative programs, SoftStep and Bankstep. The sounds come from an old EMU UltraProteus module, which I used extensively during the 90s. (The screenshot comes from another early Dunn program for DOS called Melodia. I used Melodia on my 1997 album, "The Blind Messenger," on Cuneiform.)

Happy Belated BD, Mr. B.E. (051819) Listen Here

I missed Eno's 70th birthday by 3 days, but I belatedly recorded this piece to honor it.

2 free downloads from jarguna, here

 

Jarguna is Italian ethno-organic-ambient sound-artist Marco Billi. Prospettive Animiche is intimate and minimalist with deep ambient characteristics. “I made this music,” Jarguna reflects, “by playing the instruments as if I were creating a mantra; what arose is a sound spiral for electronic meditation, drones for an emotional exploration, deep, low, slow, sometimes repetitive with refrains imbued with sacredness." Full album description here

Free downloads of 2019's Prospettive Animiche and 2016's Fusion of Soul.

Enjoy the music!