Archive for the ‘Artists’ Category
Pledge your support to Black Tape For A Blue Girl on Patreon; get all access to our new music
SHORT VERSION: If you enjoy Blacktape’s music, want exclusive access to unreleased new work, and can pledge $2 or more a month, please become a patron of my art.
Watch the video & pledge at: https://www.patreon.com/blacktapeforabluegirl
Hello, I’ve discussed here on the Projekt eList — and my Facebook page — the dramatic changes that have swept through the music business in the last 15 years. Only a few artists I know survive off their art. Most of us have day jobs, music is something we do when we can find the time. My day job is running Projekt Records (working with the artists, doing graphic design for the covers, product management as the CDs are manufactured, communicating with my distributors and press contacts). Hey, I’m not complaining, it’s a pretty fun job. I work for myself, and I’m involved with music every day.
The label began as a vehicle for my music, Black Tape For A Blue Girl. For twenty-nine years, I’ve been releasing ethereal, gothic, & darkAmbient albums. But we’ve only released two CDs in the last decade; the problem really is that the day job takes up all my time and I don’t get into the studio to create. I want to get back to the way it was in the 90s when I was a musician who ran a record label, instead of being a guy who runs a record label who occasionally has time to make music.
I’m asking for your support to make this possible.
Albums sell a fraction of what they did at the peak of the music industry, back when Remnants of a deeper purity was released. Even with the dramatic decline in sales, I realize people still listen to a lot of music; there’s so much available at our fingertips. For most people, their preferred price point is FREE.
There’s not much financial support for creators within “free.”
That’s a big problem in the system. Legally and ‘illegally,’ it’s easy to find music that you don’t have to pay for. But all of us artists deserve to be fairly compensated for our work. It takes time, energy, and passion to create music. And there needs to be return on that time spent, in orders for creators to keep creating. We live in a world of real things… like rent. Our landlords don’t take high-fives and MP3s of our latest song as payment. : )
And honestly, I don’t want musicians to be hobbyists. I want it to be their full-time job. As I wrote here on the list, last October, “I don’t want my favorite artists to be amateurs. I really want to live in a world where artists can focus on their art… Think about it! It’s a very weird world where the-average-joe expects to be paid for their labor, and yet people are generally OK with the artists they love working some other job so music can be their hobby.”
Yet I realize I’m a hobbyist. In 2015, a band like Black Tape For A Blue Girl, with years of history, doesn’t sell enough CDs and downloads to pay my living expenses, let alone support five of us. My “real job” keeps a roof over my head, and pays for my son’s ice hockey & my cat’s medicine.
I’d rather spend my time making music; it’s fun and challenging and interesting.
I’m beginning to see a solution that makes it possible.
Crowdfunding seems viable to me. It’s a direct connection to those who love my work. Plus crowdfunding has been so rewarding to me; not just monetarily, but on a personal level. When I did the Remnantsvinyl Kickstarter back in 2013, I loved posting updates, and private messaging, to keep you up-to-date on the status of the manufacturing. In the process, I learned more about you: the people who love what I create. It feels good to talk with people who are excited about music. Invigorating. In my line of work as Projekt’s label manager, I spend a lot of time looking at what has been lost over the years, and too little time thinking about what draws you to music, and excites you about we create.
Wayne Dyer says, “What you think about expands.” I reflect on this often, try to stay positive, and focus on the good things. Thinking about what’s possible is much better than dwelling on what can’t be done. Either strategy solidifies the reality of that particular perception of the situation.
Oh, got a bit off topic. Let me reel it back in…
I’m recreating the sort of exchange that happened during the crowdfunding of Remnants, and evolving it into an ongoing experience. I’ve started a page on Patreon to immerse you in my work: get access to my music as it’s evolving in the studio. Patreon allows YOU, the patron, to support ME, the artist, so I can dedicate more time to writing and recording songs for you. This really makes sense!
“Patreon is empowering a new generation of creators to make a living from their passion and hard work… Over 125,000 people have become patrons of creators on Patreon, paying them over a million dollars every month. Their patronage takes the form of a recurring pledge – a promise to pay creators per work or per month. The sum of these ongoing pledges constitutes sustainable, reliable salaries for professional creators around the world.” (from a blog on Patreon)
This is a return to the patronage system. But rather than one King, there are many Kings who support my music.
You are the new Kings.
In the last 24 hours, 20 patrons have signed on to support me! $189 expands my thoughts about my goal of setting aside more time to work on music. As more pledges come in, I have more impetus to take off from work to make music.
Your recurring monthly pledge of $2, $5, $10 or more gives me the freedom to follow my muse.
Patreon is different from Kickstarter. Rather than providing one-time support to fund an object such as a CD, you’re giving ongoing support. The money goes towards a sustainable, reliable salary (which I’ll use to cover my living expenses, plus wages for my bandmates when they join me in the studio, gear repair, plane tickets, out-of-town studio sessions, etc).
You’ll get exclusive access to Black Tape For A Blue Girl in the studio: * private posts featuring work-in-progress * behind-the-scenes videos * revised versions of new songs as additional instruments are added * tracks that otherwise would never be released * early mixes of songs from older albums * live recordings * and my updates in the activity feed (where we chat and you meet a community of other Blacktape fans)
Thanks for your interest in supporting me. This is how to make a difference in 2015!< Watch the video and make your pledge to help keep the music flowing. Thanks!
PS: Even if you cannot afford to pledge today, it would be incredibly kind and helpful if you share the link on your Facebook, Twitter, etc. Thanks. https://www.patreon.com/blacktapeforabluegirl
Pledge your support to Black Tape For A Blue Girl on Patreon; get all access to our new music
SHORT VERSION: If you enjoy Blacktape’s music, want exclusive unreleased new work, and can pledge $2 or more a month to become a patron supporting my art, please give today. Every single contribution makes a difference!
Watch the video & pledge at: https://www.patreon.com/blacktapeforabluegirl Hello, this is Sam from Black Tape For A Blue Girl. Since the 80s, we’ve been releasing ethereal, gothic, & darkAmbient music. I also run America’s premier darkwave / electronic label,Projekt Records; that’s my day job. The problem is the day job takes up all my time and I don’t get into the studio to create music. We’ve only recorded two albums in the last decade, and I want to change that. And you can help. I want to get back to the way it was in the 90s when I was a musician who ran a record label, instead of being a guy who runs a record label who occasionally has time to make music.
I’m asking for your support to make this possible.
The record business has changed dramatically from the peak era of Remnants of a deeper purity. Albums sell a fraction of what they did back then; and though people listen to a lot of music these days, their favorite price point is FREE. There’s not much financial support for artists within “free.”
I’m really excited about crowdfunding because it provides a solution to this problem and gives us a chance for a deeper connection. Patreon is an artist-to-listener experience. It allows YOU, the patron, to support ME, the artist, so I can dedicate more time to writing and recording songs for you. This really makes sense!
Your recurring monthly pledge of $2, $5, $10 or more gives me the freedom to follow my muse.
Patreon is different from Kickstarter because rather than providing one-time support to fund something like a CD, you’re giving ongoing support. The money goes towards a sustainable, reliable salary (which I’ll use to cover my living expenses, plus wages for my bandmates when they join me in the studio, gear repair, plane tickets, out-of-town studio sessions, etc).
You’ll get exclusive All Access to Black Tape For A Blue Girl in the studio: * private posts featuring work-in-progress * behind-the-scenes videos * revised versions of new songs as additional instruments are added< * tracks that otherwise would never be released * early mixes of songs from older albums * live recordings * and my updates in the activity feed (where we chat and you meet a community of other Blacktape fans)
Immerse yourself in Black Tape For A Blue Girl. Please read more about Patreon and pledge your support to help keep the music flowing. Thanks! Sam
PS: Even if you cannot afford to support us today, it would still be incredibly kind and helpful if you share the link on your Facebook, Twitter, etc. Thanks. https://www.patreon.com/blacktapeforabluegirl
Whew, finally! I’ve concluded my task of uploading all our releases to Black Tape For A Blue Girl’s Bandcamp store! And to celebrate, I’ve switched all the prices to $2. Yes! Just $2 a download — of course, you can give more if you think the album is worth it, they are all set to name-your-price. It’s our 2-day $2 download celebration. Many of the albums are deluxe, with extra material (for example, Halo Star includes a second disc of live tracks). This price includes all albums (plus my solo work and most collaborations). The celebration runs through midnight-ish, Tuesday December 2nd.
Bandcamp allows you to gift albums to your friends. Instructions here.
Thanks for your interest! Sam
Please share this on your Facebook & Twitter: http://www.projekt.com/store/?p=7050
While supplies last, your purchase of Mirabilis’ »Here and the Hereafter« includes their first two albums for free! To save on shipping costs, the two additional CDs will not be in jewel boxes. Their barcode will be struck.
Submerse yourself in the third ethereal/darkwave foray from Mirabilis featuring Dru Allen and Summer Bowman, two of the genre’s most-celebrated vocalists. As Mirabilis, these women go beyond the rock-hued sounds of their respective bands (This Ascension/Mercury’s Antennae and the Machine in the Garden) to create beautiful, vocal-centered originals alongside reinterpreted pieces ranging from medieval to pop.
As on their previous Projekt releases, 2004’s Pleiades and 2008’s Sub Rosa, Allen and Bowman weave their signature heavenly voices into a lush bed of dream-like harmonies amidst understated electronics, acoustic instruments, and majestic percussive elements. Their most diverse work to date, Here and the Hereafter transcends genres from cinematic, orchestral pieces to traditional folk and chant to spoken word. Accompanied by instruments including hammered dulcimer and recorder, these 16 tracks — with roots as diverse as Bulgaria, India and Japan — span ages and cultures, reality and dream.
The album marks the band’s first composition with long-time inspiration Monica Richards (Faith and the Muse), who writes and sings on the piece “Here and Hereafter.”
Though brimming with musical styles and instrumentations, ultimately it is the exquisite interplay between the two vocalists that serves as the driving force on Here and the Hereafter. The vocals serve not just as conveyer of lyrics but also as a distinct instrument unto itself. This is a spellbinding, affirming work that transports the listener on a sweeping, emotional journey.
Mercury’s Antennae: A Waking Ghost Inside CD $14 Extremely limited to 300 copies.| Stream & Download for $10 Bandcamp. Ethereal, hypnotic, dizzying, gripping, lush, oceanic, driving, cinematic, haunting. The debut release from San Francisco-based Mercury’s Antennae. Comprised of vocalist Dru Allen (This Ascension, Mirabilis) and multi-instrumentalist Erick R. Scheid (Translucia), the band’s sound is distinctly reminiscent of ‘90s-era Projekt acts. Ranging from the heavy moodiness and guitar drone of Lycia to the unadorned acoustic beauty of Love Spirals Downwards to the passionate rock of This Ascension, the duo also draws on ambient and tribal influences, contemporary electronica, the sweet melodic pop of 4AD, and the blissful guitar noise of bands like Curve.
dirk serries – the origin reversal (Pre-Order, shipping early-September) CD $15 | Stream & Download for $10 Bandcamp. Extremely limited to 300 copies. Early Bird Bonus: The first 50 buyers receive a free copy of vidnaObmana’s 1998 CD Crossing the Trail.
Dirk has three performances to kick-off the release of The Origin Reversal::
September 19 Trondheim (Norway) : Facebook Event Page September 20 Trondheim (Norway) : Facebook Event Page October 25 The Netherlands : TBA December 5 Kortrijk (Belgium) : Facebook Event Page Dirk Serries returns to Projekt Records with The Origin Reversal, a re-boot of his classic vidnaObmana sound. This is ambient music that flows from its discreet origins: sonic purity, washes of harmony, and organic textures which slow time to a phase of transcendence.
Picking up on the 1988 – 1996 vidnaObmana ambient period (mostly released on Projekt), The Origin Reversal‘s six tracks are informed with a subtlety that only comes from Serries’ decades of musical growth exploring his craft. After the understated, meditative 2012 collaboration with Steve Roach, Low Volume Music (on sale for $10 this month), Serries reestablished himself as the ambient artist known worldwide for minimal, warm and introspective sonic atmospheres. Performed in real-time directly to a stereo 2-track, Serries created these six tracks armed only with a Gibson Les Paul custom guitar and a few pedals. Despite the use of different tools from his electronic heritage,The Origin Reversal shows a refinement and maturity achieved through extensive touring, intriguing side-projects, recordings and collaborations.
The Belgium-based Serries has experimented with ambient music for over 30 years. His earliest work came out under the vidnaObmana pseudonym, until he closed the book on that project in 2007. In the ensuing seven years, he released over twenty albums under various monikers before returning to a refined stream of ambient works. October 2013 saw three solo albums on limited edition 180-gram vinyl. Unedited live performances meant to run the length of a side of a vinyl record, they were published on the boutique Tonefloat:Ikon imprint. These three LPs were followed by a few digital-only albums.
The hypnotic nature of Serries’ music comes with time and restrained anticipation. It’s all about a delicate touch that never disturbs the continuum between sound and silence.
August’s Top-5 sellers at the Projekt webstore #1 Erik Wøllo: Tundra EP | CD $10 #2 Steve Roach: The Delicate Forever| CD $14 #3 Mirabilis: Here and the Hereafter (with 2 bonus CDs)| CD $15 #4 Various Artists: 10 Projekt CDs for $25 | 10-CD $25 #5 Steve Roach: Structures From Silence (30th Anniversary Remastered Edition) | 3-CD $18
Hi, this is Sam of blacktape. I’m really happy that somewhere along the way you discovered my music. Getting reconnected with so many of you over the last year has been incredible, amazing and inspiring. I put together this collection for you. It contains many of the “hit” songs we’ve recorded over the years, some introspective album tracks, as well as our cover of a Dead Can Dance song.
If you like the music my bandmates and I have created, please… share the link below!
Please share this link with your friends: https://blacktapeforabluegirl.bandcamp.com/album/the-collection
Grab your cup-o-joe, and get into today’s email list from Projekt Record’s Sam Rosenthal…
Last Friday, I went to the movies and caught a 35mm print of the Maysles’ documentary, Gimme Shelter; it’s about the 1969 Rolling Stones tour that ended with the horrific Altamonte free concert. There are so many thoughts still running through my head. Imagine being Mick Jagger: 26 years old, at the height of the Stone’s 60s popularity. What an amazing & scary position to be in. And think of the culture as the 60s drew to a close: “It was also a grim time around the world. The assassinations of Martin Luther King and Robert F. Kennedy, the Tet Offensive, the brutal suppression of the Prague Spring – all of these were recent memories.” (open culture)
Mick was attractive and charasmatic, the Stones were hot! What did people really expect them to do? They were in the middle of a messed up situation, they tried to calm the audience and Angels down, they played their music, they got the hell out of there. Obviously there should have been real security, and a moat between the audience and the stage. But sometimes things are just bad; none of the acts on stage were able to prevent the way that day went down.
That day, almost 45 years ago.
Although I run a goth/electronic/ambient label, I was informed by the late-60s rock-n-roll sensibility. I think in those terms, as far as success, and popularity, and reach. Sadly, it’s a world that is receding into the past. What band is as big as the Beatles or the Stones? Who puts out music that is as meaningful to such a large group of people? Do fans still follow a band’s progress like they did back then, anticipating their next single or album?Download this great compilation, your soundtrack to today’s elist. It’s a pay-as-you-wish Projekt electronic / ambient sampler. Ninty minutes of fabulous music, available for download or streaming at Bandcamp.
People often tell me that in order to keep Projekt alive, I have to get with the times: I have to run a label based on the modern way the record industry works. This is usually said by people who don’t realize I have been keeping up with the times; I am aware of the industry trends. It doesn’t mean I agree with all of them, or want to follow all of them. It doesn’t mean that all of the trends apply to the music Projekt releases.
Projekt is still here; I run the label for the people who follow the label. Projekt still functions in the world of selling stuff, and money earned off albums that artists have recorded.
The music business today is about giving music away for free to gain “exposure,” to enable touring and merchandising – this is where the big artists make their money. The Stones or U2 or Lady Gaga earn hundreds of millions of dollars touring. The biggest source of income is no longer the recorded album.
Which is sad. Because there are so many classic albums that mean so much to me. Fripp & Eno’s No Pussyfooting never would have existed, if 1973 was only about playing live or singles. Sad.
And yet I am still thinking about albums, and concept albums, and my friends recording in their home studios. That’s what I do, that’s the way I work. The nice thing is that there are fans out there who appreciate the recorded work of Projekt artists. When I check the stats, about 66% of Projekt’s digital income comes from full-album downloads. And physically, the label is almost entirely full-albums.
Projekt’s not a hit-song label. Voltaire is the exception. He has tracks that are massively downloaded individually, rather than as part of an album. But when somebody is interested in Steve Roach or Erik Wollo or Unto Ashes, they generally want the whole album. They want to dive into the work. I think that’s a legacy of the 60s and 70s perspective on music.
I am told that’s yesterday’s news, and I should get over it. But come on! I love that world.
I’m a rock-n-roller. I want to listen to an artist’s vision: 40 or 60 minutes of their work. I rarely put on single songs. I listen to albums. I know it’s archaic of me; yet it’s the way music exists for me. As a listener and as an artist.
Black Lung: The Great Golden Goal $15 Die Form: Rayon X Standard CD | $19 Grendel: Soilbleed Redux V.2 $12 Hexperos: Lost in the Great Sea | $20 In Strict Confidence: Lifelines Vol. 1 (91-98) – The Extended Versions $16
In Strict Confidence: Lifelines Vol. 2 (98-04) – The Extended Versions $16 The Klinik: 1984-1991 8-CD Box Set | $90 Lacrimosa: Live in Mexico City $30 Lustmord: Beyond Re-issue $15 Lustmord: The Dark Places of the Earth Re-issue $15 Noisuf-X: Invasion Limited 2-CD $24 Raison D’etre: Requiem for Abandoned Souls Expanded 2-CD Re-issue | $22 Steve Roach: The Delicate Forever with Bonus CD | $14 (only a few bonus CDs left) Steve Roach: The Desert Collection (Volume One) | $14 Tanzwut: Eselsmesse Limited Edition 2-CD | $25 Various Artists: History of NDW $22 Erik Wøllo: Tundra EP | $10
I am often told by people (on Facebook) that the album format is dead. They say we should all give up on that and release singles. Or Eps. I know the Cocteau Twins used to do that in the 80s, and I was always excited to hear their new work. Yet, I really loved getting a whole album, so I could drift below the surface and immerse myself in the world they created.
That’s the way I imagine Projekt fans: I imagine you’re a lot like me. You anticipate hearing where your favorite artist is going to take you. What new experience will they bring? That’s what music means to me. Yeah.
And that’s what I do in my band, Black Tape For A Blue Girl. I work on a set of songs that capture where I am at; I capture a certain moment in time. Alas, it takes me longer and longer between albums; I get distracted by all my obligations at Projekt. But I try to give myself time alone, to focus on music. This weekend, I created the basis for two new songs. When I begin, I don’t have a melody or lyric in mind. I turn on the synths, or get out the guitar, and I layer sounds together. I let it evolve. There’s some sort of ineffable process. I don’t know why this instrument needs to be turned up, or why I chose that chain of effects to process a sound, or why I think, “it needs something stringy here.” But I just know it needs to happen; that’s the creative process. You can’t explain it.
I have a number of new tracks evolving (separate from the June’14 studio access release, which you can still download for free here). These are song-oriented pieces; some sound like they are going to be dark-instrumentals, with violins on top.
There are two pieces to this concept in my mind. One is “time” and the other is “return.” I have an idea to return to the mood and sound of this lush garden or remnants of a deeper purity. To work in that vein, but with modern tools. I am intrigued. The “time” component has to do with all of us changing, growing, evolving. What has happened to us since those albums were released? It was almost 20 years ago!< I'll be in NYC in October, and I plan to go into a studio to record with my band. We will work on the pieces I've begun here in Portland; I'm excited to hear what we come up with. If I'm happy with the progress, I plan to Kickstart a new album for 2015 release. Yeah, I know. Six years after 10 Neurotics! Forever. “Life is what happens to you while you’re busy making other plans” as John Lennon said.
See, that’s the way I think. All these quotes, and moments, and events from rock-n-roll history. They have shaped my brain. Shaped my identity. And shaped who I am as a musician.
Projekt is 31 years old this month. Most of my life has been shaped by rock-n-roll!
And who thought I would quote Taylor Swift, but here goes:
Arrows Through the Heart There are always going to be those artists who break through on an emotional level and end up in people’s lives forever. The way I see it, fans view music the way they view their relationships. Some music is just for fun, a passing fling (the ones they dance to at clubs and parties for a month while the song is a huge radio hit, that they will soon forget they ever danced to). Some songs and albums represent seasons of our lives, like relationships that we hold dear in our memories but had their time and place in the past.
However, some artists will be like finding “the one.” We will cherish every album they put out until they retire and we will play their music for our children and grandchildren. As an artist, this is the dream bond we hope to establish with our fans.10 Projekt Cds for $15.
Purchase Here. Projekt has tons of overstock CDs in our storage space: wonderful music that longs to be heard! Help us clean up the place, and receive hours of enjoyment at the same time! $25 gets you 10 random Projekt CDs: a surprise selection of amazing Projekt music. This offer is limited, order your box today!
I know there are Projekt artists that you cherish, that will stay with you all your life. Those of you who read this list and order from our store have probably found “the one.” And I really appreciate that it’s an artist I’ve released on Projekt. You are the people who support our creativity and truly value that we’re still out there on the edge, making new music.
Three weeks ago, Projekt released Steve Roach’s The Delicate Forever. The first 500 customers (at steveroach.com and projekt) received a bonus album, The Delicate Beyond. Steve and I brainstormed many different ideas for how to release that second disc, and what felt really good was giving it away with initial orders. We appreciate your support of Steve’s music, and your dedication to his creativity.
For artists, the number of loyal fans have decreased over the years. Yet speaking from my own experience with Blacktape, those of you who have stuck with me are more devoted than ever. I’ve learned this doing a few Kickstarters. Back in the late 80s and early 90s, I’d connect with people via snail mail. Letters. Then when the internet came along, communication dropped off (strangely enough). Doing Kickstarters has rekindled this relationship. You tell me about the joy you get from the work I create. It really is a big thing for me.
I have to be honest. Back in the day, recording a song was a relief valve. It was a way to deal with personal angst (“For you will burn your wings upon the sun,” for example!). Over the years, I changed. I got more comfortable with myself. And being a dad has been a wonderful opportunity to connect with somebody, to love somebody completely, and be more than my own personal collection of angst and drama.
I still make music, but it serves a different purpose.
All along, the song itself was not the source of my satisfaction. What I was excited about was connecting with listeners: having my communication received. In other words, I don’t think I’d keep making music, if nobody heard it. It just wouldn’t fulfill me to make a song, and put it in a drawer. The completion of the communication is what I like.
For that reason, I should get over this concern I have about my music being out there for free. I will admit that I’m a contradiction in this regards. I grew up in the 70s, and came up through the 80s music scene when we sold cassettes and LPs. On into the 90s, Blacktape (and Projekt) sold a lot of music. Blacktape has sold over 120,000 units! These things (sales) indicate “success” to me as an artist. It meant my communication was being received. Nowadays, so much music is heard, but there is no real way to measure that ‘success.’
Maybe I just need to get over it?
I have to really think into this. Am I attempting to justify the change I don’t like? Or can I let go of the past and the old way of doing things? Can I move on with the way things are? As Buddhists say: Suffering is not accepting reality for what it is.
“People suffer because they are caught in their views. As soon as we release those views, we are free and we don’t suffer anymore.” ― Thích Nhất Hạnh, The Heart of the Buddha’s Teaching: Transforming Suffering into Peace, Joy, and Liberation
I’ll admit that it fu¢ks with my head. Can I work with the way things are? My views of the past are sometimes productive, but sometimes they get in the way. There is only now.
I have a number of musician friends who – thought they won’t say it publicly – have given up on making music. They feel like a very personal part of themselves is taken for granted, or worse: stolen from them. They just aren’t happy anymore with what is going on, as well as the reality that they cannot break even making their art. It’s a great loss. It’s sad that they are chosing to quiet their voice out of disappointment.
For me, I know I have a dillema about this. I could use a therapist who talks us musicians off the ledge. Somebody who helps us see what we’re gaining in the new music industry. We’ve been raised with certain mileposts. Things have changed. That is clear.
Back to the Stones.
I never expected to write another “Gimme Shelter,” or play a free concert for 300,000 people. But I have grown up on rock, and music is my world. I do what I do because it’s part of me.
It’s really great that you enjoy it, and you allow me to live my non-mainstream life, via it. That’s pretty cool, people. Thank you again.
Agonoize: Apokalypse Limited 2-CD Berlin-based inferno of hard beats, brutal shouts and thudding bass. $23 Android Lust: The Dividing (10th anniversary 2-LP Vinyl edition) Limited edition on clear vinyl. $25 Ataraxia: Wind At Mount Elo Modern Classical/Neofolk masterpiece by the Italian project. $18 Cocksure: TVMALSV Bridging the gap between waxtrax! era industrial and future sounds of mass corruption. $14 Deine Lakaien: Acoustic II $25 Deine Lakaien: Farewell/Where the Winds Don’t Blow CDS First taster for the new album Crystal Palace. $11 Deine Lakaien: Crystal Palace Limited Box A return to the sonic atmospheres of the early days (1986-1990). $49 Deine Lakaien: Crystal Palace Limited Digipak +3 Bonus Tracks $25 Funker Vogt: Survivor 3-CD Box Collector’s Edition with bonus material and rare, unreleased tracks. $26 Heimataerde: Kaltwaerts Limited 2-CD BOX A unique mix of electro-sounds and medieval atmosphere. $85 Heimataerde: Kaltwaerts Limited 2-CD $23 Heimataerde: Kaltwaerts $19 In Slaughter Natives: Cannula Coma Legio The band delves into more obscure ambient territories. $14 KMFDM: We Are Live album features favorites new and old. $14 Lustmord: Kraków October 22 2010 Live limited edition. $24 Pride and Fall: Turn the Lights On EP Remix contest EP with exclusive b-side. $15 Project Pitchfork: Blood 2-CD + Book An interlocked, carefully conceive, powerful dark electro album. $59 Project Pitchfork: Blood $20 Prude: The Dark Age of Consent Wild mix of 70’s NYC punk/glam with a harsh, damaged electronic edge. $14 Sequential Access: Sex Addict Anonymous 13 tracks of pure golden era electro-industrial. $14 Sopor Aeternus: Mitternacht CD/Book All-new album with 36-page book. $55 Sopor Aeternus: Mitternacht 2-LP $90 Staubkind: Alles Was Ich Bin Limited 4-CD Box Berlin-based group walks the tightrope between cinematic rock anthems and fragile ballads. $53 Staubkind: Alles Was Ich Bin Limited 2-CD $23 The Birthday Massacre: Violet LP Limited Ediition purple vinyl. $19 The Lonely Soul Experience: Path of Blood Blutengel’s Chris Pohl takes us into opulent fantasy-worlds. $19 The Moon and the Nightspirit: Holdrejtek Medieval-influenced ethereal vocals, violin, acoustic and percussion. $23 The Moon and the Nightspirit: Mohalepte 2-CD Re-issue Bonus cd includes three previously unreleased songs! $25 The Moon and the Nightspirit: Of Dreams Forgotten And Fables Untold Re-issue $22 The Moon and the Nightspirit: Rego Rejtem Re-issue $22 Various Artists: Amphi Festival 2014 Who’s who of the electro and gothic scene. $15
Kurt Sutter Calls Out Google: Stop Profiting from Piracy Read it at Variety | This is really good, and worth reading. And sharing. “Google is in the process of systematically destroying our artistic future, and more importantly, the future of our children and grandchildren. They’re spending tens of millions of dollars each year on eroding creative copyright laws.”
Tricky trademark question! Read it at Telegraph.co.uk | Wikimedia, the non-profit organisation behind Wikipedia, has refused a photographer’s repeated requests to stop distributing his most famous shot for free – because a monkey pressed the shutter button and should own the copyright
Stephen Colbert Gives Life Advice to Young Girls Watch it at Time.com
Clintons Support de Blasio’s Push to Bring Democratic Convention to Brooklyn Read it at N.Y. Times | Well, don’t actually read it. I just wanted to point out this high quality, NYC snarksmanship: Asked about Mr. Rendell’s comments on Wednesday, Mr. Ragone replied, “Can you quote me shrugging?”
The Brazilian Bus Magnate Who’s Buying Up All the World’s Vinyl Records Read it at N.Y. Times
Your Favorite Songs, Abridged Read it at NPR.org | When they say “twice the music,” though, they actually mean half the song. That is, this station plays songs that have been heavily edited: long opening riffs, instrumental breaks, even a chorus or two might disappear. The goal, the station’s representatives say, is to keep listeners from getting bored.
Steve Roach: The Delicate Forever
“The title for this release is more than adequate, as the atmosphere it creates is so fragile and otherworldly that it feels as if it might shatter to little pieces at the slightest touch. . . . A concept so unreachable that it resembles a desert mirage.” – Santa Sangre Magazine
(pay-as-you-wish) Available at Bandcamp.
If you’d like to share this eList with friends, you can link to: http://www.projekt.com/store/?p=5798
Pre-Orders, shipping the week of July 14
Steve Roach: The Delicate Beyond CD $14 or Bandcamp Download $10 or 24/96k High Res Studio Master Download | A reverie of gentle and etheric ambient sound meditations that awaken complex and resonant states of emotional and psychological perspectives. The nuanced, minimal electronics interplay with a masterful use of musical space, breath, silence, and rich textural colors in a subtle dynamic flow. Nurturing the senses in inexplicable ways, these sound paintings become an evocative environment for activating a state of rarefied reflections. While supplies last, physical CD orders get a free bonus-CD, the 74-minute The Delicate Beyond.
Steve Roach: The Desert Collection (volume one) CD $14 or Bandcamp Download $10 | Steve writes, “This release started as a collection of desert-themed tracks sequenced for summer road trips between Arizona and California. Sometimes the trip is in dark of night, cloaked from the heat; while other trips are in the broad searing rays of the summer sun. Drawing from over thee decades of desert music, this magical blend creates a set that places one directly into the dramatic and emotive, immersive southwest landscapes. When I hit play on this soundtrack on the way out of Gila Bend heading west recently, thermometer at 105, an hour before sunset, the sky was bleeding orange and red. The first track on The Desert Collection emerged and so did the chills and wet eyes as I was feeling those non-motorized western travelers from not so long ago — like me — looking to ‘go west…’ On board the ‘Ghost Train,’ indeed.”
Erik Wøllo: Tundra (ep) CD $10 or Bandcamp Download $5 | Another in Projekt’s recent collection of extremely limited physical releases. We made 200 copies, Projekt has 130 of these available. If you want one, buy today! The Tundra EP finds Erik Wøllo creating fascinating atmospheric and rhythmic instrumental electronic music. This 30-minute 5-song ep features all new, previously unreleased tracks that showcase Erik’s ability to incorporate new and fresh elements while remaining true to his unique style. A strong emphasis on sequenced rhythmic passages and grooves mixes with spacious deep ambient soundscapes and melodic themes provided by electric guitars and various synthesizers. On “Tundra,” “The Native Chant” and “Swirling Lights” the use of throat singing samples and vocals from Arctic indigenous people add a human, earthy element to the electronics.
On sale at a special low price, as a nice pairing with the titles above:
Various Artists: Possibilities of Circumstance CD $5 or Bandcamp Download $7 | An international gathering of electronic and ambient artists featuring seven previously unreleased tracks. Steve Roach, Erik Wollo, Larry Fast / Synergy, Robert Rich, others…
On Studio Access June ’14, ethereal/darkwave act Black Tape for a Blue Girl offers a new track-in-progress plus four hours of soundscapes. It’s available at Bandcamp for free, or name-your-price. Share the video link and/or Bandcamp link.
Legendary America darkwave act Black tape for a blue girl has been releasing albums since 1986: 10 studio discs of their original take on ethereal, minimalism, goth rock, darkwave, and neoclassical. Today, founder, songwriter and keyboardist Sam Rosenthal announces the band is providing free digital studio access to new songs in progress.
“My friend was over a few days ago,” Sam comments, “and she asked me what music I’d been working on. I played her a new track and she said she wanted a copy so she could listen to it while she was programming. I was wondering to myself if I should share it, because it’s still a work in progress. And yet, I kind of want to share it so fans can hear where I’m at, as I work on new material. I find the stages along the way to be quite interesting! You can listen to my music like you’re in the studio while I’m creating it.”
Sam continues, “Tori, a fan of the band, emailed in response to this idea, ‘For me, hearing the underlying sounds that make up a Blacktape track is kind of like seeing brushstrokes in a painting.’ I would add, that you are seeing the brushstrokes before the painter adds the characters to the foreground.”
“Six: Thirteen” is available for free download through the Blacktape’s Bandcamp site, along with two half-hour “stretch” versions and two hour-and-a-half soundscape tracks titled “Isotope.” Fans can choose to pay for the tracks or acquire them free.
A fascinating chance to be in on the creative process with one of the scene’s original acts.
Watch the one-minute video at YouTube
Download 4+ hours of new soundscapes & the track in progress. It’s free at Bandcamp.
In the studio with the artists. Join us for a studio tour with Byron Metcalf and Mark Seelig and Dashmesh Khalsa at YouTube.Byron Metcalf & Mark Seelig: Intention
Intentionis a transcultural tour de force of multi-layered tribal-ambient rhythms, indigenous instruments, and mesmerizing soundscape. Byron’s spellbinding and laser-like drums and percussion merge with Mark’s haunting and beautiful bansuri flutes and Tuvan-style throat singing to create a bold, larger-than-life journey into infinite possibilities. Infused with steadfast power and authority, Intention is expertly crafted to induce and support expanded states of consciousness.
Many ways for you to get Intention: $14 CD at Projekt. 2-pack with Nerell/Seelig’s Tree of Life, $23 at Projekt.< $10 download at Bandcamp in FLAC, Apple lossless or MP3 $16.98 CD at Amazon $9.99 digital download at iTunes