2 Monday Is Here
3 Silver Leaf
4 A Trade Out
6 An Awakening
7 The Rain
8 Bright Like Stars
9 The Light Room
11 A Ghost Ascends
13 Autumn Moon
14 The Only Way Through Is Out
CD — 4-panel digipak. Limited edition of 1000.
2LP — 140-gram color vinyl — deep blue with black smoke. 24pt gatefold jacket. Limited edition of 500.
LYCIA | 4 — 4CD HARDBOX SET — 2010’s Fifth Sun*, 2013’s Quiet Moments*, 2015’s A Line That Connects, and 2018’s In Flickers. * these two CDs are available only in the box!
T-SHIRT — Silver ink, Projekt logo on back
|Purchase in Europe for fast, inexpensive shipping:
Information in English here. Click to order CD or LP.
T-shirts are available from the US webstore only.
Also reprinted: IONIA T-shirt.
Lycia’s A Line That Connects returns on CD (and for the first time on 2LP) on Projekt Records. Originally released in the summer of 2015 on Handmade Birds, ALTC’s first pressing of 500 CDs quickly sold out. Haunting, bleak, moody and atmospheric, their 10th album is a heavy record with shifting sonics and a full-band sound thanks to a return to the classic mid-90s Lycia lineup of Mike VanPortfleet, David Galas, and Tara Vanflower. Building on the momentum of 2013’s Quiet Moments, it’s a contemporary sounding release that harkens back to their 90s darkwave roots. Lycia’s mix of post-punk bleakness and doomy darkness is an engaging, fascinating listen.
There’s a heavier feel here, a slow burn that threatens to explode from sheer intensity and passion; if you’re wondering just how it’s able to be menacing but also meditative, you’re not alone. The album flows through drone, dark-pop, and post-punk, with liquid guitar dripping, gloomy fog casting its spell, and hypnotic vocals spinning inside your head.
Mike reflects, “Time, space, and nature have been constant themes for Lycia over the years. With A Line That Connects, for my lyrical contributions I focused on lines and connections as the title suggests. There are connections between parents and children which I explore over several songs—between my mom and I, and between my son and I. There are lines that connect then and now. For example, the song, ‘A Ghost Ascends,’ was originally written back in 1983, and for this album it’s being revisited. The song’s original vocalist and lyricist, Michael Irwin, appears on this reworking providing backing vocals. Then there is a series of abstract connections that I explore, mostly to times and places from my childhood.”
POP MATTERS: “Lycia’s influence, and the respect it’s afforded, has been far more profound than any record sales figures would suggest. While VanPortfleet might have felt his band was under-appreciated, you only need look to the resurrection of deathrock, the rise of witchy and hauntological electronica, shoegazing metal, eerily psychedelic Americana, or the rejuvenation of dark ambient music to see that Lycia’s legacy inspired a raft of musicians across a broad range of musical genres.”
LYCIA | 4
The ultra-limited LYCIA | 4 4CD box set contains 2010’s Fifth Sun, 2013’s Quiet Moments, 2015’s A Line That Connects and 2018’s In Flickers. All four second era LYCIA albums are in DigiPaks (no additional booklets or music.)
Order it here.
For customers who bought In Flickers on CD last year, the USA Webstore is making this hard box available as a 3CD set. It does not include In Flickers… but it’s the same box, so there’s a space to put your copy in the box. This is not available from the European store.
Mike reflects, “What I remember most about ALTC is that it was the Cold follow-up that never happened. David left Lycia just as Cold was released, and the creative momentum going with us since the Stark Corner tour was cut short. If David would not have left at that time, I think something like ALTC would have followed Cold. For years I wondered what Lycia would have evolved into if David never left. We tried a couple of times to collaborate, but something always derailed it. Quiet Moments was me exploring my A Day in the Stark Corner way of writing and creating again. The end result was the most satisfying release I’ve ever worked on. This led to a desire to revisit the mid-90s style and approach, which led to David’s return. Yes, it was important to work with him again. Cold was so powerful that I needed to know what Lycia could do with this lineup again, and A Line That Connects surprised me. It became more than what I hoped for; we explored a lot more territory than I anticipated. This is Lycia’s most collaborative album ever, and David was more involved than he had ever been. He even sings lead on two songs, ‘The Rain’ and ‘Autumn Moon,’ which he also wrote.”
MEAT MEAD METAL: “Lycia have inspired many, gone through enough changes over time to make up for several bands, and still remain today making vital music that should identify with every dark spirit in your heart.”
SANTA SANGRE: “An album this strong is made for singles, these tunes are what you should be hearing on the radio and not the branded formulas of fearful suits with their withered ideals and dead hearts.”
BRAINWASHED: “At 14 songs and nearly 70 minutes, A Line That Connects is a heavy record. The shifting dynamics keep the album from getting into any ruts, but the bleakness and overall moody atmosphere at times can be a bit overwhelming. While Quiet Moments was a great record, this one has a more complete feel that harkens back to the band’s rich heritage, as well as the whole nexus of gothic-inspired subgenres that reigned strongly in the 1990s but too quickly disappeared. It is a distinctly contemporary album, but one that beautifully brings a healthy bit of nostalgia to make a beautiful, haunting record.”
BRAINWASHED: “One thing that clearly has not changed is the overall bleak and dour mood to VanPortfleet’s music, which manages to be lugubrious without being plodding or overly ponderous. It is slow and depressing, but never in a way that feels like it is trying too hard or forcing a mood for the sake of attention.”
PITCHFORK: “For over two decades, Arizona’s Lycia have been pioneers of ‘darkwave,’ a reverb-drenched, gothic take on dreampop. This is the Cocteau Twins, if they looked so far inward that they began to focus on the darker, downer-ridden side. Along with lovesliescrushing, who freed shoegaze from pop conventions, (Lycia) became one of the noteworthy and boundary-pushing acts on the goth music label Projekt. [A Line That Connects] is consistent with their past efforts, while remaining an intriguing headphone journey.”
• Back in print after quickly selling out in 2015
• 2LP Deep blue with black smoke, 140 gram vinyl
• Features what is considered Lycia’s classic mid-90s lineup: Mike, David and Tara
• Features lead vocals by all three – including first ever Lycia lead vocals for David
• Final mix by David
• CD Mastered by James Plotkin
• LP mastered by Martin Bowes (Attrition)
• Guest vocals from Sera Timms (Black Mare, Ides of Gemini) on “Hiraeth”
• Features “Silver Leaf” (released as a split 7” single with Black Mare, on Magic Bullet Records)