Archive for the ‘Artists’ Category
Mercury’s Antennae: Ethereal, hypnotic, driving, cinematic, haunting darkwave with heavenly voices and spacious atmospheres from San Francisco. Comprised of vocalist Dru Allen (This Ascension, Mirabilis), bassist Cindy Coulter (This Ascension), and multi-instrumentalist Erick Sheid (Translucia), the band’s live sound is distinctly reminiscent of the blissful melodies and effects-drenched guitars of labels like 4AD, Creation and Projekt as well as the stripped down acoustic beauty of bands like Dead Can Dance and Love Spirals Downwards.June 25: DNA Lounge, San Francisco CA
w/ Carissa Bianca Mellado, Sheer & guest DJ Wednesday 9:30 / 21 + / $5 / Lush Tribute night! / Facebook Event PageJune 28: The Box @ The Blue Lagoon, Santa Cruz CA Bandcamp. The Guides (ep) Purchase on Bandcamp.
Well, that was fun! We reached 145% of the goal. As with each previous Kickstarter, I learned many new things about how to run a Kickstarter! It was fun, though I’m also glad it’s done, so I can go back to my life of NOT promoting a Kickstarter! : )
I loved being able to give you the music (546 downloads at Bandcamp) at the same time as the CD funded. You might ask what’s the difference between giving the music away on Bandcamp versus it streaming for almost-free on Spotify (or free at a torrent). The difference is that we make a connection via Bandcamp and Kickstarter; it’s just a cold anonymous play on Spotify. I like the connection. Going all the way back to “we return” on the rope, it’s always been about connection.
Now the next phase begins, getting the pieces into production. The scheduled ship date is July, but I do expect it will be done before then. All pieces will ship at the same time.
Thanks again, Sam
Eight days to go. This is the point in the crowdfunding campaign when things get mellow and we wait for the rush to the end. Of course, there are new pledges coming in every day, we’re up to 114 supporters. Kickstarter is now the place to pre-order the MONOLITH limited edition CD release; there are still copies available.
A few days ago I was having breakfast with my son and a friend; we were joking about this and joking about that. I was thinking about a shirt I saw at a chess tournament my son was in. The shirt had the “march of progress” graphic on it: charting evolution from monkey to ape to man, but there was a Chess King as the finally figure.
Hardly even pausing to think, I said: “Ape, Moon-Watcher, astronaut, Star Child! Hey, I’ve never seen a shirt like that before.”
Ooooooh, I had “an idea” !
Immediately I started imagining what the shirt would look like. I came up with this:
Even before we reached the $3000 funding goal (thank you for that!) I was thinking about what new item to add to the campaign. Some of you missed out on the top two tiers, yet still showed your support by over-funding the $50 plexibox. That was super nice and I want to give you a new premium to apply that pledge towards.
So now there’s the shirt on it’s own, the shirt with the CD-in-DVD, and the shirt with the Plexibox. Three new tiers to chose from.
Kickstarter makes it easy to change your pledge if you’d like to get a shirt. Details are here on their FAQ.
The Tshirt will be included at no extra charge in the top-2 tiers.
After the Kickstarter is over, I will email to get your Tshirt size. I print on American Apparel Ts which are custom fitted shirts; these are not the massive 90s-styled T. The shirt will ship at the same time as the CDs.
from Sam Rosenthal…
There’s a worldwide analog modular synthesizer-based music resurgence in full swing. Pioneering electronic musician Steve Roach taps into the zeitgeist on Skeleton Keys, a 74-minute album recorded using Synthesizers.com’s large format analog modular synthesizer/sequencer-based system. These are eight emotional and mind-expanding spiraling mandalas-of-sound made from interwoven tapestries of melody, rhythm, tone and musical space. The result is warm and engaging retro-futurism, a continuing evolution upon the musical structures Steve has unlocked in the restless pursuit of his soundquest. Read the full bio here.Echoes Radio review Recent electronic albums from Projekt Records: As Lonely As Dave Bowman: Monolith CD at Kickstarter. Preorder. Limited edition of 300, including the extremely limited plexibox edition. Free download for everyone.
Erik Wøllo: Blue Radiance CD at Projekt Download at Bandcamp 24/96k at Spotted Peccary
Dirk Serries:Disorientation Flow CD at Projekt Download at Bandcamp Limited edition of 300
Stratosphere: Aftermath CD at Projekt Download at Bandcamp Limited edition of 300
Help fund my electronic space music CD. Free Download for everyone. Über ltd plexibox edition too.
Hi, this is Sam from Black Tape For A Blue Girl and As Lonely As Dave Bowman. I’m trying something different here: I’m giving you a free copy of the full album digital download at the same time as I’m crowdfunding the physical release. Let’s see if we meet the $3000 Goal?Kickstarter pledge: kck.st/1aWKvCr Bandcamp download: blacktapeforabluegirl.bandcamp.com/album/monolith
With your help, this 73-minute album will exist as a 300-piece limited edition audio CD packaged in a DVD-sized digipak. Up to 100 of these will be in the über-limited plexibox edition.
Unlike my work in Black Tape For A Blue Girl, Dave Bowman is full-on electronic music: droning space, wordless drift with long suspended passages. Covering Bowman’s journey to the Monolith near Jupiter, the album touches the edges of isolation and glacial solitude, with a discernible warm human core. MONOLITH‘s epic expanses, asteroid flybys, serene ambient moments, vast open textures, and warmer hues of sparse remoteness are barren, yet without leaving the listener abandoned. Think of it as drone insulation rather than drone isolation.But I don’t have to tell you about the music. Listen to the whole album right now!
Visit the Bandcamp page for your copy. Download it and listen without paying anything. I’m hoping some of you will drop by Kickstarter and donate three dollars or more to support the physical CD. And perhaps you’ll pledge one of the limited edition physical versions.
I appreciate that!
Every sponsor at Kickstarter gets MONOLITH (ADDENDUM), a 37-minute download of additional tracks. That’s 110 minutes of music for as little as three dollars!
Whatever you contribute, you’re supporting art — and that’s super-cool of you!
PS: Here’s a 30-second YouTube clip from Saturday’s session in the studio with violist Grace Young.
Hi. If you’re a fan of Black Tape For A Blue Girl and want to support me in the creation of my art, please become a patron at my Patreon page. 90 fans – just like you – are contributing; I really appreciate that! Their support helps me create; contact with people who want me to make more music is inspiring me to get up from my desk at Projekt, and work on new material.
For the last month, I’ve been keeping track of how much Projekt-work I do; I’m color coding it on a schedule. I keep Projekt separate from music. By seeing where I spend my time, my goal is that I will spend more time in the places I chose (art!)
It’s a mixture of Quantified Self and Wayne Dyer’s “What you think about expands” concept. I’m thinking more about art. And look, I have more art! I’m thinking about people caring for what I create. And look, I meet more people who care for what I create.
Last week I met UK-based patron Antony for coffee. Antony is a graphic artist / videogame maker who visited Portland for a few days. We had a great conversation about music, art, creation, sponsorship, staying true to your inspiration and more. It is nice to put a face to the name of one of the very cool people supporting me!
Making BlackTape’s music is a lengthy process: the initial creation of my instrumental tracks, adding other musicians, thinking up melodies and lyrics, working with my vocalists. It’s not a one-day process! Making darkAmbient and electronic instrumentals is a good way to warm up. Unexpectedly, I recorded an entire new album from As Lonely As Dave Bowman! 73 minutes of music, with a 37 minute companion release. I will be talking more about this soon – I have some creative ideas for how to make the album available to you.
I’m also planning to make old-school-fan Randy LeMasters’ Ashes in the brittle air dream a reality; I’m going to have my guy in Canada bake/transfer the 1989 2-track master of the alternate version of the album. This was the shelved first version, which contains a number of different tracks from what was eventually released on CD. Getting that master transferred at High Res Archival Quality will cost $340 plus shipping. It is thanks to the support of my Patreon fans that I’m inspired to do this.
If you can fund a little something per month, that would be great:https://www.patreon.com/blacktapeforabluegirl
In the next day, Shea will email Bandcamp download codes to the $5+ a month supporters. Check your email for that.
Upcoming interview with Sam Rosenthal on WFKU.org — Monday – April 6th – 10:30pm EST.
“Dj Despair brings us an interview with Sam Rosenthal of Black Tape For a Blue Girl. This amazingly talented musician speaks with us about the band, his record label Projekt, and the Patreon campaign to support passionate and introspective music. Don’t miss our special program on The Pit of Despair, only at WFKU.org!:
One of the premiums for $10+ patrons at Black Tape For A Blue Girl Patreon Campaign* is a once-a-month one-hour Q&A live video chat. It will be exclusive for the small group of participants who have contributed $10 or more to support me and my music.
I’ve been comparing the different sites that offer this service and (I think I) settled on Livestream as the most economical ($49 a month!) and easiest to use.< Last night, I invited people on Facebook to check out a test stream. There were a few folks dropping in and out giving it a look, and three or four who stayed on for the whole hour. It was fun to interact directly with people who enjoy the music of Projekt... I think this could be a cool new way to stay in touch. Attendees post questions in the chat and I answer them live. Is this something you'd be interested in participating in? Leave a message below. Last night on the test, Jesse asked about new Projekt releases... Today is the street date for Forrest Fang's latest album, Letters to the Farthest Star. It is extremely limited to 300 copies; when these sell out there will not be a second physical edition. If you want a copy, order today from Projekt. Here are the links:
* Patreon is a crowdfunding site built for “empowering a new generation of creators to make a living from their passion and hard work.” patreon.com/blacktapeforabluegirl
Pledge your support to Black Tape For A Blue Girl on Patreon; get all access to our new music
SHORT VERSION: If you enjoy Blacktape’s music, want exclusive access to unreleased new work, and can pledge $2 or more a month, please become a patron of my art.
Watch the video & pledge at: https://www.patreon.com/blacktapeforabluegirl
Hello, I’ve discussed here on the Projekt eList — and my Facebook page — the dramatic changes that have swept through the music business in the last 15 years. Only a few artists I know survive off their art. Most of us have day jobs, music is something we do when we can find the time. My day job is running Projekt Records (working with the artists, doing graphic design for the covers, product management as the CDs are manufactured, communicating with my distributors and press contacts). Hey, I’m not complaining, it’s a pretty fun job. I work for myself, and I’m involved with music every day.
The label began as a vehicle for my music, Black Tape For A Blue Girl. For twenty-nine years, I’ve been releasing ethereal, gothic, & darkAmbient albums. But we’ve only released two CDs in the last decade; the problem really is that the day job takes up all my time and I don’t get into the studio to create. I want to get back to the way it was in the 90s when I was a musician who ran a record label, instead of being a guy who runs a record label who occasionally has time to make music.
I’m asking for your support to make this possible.
Albums sell a fraction of what they did at the peak of the music industry, back when Remnants of a deeper purity was released. Even with the dramatic decline in sales, I realize people still listen to a lot of music; there’s so much available at our fingertips. For most people, their preferred price point is FREE.
There’s not much financial support for creators within “free.”
That’s a big problem in the system. Legally and ‘illegally,’ it’s easy to find music that you don’t have to pay for. But all of us artists deserve to be fairly compensated for our work. It takes time, energy, and passion to create music. And there needs to be return on that time spent, in orders for creators to keep creating. We live in a world of real things… like rent. Our landlords don’t take high-fives and MP3s of our latest song as payment. : )
And honestly, I don’t want musicians to be hobbyists. I want it to be their full-time job. As I wrote here on the list, last October, “I don’t want my favorite artists to be amateurs. I really want to live in a world where artists can focus on their art… Think about it! It’s a very weird world where the-average-joe expects to be paid for their labor, and yet people are generally OK with the artists they love working some other job so music can be their hobby.”
Yet I realize I’m a hobbyist. In 2015, a band like Black Tape For A Blue Girl, with years of history, doesn’t sell enough CDs and downloads to pay my living expenses, let alone support five of us. My “real job” keeps a roof over my head, and pays for my son’s ice hockey & my cat’s medicine.
I’d rather spend my time making music; it’s fun and challenging and interesting.
I’m beginning to see a solution that makes it possible.
Crowdfunding seems viable to me. It’s a direct connection to those who love my work. Plus crowdfunding has been so rewarding to me; not just monetarily, but on a personal level. When I did the Remnantsvinyl Kickstarter back in 2013, I loved posting updates, and private messaging, to keep you up-to-date on the status of the manufacturing. In the process, I learned more about you: the people who love what I create. It feels good to talk with people who are excited about music. Invigorating. In my line of work as Projekt’s label manager, I spend a lot of time looking at what has been lost over the years, and too little time thinking about what draws you to music, and excites you about we create.
Wayne Dyer says, “What you think about expands.” I reflect on this often, try to stay positive, and focus on the good things. Thinking about what’s possible is much better than dwelling on what can’t be done. Either strategy solidifies the reality of that particular perception of the situation.
Oh, got a bit off topic. Let me reel it back in…
I’m recreating the sort of exchange that happened during the crowdfunding of Remnants, and evolving it into an ongoing experience. I’ve started a page on Patreon to immerse you in my work: get access to my music as it’s evolving in the studio. Patreon allows YOU, the patron, to support ME, the artist, so I can dedicate more time to writing and recording songs for you. This really makes sense!
“Patreon is empowering a new generation of creators to make a living from their passion and hard work… Over 125,000 people have become patrons of creators on Patreon, paying them over a million dollars every month. Their patronage takes the form of a recurring pledge – a promise to pay creators per work or per month. The sum of these ongoing pledges constitutes sustainable, reliable salaries for professional creators around the world.” (from a blog on Patreon)
This is a return to the patronage system. But rather than one King, there are many Kings who support my music.
You are the new Kings.
In the last 24 hours, 20 patrons have signed on to support me! $189 expands my thoughts about my goal of setting aside more time to work on music. As more pledges come in, I have more impetus to take off from work to make music.
Your recurring monthly pledge of $2, $5, $10 or more gives me the freedom to follow my muse.
Patreon is different from Kickstarter. Rather than providing one-time support to fund an object such as a CD, you’re giving ongoing support. The money goes towards a sustainable, reliable salary (which I’ll use to cover my living expenses, plus wages for my bandmates when they join me in the studio, gear repair, plane tickets, out-of-town studio sessions, etc).
You’ll get exclusive access to Black Tape For A Blue Girl in the studio: * private posts featuring work-in-progress * behind-the-scenes videos * revised versions of new songs as additional instruments are added * tracks that otherwise would never be released * early mixes of songs from older albums * live recordings * and my updates in the activity feed (where we chat and you meet a community of other Blacktape fans)
Thanks for your interest in supporting me. This is how to make a difference in 2015!< Watch the video and make your pledge to help keep the music flowing. Thanks!
PS: Even if you cannot afford to pledge today, it would be incredibly kind and helpful if you share the link on your Facebook, Twitter, etc. Thanks. https://www.patreon.com/blacktapeforabluegirl