Archive for the ‘Uncategorized’ Category
Digital freelease: Fifty Shades of Grey (music for a sensual evening)
The bombardment of “news stories” about the Fifty Shades of Grey movie is well underway; it gave me a fun idea: What if the film studio had contacted Projekt to put together the soundtrack? What would that sound like?
I went through the Projekt catalog and pulled tracks both cinematic and soundtracky for this compilation. It’s up for name-your-price at Bandcamp.
The Truth About Fifty Shades (a short editorial by Sam)
We can laugh and snark about how horrible the Fifty Shades books are. But the bigger problem here is the writer’s lack of knowledge about supportive, sex-positive relationships. She uses BDSM to mask two poorly-conceived characters who do not engage in proper consent or respect. (The writer is a boring bored* English housewife, who I can imagine watched a few porn videos for “research,” rather than getting involved in the scene, or talking to experts, or even reading some informational websites to learn the proper protocols for respecting a partner’s boundaries).
This is an even bigger issue than the 8th-grade-level writing.
What two people do together should be their own business; though I would hope they keep it safe, sane and consensual. When a book series sells 100 million copies, and has it’s attractive lead character force a woman to repeatedly do things she doesn’t want to do, that’s not BDSM…. That’s abuse! It is shocking that soccer moms who love this book for the (mostly generic missionary) sex, aren’t repulsed by the characters’ actions. This says a lot about American’s inexperience with sex, and inability to critically think about healthy relationships.
Consent Isn’t Enough: The Troubling Sex of Fifty Shades. in The Atlantic.
The Real Abuse at the Heart of Fifty Shades of Grey. in Relevant Magazine.
50 Shades of Grey: a film about male power, idealising emotional abuse as sexy when it isn’t. in New Statesman. (You can Google, for many more articles on this topic)
Bare in mind that I am not criticizing people’s involvement in BDSM; there are many relationships with it at their core. These relationships involve respect and consent, good communication, knowledge of boundaries, and love. This is necessary to give a partner a safe version of the ‘the pleasure in the pain’ they desire. Of course, it is also necessary in any strong relationship.
America accepted a really warped version of BDSM when it grew enthralled with these crappy books. The piece in the New Statesman says the film got the consent right in the BDSM scenes, but not in the overarching story. It’s unfortunate the filmmakers didn’t update the plot to address the serious problems in the novels.
On the positive side, publications are using the movie’s release as a catalyst to educated on these very important topics.
I have been criticized for calling E.L. James “boring.” So I will fix that and say she was “bored” (which is the word used in press descriptions. Does this make things better?)
You can leave a comment below.
With all the yap-yap-yap about 50 Shades of Rubbish, I should probably remind you about my book Rye — interesting characters, in original situations, humor, plus conversations and negotiations around consent, relationships and family of choice.
“Underneath all the androgyny and fluctuation, the book’s about human connection. Rosenthal’s use of sex and gender identities to illustrate how we reach toward and away from relationships is merely a new approach to an old idea: we all need intimacy with others to deepen our understanding of ourselves.” — Time Out, Chicago
Support Black Tape For A Blue Girl at Patreon and get all access!
Black Tape For A Blue Girl’s Patreon campaign is building steam. It’s exciting! Patreon is a crowdfunding site built for “empowering a new generation of creators to make a living from their passion and hard work.” It’s a chance for listeners to directly support my art, while getting access to exclusive music. Thanks to my patrons, Sam
From Sam Rosenthal:A huge unimportant detail
At the time of this writing, fifty people have joined Black Tape For A Blue Girl’s Patreon campaign. What a great first week! Get involved to make week #2 even more successful.
Patreon is a crowdfunding site for “empowering a new generation of creators to make a living from their passion and hard work.” It’s an opportunity to directly support the creation of my art, and in return you get access to exclusive music.
Last week I added these tracks to the patron-area: * “Please don’t go (mix 10),” the new track from the Patreon video (with Grace Young on viola) * Two early mixes from 1992’s DAT #5: “passion drained” & “on broken shells 3”
Even a $2-a-month pledge helps. It goes towards expenses such as paying Grace a salary for dropping by my studio to record. For less per month than what you pay for a cup of coffee, your contribution joins with other backers’ contributions to help me reach my goal of freedom to work on music.
Getting back to art.
Most of my time is occupied running Projekt Records. I was about to add, “It’s my day job,” but the fact is that I’m often at it all day and still here working on Projekt at 9pm. I’m sure you’d much rather I was writing and recording new music? Yeah? So would I. The problem is it’s not like the old days when I could take time off work and invest hundreds of hours in a Black Tape For A Blue Girl album with reasonable expectations of thousands of copies selling and income coming in to cover my expenses. Nope, these days people really love their free music; but the miniscule income from Spotify and youTube is not a viable way to try to earn a living.
With four succesful Kickstarters completed, I’m quite excited by crowdfunding; it’s a brilliant method for financing creativity. Late last year, I studied various sites, searching for one that conceived crowdfunding as I imagined it. I didn’t want another one-month-campaign to make a physical object. That leaves too many people out and feels like it rushes through the fun part!
I have two main goals: ongoing funding for my music and immersing you in the process of developing new work. Patreon does this. It’s designed to facilitate your direct support of the music. With your pledges, I will spend less time at the job and more time creating new and exclusive tracks I share directly with you.
“Now hold on a second, Sam,” I imagine some of you saying. “Why all this talk about money? Shouldn’t it just be about the art?”
As Iggy Pop recently said, “To tell you the truth, when it comes to art, money is an unimportant detail. It just happens to be a huge unimportant detail.”
Those hours and days in the studio take away from time I could be working at Projekt. You understand what I’m saying here! The phone company and the gas company don’t take payment in the form of high fives and a Mp3 of new songs! : )
I’m thrilled that some of you have already backed me on Patreon.
And understand that it’s not just about the income; crowdfunding is also rewarding on a personal level. I love that I get to know people who are deeply into my music. Last week, I met graphic artist Antony Johnston. I’d love to share something he wrote:
The music you made with BlackTape, especially in the ‘classic’ Chaos / Garden / Remnants era, has been part of the soundtrack to my life for the past 20 years. As a creator myself, I know how hard the current climate can be, so it’s my pleasure to support the Patreon campaign. The new music excerpt ‘Please Don’t Go’ is lovely — more of that, please! Reminds me of dark nights, driving home from those early Whitby goth weekends in the late ’90s…” – Antony Johnston (writer of Umbral, Spooked, and Dead Space)
I want to make more of that sort of music: music that can be the soundtrack to the next 20 years of your life!
Your recurring monthly contribution of $2, $5, $10 or more will make it possible.
Antony joined my Patreon campaign; so did Tristan, Marcos, Draven, Julia, Rob, Tori, Bill and a bunch of other amazing people. In fact, we reached the first Milestone Goal of $300 and now we’re headed towards the $500 Milestone Goal: a two-hour livestream mixing session, where you can watch me in the studio, with a view of my monitor, as I mix and process the music.
I’m thinking about the creation, the connection, and the challenge of seeing this through and succeeding. It’s incredibly sweet to know people are stepping up with pledges to support my work. You can make a difference in tackling this huge unimportant detail: the manner in which artists earn money.
Please pledge here. Thanks for that.
PS: Back to the topic of free music, here are two name-your-price albums for you to enjoy. The Collection is a ‘best-of’ from Blacktape, while Fifty Shades of Grey is an imaginary Projekt-themed soundtrack for the upcoming film.
PSS: At last! I’m famous!!! (file under: “The new phone books are here! The new phone books are here!”): https://email@example.com,-122.422213,3a,75y,124.32h,83.6t/data=!3m4!1e1!3m2!1siAPMvFgx0jhuqBacQxFnjA!2e0
From Projekt Records’ Sam Rosenthal. Digital freelease: What if Projekt had put together the soundtrack to Fifty Shades of Grey?
In the next couple of weeks you’re going to be bombarded with ads and news articles about the Fifty Shades of Grey movie. While I’m not expecting much from Hollywood’s mainstream idea of what is erotic, this did give me a fun idea: What if the film studio had contacted Projekt to put together the soundtrack? What would that sound like?
I went through the Projekt catalog and pulled tracks both cinematic and soundtracky for this compilation that’s available for name-your-price at Bandcamp. You could also go buy it at iTunes, but you certainly don’t have to; that’s for people not-in-the-know.
I had a lot of fun putting this imaginary soundtrack together. I think I’ll do more in the future. What would Projekt’s version of the new Star Wars soundtrack sound like? Blade Runner 2? The rumored new X-files? I think we’re going to find out!
Enjoy Projekt’s freelease of Fifty Shades of Grey (music for a sensual evening) at Bandcamp.
To celebrate the release of Alio Die/Lorenzo Montanà’s CD of ritualistic soundscapes and technogenic landscapes, Holographic Codex, we’ve added all of Alio’s back-catalog releases to Bandcamp.
Through Monday, they’re on sale for $5 !!!
Pledge your support to Black Tape For A Blue Girl on Patreon; get all access to our new music
SHORT VERSION: If you enjoy Blacktape’s music, want exclusive access to unreleased new work, and can pledge $2 or more a month, please become a patron of my art.
Watch the video & pledge at: https://www.patreon.com/blacktapeforabluegirl
Hello, I’ve discussed here on the Projekt eList — and my Facebook page — the dramatic changes that have swept through the music business in the last 15 years. Only a few artists I know survive off their art. Most of us have day jobs, music is something we do when we can find the time. My day job is running Projekt Records (working with the artists, doing graphic design for the covers, product management as the CDs are manufactured, communicating with my distributors and press contacts). Hey, I’m not complaining, it’s a pretty fun job. I work for myself, and I’m involved with music every day.
The label began as a vehicle for my music, Black Tape For A Blue Girl. For twenty-nine years, I’ve been releasing ethereal, gothic, & darkAmbient albums. But we’ve only released two CDs in the last decade; the problem really is that the day job takes up all my time and I don’t get into the studio to create. I want to get back to the way it was in the 90s when I was a musician who ran a record label, instead of being a guy who runs a record label who occasionally has time to make music.
I’m asking for your support to make this possible.
Albums sell a fraction of what they did at the peak of the music industry, back when Remnants of a deeper purity was released. Even with the dramatic decline in sales, I realize people still listen to a lot of music; there’s so much available at our fingertips. For most people, their preferred price point is FREE.
There’s not much financial support for creators within “free.”
That’s a big problem in the system. Legally and ‘illegally,’ it’s easy to find music that you don’t have to pay for. But all of us artists deserve to be fairly compensated for our work. It takes time, energy, and passion to create music. And there needs to be return on that time spent, in orders for creators to keep creating. We live in a world of real things… like rent. Our landlords don’t take high-fives and MP3s of our latest song as payment. : )
And honestly, I don’t want musicians to be hobbyists. I want it to be their full-time job. As I wrote here on the list, last October, “I don’t want my favorite artists to be amateurs. I really want to live in a world where artists can focus on their art… Think about it! It’s a very weird world where the-average-joe expects to be paid for their labor, and yet people are generally OK with the artists they love working some other job so music can be their hobby.”
Yet I realize I’m a hobbyist. In 2015, a band like Black Tape For A Blue Girl, with years of history, doesn’t sell enough CDs and downloads to pay my living expenses, let alone support five of us. My “real job” keeps a roof over my head, and pays for my son’s ice hockey & my cat’s medicine.
I’d rather spend my time making music; it’s fun and challenging and interesting.
I’m beginning to see a solution that makes it possible.
Crowdfunding seems viable to me. It’s a direct connection to those who love my work. Plus crowdfunding has been so rewarding to me; not just monetarily, but on a personal level. When I did the Remnantsvinyl Kickstarter back in 2013, I loved posting updates, and private messaging, to keep you up-to-date on the status of the manufacturing. In the process, I learned more about you: the people who love what I create. It feels good to talk with people who are excited about music. Invigorating. In my line of work as Projekt’s label manager, I spend a lot of time looking at what has been lost over the years, and too little time thinking about what draws you to music, and excites you about we create.
Wayne Dyer says, “What you think about expands.” I reflect on this often, try to stay positive, and focus on the good things. Thinking about what’s possible is much better than dwelling on what can’t be done. Either strategy solidifies the reality of that particular perception of the situation.
Oh, got a bit off topic. Let me reel it back in…
I’m recreating the sort of exchange that happened during the crowdfunding of Remnants, and evolving it into an ongoing experience. I’ve started a page on Patreon to immerse you in my work: get access to my music as it’s evolving in the studio. Patreon allows YOU, the patron, to support ME, the artist, so I can dedicate more time to writing and recording songs for you. This really makes sense!
“Patreon is empowering a new generation of creators to make a living from their passion and hard work… Over 125,000 people have become patrons of creators on Patreon, paying them over a million dollars every month. Their patronage takes the form of a recurring pledge – a promise to pay creators per work or per month. The sum of these ongoing pledges constitutes sustainable, reliable salaries for professional creators around the world.” (from a blog on Patreon)
This is a return to the patronage system. But rather than one King, there are many Kings who support my music.
You are the new Kings.
In the last 24 hours, 20 patrons have signed on to support me! $189 expands my thoughts about my goal of setting aside more time to work on music. As more pledges come in, I have more impetus to take off from work to make music.
Your recurring monthly pledge of $2, $5, $10 or more gives me the freedom to follow my muse.
Patreon is different from Kickstarter. Rather than providing one-time support to fund an object such as a CD, you’re giving ongoing support. The money goes towards a sustainable, reliable salary (which I’ll use to cover my living expenses, plus wages for my bandmates when they join me in the studio, gear repair, plane tickets, out-of-town studio sessions, etc).
You’ll get exclusive access to Black Tape For A Blue Girl in the studio: * private posts featuring work-in-progress * behind-the-scenes videos * revised versions of new songs as additional instruments are added * tracks that otherwise would never be released * early mixes of songs from older albums * live recordings * and my updates in the activity feed (where we chat and you meet a community of other Blacktape fans)
Thanks for your interest in supporting me. This is how to make a difference in 2015!< Watch the video and make your pledge to help keep the music flowing. Thanks!
PS: Even if you cannot afford to pledge today, it would be incredibly kind and helpful if you share the link on your Facebook, Twitter, etc. Thanks. https://www.patreon.com/blacktapeforabluegirl
From Projekt Records’ Sam Rosenthal.
A customer recently asked if any of Projekt’s albums were available in higher resolution Digital Downloads. Indeed, some of them are. Here’s a list of those titles, available from our friends at Spotted Peccary:
Steve Roach & Jorge Reyes (24/96k): The Ancestor Circle
Available midnight Monday Jan 5: Byron Metcalf / Steve Roach / Rob Thomas (24/96k) Monuments of Ecstasy
Ataraxia: Wind At Mount Elo CD $18 Brighter Death Now: With Promises of Death CD $14 Chandeen: Forever And Ever Vinyl LP $23 Chandeen: Forever And Ever CD $18 Eldar: Nous CD $18 Lydia Lunch & Spiritual Front: Twin Horses Vinyl LP $17 Othila: Brònagh Limited Box CD $35
From Projekt Records’ Sam Rosenthal.
2014 was another productive year for Projekt: the label released 18 CDs, repressed 4 older out-of-stock CDs, and added 10 digital-only titles to the roster. The physical releases were a mix of standard editions and limited editions, choices that made sense with the ongoing devolution of the music industry. Stores hardly stock music anymore, so we’ve lost the “random discovery” that retails stores once provided. Instead, most sales are at Amazon or directly from our webstore; which means it’s only the dedicated and hardcore who are discovering Projekt releases. This leads to limited edition releases, to satisfy those specialized needs. These releases have a finite issue, and will not be repressed when they sell out; you should buy your copy while you can. Bare in mind that some titles are nearly sold out (see red text below). With that in mind, here’s a list of the 18 physical CDs from 2014.Limited Editions
PRO291 Mercury’s Antennae: A Waking Ghost Inside 85 COPIES LEFT – Buy the Projekt CD PRO294 Stratosphere With Dirk Serries: In A Place Of Mutual Understanding 13 COPIES LEFT – Buy the Projekt CD PRO300 All my faith lost…: Redefine my pure faith — Sold Out! PRO301 black tape for a blue girl: Remnants of a deeper purity 2-LP Vinyl 100? COPIES LEFT – Buy the Projekt LP PRO306 Erik Wøllo: Tundra (ep) – Sold Out! PRO307 Mirabilis: »Here and the Hereafter« 59 COPIES LEFT – Buy the Projekt CD PRO308 Unto Ashes: Ghosts Captured 26 COPIES LEFT – Buy the Projekt CD PRO309 Dirk Serries: The Origin Reversal 16 COPIES LEFT – Buy the Projekt CDStandard Editions
PRO292 Alio Die + Sylvi Alli: Amidst the Circling Spires – Buy the Projekt CD PRO296 Paulina Cassidy: Sugar Wingshiver – Buy the Projekt CD PRO297 Steve Roach / Kelly David: The Long Night – Buy the Projekt CD PRO298 Erik Wollo: Timelines – Buy the Projekt CD PRO299 Loren Nerell and Mark Seelig: Tree of Life – Buy the Projekt CD PRO302 Steve Roach: Structures from Silence (3-CD remastered) – Buy the Projekt CD PRO303 Byron Metcalf and Mark Seelig: Intention – Buy the Projekt CD PRO304 Byron Metcalf & Dashmesh Khalsa & Steve Roach: Dream Tracker – Buy the Projekt CD PRO305 Steve Roach: The Delicate Forever – Buy the Projekt CD PRO310 Steve Roach & Jorge Reyes: The Ancestor Circle – Buy the Projekt CD
What were your fellow Projekt aficionados purchasing?2014 Top-10 sellers in the Projekt webstore
#1 PRO305 Steve Roach: The Delicate Forever – Buy the Projekt CD #2 PRO307 Mirabilis: »Here and the Hereafter« – Buy the Projekt CD #3 PRO291 Mercury’s Antennae: A Waking Ghost Inside – Buy the Projekt CD #4 PRO309 Dirk Serries: The Origin Reversal Buy the Projekt CD #5 PRO306 Erik Wøllo: Tundra (ep) – Sold Out! #6 PRO302 Steve Roach: Structures from Silence (3-CD remastered) – Buy the Projekt CD #7 PRO308 Unto Ashes: Ghosts Captured – Buy the Projekt CD #8 PRO300 All my faith lost…: Redefine my pure faith — Sold Out! #9 PRO297 Steve Roach / Kelly David: The Long Night – Buy the Projekt CD #10 TIM30 Steve Roach: The Desert Collection (Volume One) – Buy the Timeroom CD2014 Top-10 sellers in the Projekt Bandcamp Store
#1 PRO302 Steve Roach: Structures from Silence (Deluxe edition) – Buy the download #2 PRO297 Steve Roach / Kelly David: The Long Night – Buy the download #3 PRO303 Byron Metcalf and Mark Seelig: Intention – Buy the download #4 PRO298 Erik Wollo: Timelines – Buy the download #5 PRO306 Erik Wøllo: Tundra (ep) – Buy the download #6 PRO310 Steve Roach & Jorge Reyes: The Ancestor Circle – Buy the download #7 PRO305 Steve Roach: The Delicate Forever – Buy the download #8 PRO144 Steve Roach: Mystic Chords & Sacred Spaces (complete edition) – Buy the download #9 PRO300 All my faith lost…: Redefine my pure faith – Buy the download #10 PRO291 Mercury’s Antennae: A Waking Ghost Inside (300) – Buy the download
As somebody who loves data, I look at this and see a number of interesting points: 1) On both charts, 9 of the 10 titles are 2014 releases. 2) The top-6 at the webstore are completely different from the top-6 at Bandcamp. Not a single title on both! 3) Everything on the physical CD chart (except #10) was a Projekt-label release. The big sellers are Projekt’s own titles, as opposed to about 10 years ago, when we had non-Projekt CDs in the charts. 4) However, it’s not just the top-sellers that keep the webstore in business, it’s the overall totals; and that tells a different story. 2014 Income from the Projekt webstore: Projekt CDs = 42% Non-Projekt CDs= 40% Projekt sale CDs = 18% You guys still like the variety of music we stock in the store, and enjoy the deals you can get on Projekt sale CDs. 5) That’s a lot of ambient/electronic on these charts. It’s a chicken-and-the-egg question. Does Projekt release more electronic, because that’s what you buy? Or do you buy more electronic, because that’s what Projekt releases? My impression is it’s harder and harder to sell a Darkwave title these days, so I focus on the electronic releases. 6) 4 of the top-10 physical sellers are in the Darkwave genre, including 2nd & 3rd slot; while only 2 of the top-10 Bandcamp are Darkwave, and they are in the 9th & 10th slot. It’s interesting how electronic-focused these download sales are. Not what I expected, when I started using Bandcamp. I thought it would be more for the darkwave side of the label. 7) Look at #2 + #3 on the physical list. Both feature Dru on vocals. (Hi Dru!) 8) I think All My Faith Lost… would have been higher on the chart, if the release hadn’t been limited to 200. That was the first in the limited edition series, and I underestimated your interest in this band. 9) A lot of the electronic focus is the work of Steve Roach, an amazing & prolific artist. I counted recently. 60 of Projekt’s 310 releases are from Steve. If you consider that at least 50 of those 310 are out of print, that means just about 25% of Projekt’s CDs have Steve’s name on the cover! And even more, many of the titles consistant sellers at retail are Steve’s. I love his music, and it’s very rewarding to see that so many of you love it, as well. 10) Buy those limited edition releases before they are all gone!
I could stare at these numbers all day and come up with new observations. But actually, I’ve been not working the last five days, and will continue not working for the next three days. I’ve been in the studio creating new songs. I’ve never taken a staycation to work on music. It’s a lot of fun, though the days all seem to blur into each other, and day and night flashes by, kind of like that scene in The Time Machine. Harley yowls at me from the living room, and storms into the studio demanding pets… and new music comes from non-existence into existence!
Well… That’s a statistical wrap-up for 2014. Thanks for your ongoing support.
I hope your holidays have been wonderful, and that you enjoy a great New Years Eve with people you love.
From Projekt Records’ Sam Rosenthal.Digital Downloads
Although much of the music industry is about digital downloads of single tracks, Projekt is fortunate that our fans still love listening to full albums; listening to the entire vision of Projekt’s artists. For that reason, our Bandcamp store is set-up for full album downloads.
I’m often asked, “Which site is most popular for Projekt?” iTunes is the #1 source for Projekt digital sales. You might be surprised to learn that our Bandcamp store is #2. This is good news for us because (a) Bandcamp takes a smaller fee than other sites (10%!) and (b) Projekt’s Bandcamp store has FLAC files available for those of you who prefer higher resolution music. There’s a nice win-win!
A lot of Projekt’s catalog still needs to be added to Bandcamp. Since this is a manual project – and I do all the work – it’s time consuming, but I’ll eventually get to everything.
I’ve recently added some catalog titles, all of which are on sale for $5 until Midnight on Monday the 15th! Also available is a new retrospective from ethereal/darkwave act This Ascension (this is the Dru’s band from the 90s, before Mercury’s Antennae and Mirabilis). Click the cover below to go to the page on Bandcamp:This Ascension presents the digital-only release Deeper and Further Away: An Introduction to This Ascension. This five-dollar digital-retrospective includes songs hand-picked by the band (including a couple available digitally for the first time) that represent their dark, alternative, ethereal beauty. From the band’s first song, 1998’s “Isabella,” to the majestic anthem “Mysterium,” Deeper and Further Away is a great chance to become acquainted with this darkwave pioneer or say hello again to an old friend.
Music for your Holiday enjoyment!
Various Artists: Holiday Twin Pack: Ornamental 2-CD compilation and Jill Tracy’s Silver Smoke, Star of Night | $20
Ornamental contains 20 previously-unreleased tracks recorded exclusively for this compilation as well as three tracks only available on obscure compilations. Jill Tracy’s Silver Smoke, Star of Night will take you to a dark, elegant netherworld full of hidden passageways, wonder cabinets, and opium dens. Of monsters, marvels and mayhem. You know it’s not safe here; but with Jill Tracy as your guide, you’ll be in no hurry to leave.
From Projekt Records’ Sam Rosenthal. Movies in the Dark
On Friday, I hosted the Tony Scott-directed David Bowie film “The Hunger” at Portland’s Hollywood Theatre. It was the first installment in a series I’ve started, called Movies in the Dark. It’s an opportunity to hang out with goth friends in a non-club environment, watching gothically-tinged films. There’s beer, and food, and movies! Nearly 200 people attended! This was a fantastic start to the series. Thanks to all the Goths who came out to watch q rare 35mm showing of this cult 1983 film!
I was chatting with people in the lobby before the movie started. One woman told me about herself, and it reminded me of this verse from the Velvet Underground’s “Rock ‘n’ roll”: One fine mornin’, she puts on a New York station And she couldn’t believe what she heard at all She started dancin’ to that fine-fine-fine-fine music Ooohhh, her life was saved by rock ‘n’ roll Hey baby, rock ‘n’ roll
She told me about growing up in Alabama in the 90s, discovering Projekt Records and Black Tape For A Blue Girl, and how that bond created something deep and meaningful for her. I paraphrase here, but she said it saved her life. Hell yes! That’s what art is about: that deeper connection that tells you there’s more out there in the world than what you are stuck with where you’re at. It’s great to know that (like so many of us) she found community and acceptance within the music, and it resulted in an escape to a better life! Conversations like this make being “the guy behind Projekt” especially worthwhile. I’m proud of the impact that Projekt has had over the years.
If you have a story about being saved by rock ‘n’ roll, please post it below or send it to me in a message.
You can join the Movies in the Dark email list. I will update you about the second film soon.Saved by Rock ‘n’ Roll
What would I be doing, if it wasn’t for making music and running a record label? It’s really hard to imagine. One thing I mentioned in my introduction to “The Hunger,” was that the film came out in 1983: the same year the first Projekt cassette was released. Thirty-one years ago, can you believe it? Projekt’s been my full-time for the last twenty-three of those years. Running a record label is what I do. That means riding the waves of the changes in the music industry; keeping informed on the evolution — or perhaps ‘devolution’ is more appropriate. The Music Business isn’t what it was five years ago, or ten years ago, and certainly not thirty-one years ago!
Thirty-one years. Think about everything that has transpired in the world in those thirty-one years! All the changes, advances, problems, dreams. There were a few people at the movie who weren’t even born when the film came out. That was interesting, too. “Remember this, remember that?” And they were thinking, “Nope, I don’t remember any of that, oh elder goth!” : )
But the idea I’m having here is about being saved by the music. Whether the goth or the electronic side of the label, music is really the pulse that matters to me. The thread that runs through my life.
That, and movies, I suppose. I was a TV/film major in college. These are the stories that take you out of your world and into a different climate, so you can reflect back. That’s pretty exciting stuff.Alex Cox’s new film
This is incredible. I didn’t know that Alex Cox (the director of Repo Man, Walker, Sid & Nancy and others) teaches film at the University of Boulder, nor did I know that he crowdfunded his most recent movie as a student project. Bill The Galactic Hero is having it’s West Coast Premiere in Portland. It’s a SciFi move made for $114,000, which is one thousandth of the budget of Gravity; one two hundred and fiftieth the budget of Ender’s Game. I think it’s sort of sad that Cox isn’t a Hollywood Hero, but ends up teaching at an out-of-the-way college; then again, maybe this is the way he wanted it? I am not sure.
I know many people are bugged by his movies for not being all that accurate, but they certainly have a unique voice. And that’s something important. He’s not another generic Hollywood director. But then you probably already know I’m weird! My two favorite directors are Gilliam and Herzog.Link a-doodle-doo
I was Dennis Hopper’s henchman | Article at The Guardian. For a time in California, Alex Cox was Dennis Hopper’s No 4 henchman. He recalls the director’s brilliance and breakdowns – and how John Wayne once tried to kill him.
Side-Line Poll 2014 – participate now! | They write: “The end of 2014 is drawing nearer each day, so it’s time to have our yearly poll at Side-Line magazine. This year we added some different questions too such as your media use. The results will be communicated in the first week of January 2015! You can cast your vote here.
Anne Rice: David Bowie and the end of Gender 1983, Vogue Magazine | Read